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TOUR NEWS: Smokey Brights October 2018 dates

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Smokey Brights recently released their EP ‘Different Windows’, the second the band has released this year on Freakout Records. The first EP ‘Come to Terms’ was released in January of this year

Smokey Brights is fronted by Kim West and husband Ryan Devlin. They say “We love 70’s rock and disco records, early MTV music videos, and thrift shop fashion, all of which informs our warm vintage sound. We’re backed by our steadfast rhythm section of Nick Krivchenia (drums) and Luke Logan (bass). We put on an infectiously positive and high energy show that’s been selling out rooms in our native Seattle for years”.

The band are playing Rough Trade Nottingham on October 22nd followed by a week of dates throughout the UK, including a show at the Fulford Arms in York on the 23rd, before an appearance at London’s Shacklewell Arms on Sunday the 28th. Full dates below:

10/22 Rough Trade – Nottingham*
10/23 The Fulford Arms – York*
10/24 Le Pub – Newport
10/25 The Parish – Huddersfield*
10/26 Surf cafe – Tynemouth*
10/28 The Shacklewell Arms – London

*w/ Vuromantics

Facebook: https://www.facebook.com/smokeybrights/

TOUR NEWS: Israel Nash announces 2019 dates

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Texas’ genre-bending rock ‘n’ roller ISRAEL NASH released his fifth studio album ‘Lifted’ earlier this year to widespread acclaim, and today he has announced he will be touring it in the UK in 2019.

Kicking off in Glasgow on 23rd Jan, the tour will see Nash visit cities including Manchester, Leeds and Bristol before rounding off at Birmingham’s Institute 3 on 30th Jan.

Full dates listed below, tickets on sale from 10am on Friday: http://www.israelnash.com/

A modern day hippie-spiritual, ‘Lifted’ finds Nash continuing his tradition of creating a sonic landscape that is at once both vast and intimate – soaring and untamed at times, placid and sincerely personal at others. Accompanied by his longtime band, with arrangements by Jesse Chandler (Mercury Rev, Midlake), horns by members of Austin’s cumbia/funk compadre’s Grupo Fantasma, and strings from Kelsey Wilson and Sadie Wolf (Wild Child), Nash, alongside co-producer and engineer Ted Young (Kurt Vile, The Rolling Stones), presents an album that soars with meticulously crafted, multi-hued rock and psychedelia.

‘Lifted’ opens with an extended instrumental introduction before blossoming into lead single ‘Rolling On’. The track acts as the album’s manifesto, an anthem of urgency, encouraging the listener to let go of yesterday’s troubles and move forward with positivity.

The album was recorded at Israel Nash’s own studio, a Quonset hut structure called Plum Creek Sound at his home in Dripping Springs, Texas. During the process the studio became a sanctuary for Nash, a creative environment where he often reached a meditative state of escapism, creating a space where he could leave behind his downhearted feelings about the current political landscape and the bigger, existential questions those concerns raise.

Being able to finally use Plum Creek Sound to its full potential, Nash set about recording found sounds and field recordings from his Texas ranch, with the aim of creating a listening experience that was almost an immersive representation of his environment. Drums played in rain collection tanks, water rushing against the limestone, frogs, crickets, and even a rattlesnake all appear throughout the record. Taking inspiration from methods pioneered by John Cage, Nash then randomized the sounds and music before rearranging them according to the I Ching (The Book of Changes). This process of experimenting, as Nash explains, was key to the making of ‘Lifted’

“It’s all about finding, searching for little sparks of inspiration. It may be a sound, a groove, a colour, or even an object. Old things are inspiring. Whatever it is, when you find it, it spreads like a conflagration that is out of your control. It doesn’t matter if you’re making a record or living your life, find these inspirations with a vigil eye and watch them change both you and your world.”

‘Lifted’ is Israel Nash’s opus, a fully realised, psychedelic, experimental, Americana rooted epic. From the familial harmonies of ‘Sweet Springs,’ recalling the Beach Boys at their most joyous (almost all performed by Nash himself), to the country rock of ‘Lucky Ones’ and ‘SpiritFalls’ to the sunshine laden album closer ‘Golden Fleeces’, it is a startlingly accomplished work from beginning to end.

