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ALBUM & TOUR NEWS: The Young’uns release ‘Strangers’ 29th September, tour in October 2017

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Teesside trio The Young’uns have always had the human touch. In the space of little more than a decade – and just three years after giving up their day jobs – they have become one of UK folk music’s hottest properties and best-loved acts.

Stockton Folk Club’s star graduates clinched the BBC Radio 2 Folk Awards ‘Best Group’ title two years running (2015 and 2016) and last year saw them spreading the net, taking their unique act and instant audience rapport to Canada, America and Australia.

With their strong songs, spellbinding harmonies and rapid fire humour, they have achieved one of the trickiest balancing acts – an ability to truly ‘make them laugh and make them cry’, while cutting straight to the heart of some of our most topical issues.

On September 29 they will unveil their fourth studio album Strangers – playing their strongest suit to date. Bold, profound and resonant it showcases the growing talents of Sean Cooney, fast becoming one of folk’s finest songwriters.

Together with Michael Hughes and David Eagle, Cooney has come up with a collection of folk songs for our time, all sensitively arranged by the 30-something trio – looking back at wartime heroes here, offering a news report for the 21st century there, turning the spotlight on injustice and ultimately celebrating the indomitable human spirit.

Setting the scene with a cover of Maggie Holland’s A Place Called England (Best Song at 2000 BBC Radio 2 Folk Awards) , the remaining songs on the 10-track album all come from the prolific pen of Cooney who manages to combine unflinching, sharply observed but compassionate, heartfelt lyrics.

With its ocean blue cover, Strangers looks at the stories of those that have crossed the seas to British shores and soldiers that have voyaged from here to the warfields of Europe. Paeans for the underdog have been inspired by the courage of Syrian refugees, have-a-go heroes and Gay Rights campaigners which sit seamlessly alongside narrative songs of First World War soldiers, Caribbean and Jewish immigrants, including the founder of one of our best known British High Street stores.

Not forgetting their native North East heroes, The Young’uns inspiration also comes from further afield – the banks of Spain’s River Ebro (Bob Cooney’s Miracle) and the Thalys train terrorist attack in France. (Carriage 12). There are constant changes of tempo and mood, from the jaunty sing-a-long Ghafoor’s Bus, celebrating their fellow Teessider who reached out to refugees across Europe to the slow, soaring beauty of Lapwings (as performed on BBC-tv’s Springwatch), inspired by a First World War diary entry from a soldier homesick for English fields and skies and the sublime, poetic Dark Water where they are backed by Aldeburgh Young Musicians and Radio 3’s Mary Ann Kennedy on harp.

Stand-out song Be The Man was inspired by the incredibly moving story of Matthew Ogston and his fiancé Nazim Mahmood – its poignancy elevated by ex Bellowhead musician Rachael McShane on cello and fiddle and Chumbawamba’s Jude Abbott on melancholic flugelhorn. Matthew reacted to Sean’s lyrics saying: “I do not have the right words to even begin to explain how your words have touched my soul and heart”.

Sean’s songs have reached some of the people who inspired them including Syrian refugee Hesham Modamani, now living in Germany and Paris-based American-Frenchman Mark Moogalian, injured in the Thalys train attack, who heard Carriage 12 and wrote to say: “Many thanks for this wonderful song – the only thing that has ever brought tears to my eyes regarding what happened that day.”

These are powerful songs prompted by remarkable stories – making for an ultimately upbeat album full of hope, echoing the lyric from Ghafoor’s Bus: “There’s a friendly face, a better place and a future for us all”

Striking a chord wherever they go, the emphatic Strangers marks a milestone chapter in The Young’uns brilliant story.

Recorded at The Chairworks in Castleford and Loft Studios in Newcastle, Strangers is produced by Neil Ferguson, released on Hereteu Records label and distributed by Proper Music.

Strangers will be showcased on an extensive UK tour (October 4-27) including a debut at London’s Union Chapel and dates at Sage Gateshead (Hall 1), Glasgow’s Oran Mor and The Sugar Club in Dublin – their first headline gig in Ireland. Support for most dates comes from The Hut People, with singer songwriter Greg Russell opening for the trio in Nottingham and Lincoln.