ISRAEL NASH PLAYS:

22 Nov – LONDON Scala (support from Treetop Flyers)

23 Jan – GLASGOW Queen Margaret Union (supporting Cake)
24 Jan – MANCHESTER Deaf Institute
26 Jan – NOTTINGHAM Bodega
27 Jan – LEEDS Brudenell
28 Jan – BRISTOL Thekla
29 Jan – BRIGHTON Komedia
30 Jan – BIRMINGHAM Institute 3

SINGLE REVIEW: Edited People – ‘Feel My Skin’

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There’s something about ‘Feel My Skin’ that crept its way under my skin. I mean yep it’s broadly alternative rock – buts it’s heavy, it’s way heavy in places – but it’s the things Edited People bring to it that make it stick.

Musically there are hints of, of all things, No Doubt, Siouxsie and The Banshees and something that had me searching through my iTunes collection to identify finally as sounding vaguely Pat Benatar-ish, so that made me sit up and listen. But it’s the vocals that really do it, Alisha seemingly effortlessly shifting from this lifting yelping thing (I seem to have a thing about vocals that employ a yelp right now), to this lovely frankly smooth thing, to a kick arse rock vocal. It’s a beautiful captivating performance that drills it’s way into your head.

There is this fantastic use of, let’s call it, dynamics in the music that highlights that these guys can play. The guitar is frankly gorgeous, the drums pound in a slightly tribal way.

After experimenting, and as a hint to the listener, the louder you play this track the better it sounds. The little touches in the performance and mix start to come through. I found it best at floor vibrating level but unless you have what we might describe as ‘understanding neighbours’ I’d probably recommend being a little careful about shifting it up quite that far, the intro can be a little deceptive.

‘Feel My Skin’ rocks, it rocks way hard but it’s dynamics, the shifts from heavy and grinding to 80s rock smooth that really make it. Can’t recommend it highly enough, listen to this right now.

The single will be released on the 19th October on all major platforms.

The info

Edited People consists of four members pioneering a new-wave of Alternative music. Their sound is reminiscent of 90’s rock mixed with modern, heavier flavours. Varied influences shapes their music; No Doubt, System of a Down and Soundgarden are a notable few. Expect an adrenaline fuelled live performance from every gig played by Edited People.

‘Feel My Skin’ aims to highlight the issues with social media and its impact on young people’s mental health.

Lead singer Alisha Vickers says “Our new single talks about the negative impact social media brings to young peoples mental health. The lyrics talk in depth about the fake picture social media paints and how that can lead to people feeling inadequate.”

Edited People combine multiple subgenres of rock, using heavy riffs and melodic top lines creating there own new wave of Alternative Rock. Their unique approach to this genre gives them a platform to stand on.

Facebook: https://www.facebook.com/editedpeople/

TOUR NEWS: Dream Wife announce female/non-binary support slots open call selections

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DREAM WIFE, have announced the support artists who will joining them for their upcoming UK & EIRE tour dates. Earlier this summer they announced a support slot open call for women & non-binary artists in select cities across their international tour. They received over 400 submissions and they have shared all of their UK selections – see below for all openers. In collaboration with non-profit organizations Girls Rock London, this open call doubles down on the band’s mission to smash society’s objectification of women, and aims to take Dream Wife’s already fierce live shows – where inclusivity is not only encouraged, but required – to the next level.

Dream Wife on the open call: “One of the best things about touring is getting to meet, exchange ideas with, and play music alongside kickass bands from all over the world. For our autumn headline tour dates we are calling for women/non-binary artists to come share their music, thoughts, the night and a stage with us.

“Gender diversity in the music industry is still an issue and the aim is to provide a platform for women/NB musicians regardless of experience, financial backing, number of online followers etc. If you’ve got rock ‘n’ roll in your soul, if you’ve got something to say; we want to hear from you.”

OPEN CALL SELECTIONS

Dublin, Ireland @ Whelans – Girlfriend
Glasgow, UK @ SWG3 – Bobby Kakouris
Leeds, UK @ The Wardrobe – Cat Apostrophe
Manchester, UK @ Gorilla – Dollie Demi
Portsmouth, UK @ Wedgewood Rooms – The Hippaes
Brighton, UK @ Concorde 2 – ARXX
London, UK @ KOKO – Big Joanie

Since forming in 2015 as a college art school project, Dream Wife – a name chosen as commentary on society’s objectification of women – have become one of the foremost up-and-coming bands in the U.K. The band came together while they were studying at Brighton University, initially intended as a performance art piece and a way for the trio to obtain a dream trip to Canada. They quickly realized that their chemistry was too powerful for them just to be a one-time thing, so they took themselves out on the road under their own steam, and started touring with only four songs and without a booking agent, promoter or a tour manager. Fast forward to 2018, Dream Wife have released their debut album with guns blazing, armed with strong messages of empowerment backed by unparalleled live shows.

UK Tour Dates

17/10/18 – Dublin, Ireland @ Whelans
18/10/18 – Galway, Ireland @ Roisin Dubh
20/10/18 – Cardiff, UK @ SWN Festival
21/10/18 – Birmingham, UK @ All Years Leaving Festival
22/10/18 – Glasgow, UK @ SWG3
24/10/18 – Nottingham, UK @ Rescue Rooms
25/10/18 – Leeds, UK @ The Wardrobe
26/10/18 – Manchester, UK @ Gorilla
27/10/18 – Coventry, UK @ Central Library
29/10/18 – Portsmouth, UK @ Wedgewood Rooms
30/10/18 – Brighton, UK @ Concorde 2
31/10/18 – London, UK @ KOKO

Dream Wife:

http://www.dreamwife.co

ALBUM & TOUR NEWS: Echo Town new album ‘Kin’, dates October 2018

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Acoustic-rock duo ECHO TOWN have released their fourth studio album: ‘Kin’. A fusion of molten rock wig-outs, frenzied acoustica, riled-up reggae, and bastardised blues; ‘Kin’ is one hissing cauldron brimful of budding ideas, conscientious lyricism and impressive instrumentation.

Making their name across Europe as a band with a fired-up live show that rings out into the night air like a 21 gun salute, ‘Kin’ sees the tenacious jamming duo deliver their immense live sound to disc with aplomb.

With the kernels of ‘Kin’ very much forming in the live domain, the brothers made a conscious decision from the get-go to attack this album as they would a sold-out show. In taking the most ear-worm worthy motifs and immoveable jams to emerge from their free-flowing performances, the pair began to stitch together the material that would form the backbone of the record. With a live and loose feel firmly on the agenda and in letting thunderous sticksman Robert Harrison essentially ‘do whatever he wanted’, the percussion on ‘Kin’ soon became something of literal heartbeat for the record.

‘Kin’ was recorded with producer and sound engineer extraordinaire John Cornfield (Muse, The Stone Roses, Ben Howard). With Cornfield taking charge of the mixing and mastering, the record was then given the final production makeover by Echo Town themselves.

Speaking about bringing ‘Kin’ together, Ric says: ‘A good half of the album is made up of tunes we have been jamming at gigs for years that have never progressed beyond being jams, but now they have lyrics and some additional structure. We have a lot more up tempo tunes on this record that reflect our live show more accurately. Wrapped up in these refined jams are conscious lyrics addressing themes such as overcoming personal struggles, caring for the planet, recognising our place and what is truly important in life as well as having fun’

A record that is meant to be heard in the natural environment of its intention, Echo Town will be taking ‘Kin’ out on the road for a series of UK shows this Autumn. Catch the band at the following dates:

TOUR DATES
Oct 4 – Exeter, Bierkeller
Oct 5 – Perranporth – Wateringhole
Oct 6 – Hope Cove – Hope Cove Bar
Oct 11 – Plymouth – The Junction
Oct 12 – Bideford – Palladium
Oct 13 – Manchester – Castle Hotel
Oct 18 – Bangor – Blue Sky Cafe
Oct 19 – Chester – Telford’s Warehouse
Oct 26 – Bristol – Crofters Rights
Oct 27 – London – Thousand Island
Nov 1 – Southampton – Joiners
Nov 2 – Brighton – The Brunswick
Nov 3 – Guildford – Suburbs at Holroyd Arms

Formed in the North of England in 2013, Echo Town are brothers Ric and Rob Harrison. After jamming for many years the time was ready to take things serious, so they set up in the South West and immersed themselves in music and their dream lifestyle. Hitting on a heady brew that mixes their love of surf culture and nature with contemporary freedom songs, the band have become instantly recognisable for their multi-instrumental performances and eclectic sound; it’s perhaps no surprise then, that BBC Introducing picked them out for sessions very early on. Touring restlessly across the UK live circuit, the band have been making the steady climb to stardom with their powerful headline shows, festival billings at the likes of Oceanfest, Glastonbury, Boomtown, Boardmasters, Loose Music Fest, Montreux Jazz Festival and by taking up crowd winning support slots with the likes of class-acts Xavier Rudd, Chali 2na, Morcheeba, My Baby, Ferocious Dog, Wille & the Bandits and Sound of the Sirens. Something of a benchmark year for the band, in 2016 on the back of their ‘Be Strong Troop On’ album, the brothers impressively notched up over 100 shows as they dedicatedly proved their commitment to their cause.

Website http://www.echotown.co.uk
Videos http://www.youtube.com/playlist?list=PLzfNlbKTvHjlCsm62al-AkTENB_yXG2Xl

SINGLE, ALBUM & TOUR NEWS: Paul Smith shares ‘Around And Around’, ‘Diagrams’ out 26th October, November 2018 dates

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In the wake of recent track ‘Silver Rabbit’ – a story of self-doubt and regret channelled through overdriven guitars – comes brand new single ‘Around and Around’.

Talking about the new single, Smith comments, “I wanted to create a seemingly breezy pop song that contains buried feelings of discomfort and unease. I began by using certain autobiographical details, but then I tried to make it more of a cryptic short story with Brexit Britain as the backdrop.”

At the end of October, live dates kick off with an intimate hometown album launch show in Stockton. A month later, the album will be brought to life with full band performances, with support coming from One Little Indian’s former Mercury Prize nominee Kathryn Williams.

Dates

Sun 28 Oct The Waiting Room Stockton (solo) – SOLD OUT
Thu 22 Nov Hug and Pint Glasgow
Fri 23 Nov Picture House Social Sheffield
Sat 24 Nov The Cluny Newcastle
Mon 26 Nov The Deaf Institute Manchester
Tue 27 Nov Mama Roux’s Birmingham
Wed 28 Nov Moth Club London

Pre-order the album here: http://hyperurl.co/PaulSmith

On new album Diagrams, alongside co-producer Andrew Hodson – of 6 Music favourites, Warm Digits – Paul Smith charts a course into the yearning, melancholic jangle-pop of The Go-Betweens, finding himself drawn to the literate, grunge-pop of The Lemonheads, to build a cohesive collection that pulls in his many songwriting strengths.

Album tracks

1. The Public Eye
2. Around and Around
3. Silver Rabbit
4. Lake Burley Griffin
5. Syrian Plains
6. John
7. The Beauty Contest
8. Hollywood Hills
9. Head for Figures
10. Critical Mass
11. Your Orbit

TOUR NEWS: The Americans are returning to Europe to support St Paul And The Broken Bones on tour November 2018

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Los Angeles quartet THE AMERICANS are returning to Europe to support St Paul And The Broken Bones on tour.

Supporting energetic US Southern soul rockers St Paul and The Broken Bones as they tour their upcoming album, the UK leg of the tour, kicks off in Leeds on 14th November, and will stop off in Manchester, Glasgow and Nottingham before finishing up at London’s Roundhouse on 19th November.

The Americans released their debut album I’ll Be Yours via Loose last year to critical acclaim. Having started out as a roots band enthralled by pre-war American country and blues, they have evolved into a blistering amalgamation of those influences, injected with a fiery blue collar rock”n”roll attitude, absorbing and reconfiguring the history of American music from Chuck Berry and Tom Waits to Bruce Springsteen. They named themselves after the controversial photo series by Robert Frank, which was first published in 1958 with a foreword by Jack Kerouac. Like Frank’s photos, The Americans’ songs are miniature biographies, intimate and empathic portraits of individuals that leave much unsaid.

In addition to critical acclaim from the press, the record was also championed by key record stores ØC Rough Trade made it one of their Albums Of The Month ØC ”From crooning laments, rich and glorious with sweeping sweet orchestrated lushness to disheveled, bluesy, rocking, frantic party time hoedowns, this album lifts you up and gently drops you down”

The Americans were plucked from obscurity by Jack White, T Bone Burnett and Robert Redford to appear in the recent PBS/BBC4 series American Epic. Featuring artists such as Beck, Elton John, Nas, Willie Nelson, Alabama Shakes and many more, the film reconstructs the story of the first American music in the 1920s and re-assembled the recording apparatus that was used at the time. As experts in early music, The Americans were invited in to figure out the equipment and make the first recordings. Once the sessions were underway, they functioned as the house band, backing up various artists and suggesting songs to the filmmakers. Burnett was quoted as saying; ”The Americans are part of this group, these genius 21st century musicians, that are reinventing American heritage music for this century. And it sounds even better this century.”

The Americans presented their American Music lectures on the pre-war recording era at Liverpool and Edinburgh Universities earlier in the year as well as at the Grammy Museum in Los Angeles, the PBS Annual Meeting in Austin and the Haus der Kulturen der Welt in Berlin. They’ll be bringing the lecture to Berlin, Göttingen and Münster this summer.

They have performed on the Late Show with David Letterman, have backed up Nick Cave, Lucinda Williams, Ashley Monroe and Devendra Banhart, and played the first dance at Reese Witherspoon”s wedding.

Tour Dates:

November

14th – Leeds, Brudenell Social Club
15th – Manchester, Albert Hall
16th – Glasgow, Barrowland
17th – Nottingham, Rock City
19th – London, Roundhouse

http://www.theamericansmusic.com/

ALBUM, SINGLE & TOUR NEWS: Me and My Friends new album ‘Look Up’, new single ‘High As The Sun’, announce live dates Autumn 2018

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Me and My Friends have announced their new album ‘Look Up’ the release date as December 6th via Split Shift Records. Album highlight, ‘High As The Sun’, has been released as a first taster. It’s a gorgeous sun-drenched track with a chorus that’ll keep you warm throughout winter. The band are also playing several live dates beginning later this month.

Me and My Friends play soulful, poignant, and gloriously danceable music, subtly referencing many styles, including vintage Ghanaian highlife, Jamaican roots and Afro-Brazilian folk. The UK-based quintet create a timeless sound with a global outlook, performed with an infectious energy, and the result is instantly recognisable, highly original and truly genre-defying.

On their new album ‘Look Up’ the elegant voice and West African finger-picking guitar style of songwriter Nick Rasle is cradled by stunning vocal harmonies and the evocative combination of cello and clarinet, all underpinned by a rhythm section with a deep sense of groove. ‘Look Up’ draws heavily on early 70s acoustic soul, as well as the modal ‘Ethiopiques’ of Mulatu Astatke and the minimalism of the Penguin Café Orchestra.

Built on deceptively simple, yet richly satisfying grooves, the songs explore timeless themes of friendship (‘Another Lifetime’), commitment (‘Promise Me This Much’) and nostalgia (‘High As The Sun’). Having worked in a volunteer kitchen on the Greek island of Lesbos at the height of the refugee crisis in 2016, Nick Rasle recounts a tale he heard over and over on the haunting roots reggae track ‘Good Life’. Drawing on the determination of the people he encountered to feel hope, to look forward and to be acknowledged, the song is a call for empathy and understanding in our increasingly intolerant society.

From the title track ‘Look Up’ with its energetic afro-beat, addictive melody, and jazzy breakdown, to the atmospheric ‘All Of This I Know’ that has clear influences from avant-garde British folk, the album takes the listener on a journey through many genres and cultures.

Me and My Friends released their critically acclaimed second album ‘Hide Your Way’ on Soundway Records in 2016. After support from the likes of Songlines, BBC Radio 2, BBC Radio 4 and BBC 6 Music in the UK, the group also had recognition from nu-jazz DJ, Will Holland, as the album headed up Quantic’s ‘favourites of the year’ mix.

Pre-order ‘Look Up’ via Bandcamp

Dates

Friday 5th Oct – The Marshall Rooms, Stroud
Saturday 6th Oct – The Jam Jar, Bristol
Friday 12th Oct – Franz Mehlhose, Erfurt, Germany
Friday 26th Oct, Old Abbey Taphouse, Manchester
Saturday 27th Oct – Brudenell Social Club, Leeds
Friday 2nd Nov – Y Plas, Machynlleth
Saturday 3rd Nov – Assembly Rooms, Presteigne
Thursday 6th Dec, Rich Mix, London
Saturday 8th Dec – Cobalt Studios, Newcastle

ALBUM REVIEW: Waterways – ‘Waterways’

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A while back I reviewed a single from Waterways ‘More Human Than Human’ and I was hugely impressed. However an album of instrumental progressive post rock runs the risk of becoming, lets say, a little same-y to the listener, even for me owning as I do several rather well worn albums of instrumental progressive rock.

So did ‘Waterways’ succeed in holding my interest, well yes and no if I’m honest. It didn’t when I listened to it as eight different tracks all in a row. I found myself looking for a track with less of the loud in the quiet/loud thing. It did work, and work really well, when I listened to it more as one seamless piece of music with separate sections or dipped in and out over time. What I found is that when you listen to it as one piece with sections is that you are drawn in and taken on a musical journey.

So what’s to draw you in? Well as an instrumental album unless the playing was way up there it just wouldn’t work. The playing on this is hugely impressive. There’s range of guitar styles and sounds that have you thinking what’s coming next, although you’re never that far away from a searing ‘loud’ bit, how it gets from the quiet to the loud is the thing that holds your interest.

Dipping in and out over time what I found was that I reacted differently to each of the different tracks, each track has an atmosphere or mood of it’s own. Listened to as eight tracks in a row I found that difference being swamped.

The thing is that even though I might sound a little on the fence about this album, in the time that I’ve had the album on my review list I’ve actually found myself playing it while working away on my ‘other jobs’ rather a lot. So it must be working for me on some sort of level. It’s just that when I sit down to try and work out why, it sounds as though I’ve not taken with it, whereas clearly I am. This isn’t the first time this has happened, I actually own albums that for the life of me I can’t explain why I like them when friends ask, I just have to say ‘because I do’. One thing I can say in explanation is that I do really like hearing guitar being played really really well, perhaps that’s key.

It may sound as though I don’t recommend this, I do, I do highly recommend it, it’s hugely impressive from a ‘guitars being played really well’ point of view, it’s just that I can’t define quite why I find it engaging on a level over and above that. Look try it, you may find yourself responding ‘I like it because I do’ like me.

SINGLE NEWS: Avalanche Party are back with new single ‘Million Dollar Man’

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Avalanche Party are back with the brand new single ‘Million Dollar Man’. It’s a dark, vampiric number with stabbing electronic elements, oscillating bass grooves and an overall sinister feel. It follows a summer which has seen them play festivals across the UK & gain support from BBC Radio 1, 6Music, Radio X, KEXP, NME and more.

“This song comes from one side of our influences, and there are many more to come. We recorded with Thee Jonny Hooker at Young Thugs Studios in York. Good studio. It’s above a Social Club, so now Glen is an amazing Snooker player and even better dartboard. There was a 60th birthday party going on downstairs during one of the sessions so if you listen closely enough to the 2nd chorus you can hear Cotton Eyed Joe. It was great working with Jonny, we knew him from Fossil Collective firstly and then he and Jared (guitars) worked with each other doing LUUNA. His experience and expertise was invaluable to the process (he’s old as fuk).

The video was shot mainly in Staithes, which is where Kane lives and grew up, and where we rehearse and put gigs on at The Captain Cook Inn. Nice seaside village with lovely alleyways – which we enjoyably ran round until 4am. The locals seemed to enjoy the thrill of the filming, judging from the twitching curtains and glut of late night dog walkers. One unfortunate, wheezing Labrador was walked 8 times in the space of an hour, when the shoot was at a particular peak of high action. One more drone would have been the end for Fido”
– Joe Bell, Bass

‘Million Dollar Man’ is available on all streaming platforms now & is also available on a limited edition coloured, transparent 7” vinyl with on-body etching.

Each copy of the vinyl comes with;

  • stunning etching on the body of the vinyl
  • a hand numbered sleeve
  • a download
  • a Clue zine
  • a chance to win a vinyl test pressing of their previous release ‘Porcelain’

This release follows on from previous single ‘Porcelain’, the vinyl of which sold out in just 3 weeks. It can be ordered from www.cluerecords.com