The Young’uns Strangers album tour – October 2017

4 LANCASTER Dukes Theatre
5 SHEFFIELD City Hall (Memorial Hall)
6 GLASGOW Oran Mor
7 SHREWSBURY Theatre Severn
8 OXFORD The North Wall Arts Centre
9 COLCHESTER Arts Centre
10 BURY ST EDMUNDS Apex
11 BRISTOL Colston Hall Lantern
12 LONDON Union Chapel
13 SHOREHAM-BY-SEA Ropetackle Arts Centre
14 LINCOLN Drill Hall
15 NOTTINGHAM Glee Club
17 BRECON Theatr Brechyneiog
18 SOUTHPORT Atkinson
19 LEEDS City Varieties
20 MANCHESTER Home – Folk Festival
21 BIRMINGHAM Mac
22 CANTERBURY Cathedral Lodge
24 DUBLIN The Sugar Club
27 GATESHEAD Sage 1

Visit The Young’uns website HERE
Pre-order at Amazon HERE
Pre-order at Proper Music HERE
Pre-order at iTunes HERE

FESTIVAL NEWS: Tramlines Festival and Re-Gather present The Folk Forest 2017

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The Folk Forest is a stunningly beautiful oasis of music, food and activities nestled in Endcliffe Park, just outside Sheffield City centre and co-hosted by Regather Co-Op. Expanded in 2017, the full site now stretches for over a mile, following the historical River Porter into Bingham Park and Whitley Woods. It’s jammed packed with music, food, markets and activities with loads to do for families.

The Folk Forest Stage in Endcliffe Glade will play host to a dazzling array of music, from quirky local acts to internationally renowned Syrian performers and everything in between.
Featuring headline performances from Cate Le Bon, Omar Souleyman, Blaevanon and Yorkston Thorne Khan alongside Sheffield favourites, Neil McSweeney, The Buffalo Skinners, Paul Littlewood plus many more.

The Bird Table is a second stage located in the Folk Forest Fair featuring a diverse programme representing Sheffield’s cultural landscape. The music and performances continue up the through the Porter Valley to the 500 year old site of ‘Shepherd’s Wheel’ with storytelling, music, poetry and Heritage songs inspired by the people and trees of Sheffield.

The Folk Forest features games, demonstrations, workshops and countless more ways to get involved. The heritage crafts area offers opportunities to ‘have a go’ with materials like wood, metal and leather led by talented crafts people.

Due to the popularity bookings for places will likely be required, commencing shortly via the Folk Forest website.

Homeless charirty Shelter will be hosting areas offering a rang of activities including immersive reality experiences and art installations and Sheffield’s Site Gallery are launching their Art Van at this year’s event. The van transforms into a whole area for creative activities. Yoga at The Reach will provide yoga classes for all ages in the healing field.

The Folk Forest has plenty for young people of all ages including;

– a Forest School in the woods run by Middlewood Nature Nursery
– a childrens area hosted by Youth Discovery Ventures
– games and interactive stalls throughout the site
– Free entry for ages 12 and under

Entry to the main music stage at The Folk Forest requires a Tramlines Festival Wristband. Ages 6 to 12 require a free child ticket, which is booked with the purchase of a full adult ticket. Entry to the Folk Forest Fair and other areas is free for everyone. More entry details here

Sheffield’s world famous real ale and craft beer scene is well represented. Folk Forest hosts, Regather Co-Op, will be showcasing their latest small batch of craft beer, fresh from their on-site brewery alongside Sheffield Brewery Co-Op’s beer tent and a range of carefully selected independent food traders.

Returning for a sixth year is the hugely successful arts and crafts market. Featuring the best of contemporary art and craft, books, photography, vintage clothing and music memorabilia.
The Folk Forest and The Main Stage at Ponderosa park are connected via the ‘Busker’s Bus’ which returns for 2017.

For new info on the Folk Forest please check the official site and facebook page.

The first, second and third tier tickets for Tramlines 2017 sold out in record time but the fourth release tickets are still available, priced at just £49.50 + booking fee from www.tramlines.org.uk

Tramlines Festival 2017 Lineup

The Libertines
All Saints / Kano / Metronomy / Primal Scream / Toots & The Maytals
Akala / Cabbage / Cate Le Bon / Hot 8 Brass Band / Lady Leshurr / Loyle Carner / M.O / Omar Souleyman / The Coral / The Magic Gang / The Pharcyde / Twin Atlantic / We Are Scientists

The Age of LUNA / The Big Moon / Blaenavon / Bossy Love / Champion / Don Letts / Estrons / Flamingods / Gospel House Choir / The Heatwave / Lucy Spraggan / Mista Silva / Ms Banks / Nubiyan Twist DJ set / Our Girl / Rachel Dadd / The Reflex / Spring King / Yorkston Thorne Khan

Alvarez Kings / Buffalo Skinners / Cattle & Cane / Fizzy Blood / Goat Girl / Goat Head / Jalen N’Gonda / James Tait / Jamie Isaac / Jerry Williams / John Joseph Brill / Katie Pham & The Moonbathers / Leroy / Liberty Ship / Little Robots / LOGS / Luxury Death / Matic Mouth / Mike Hughes / Neil McSweeney / Paul Littlewood / Reasons To Be Cheerful Soundsystem / Sheffield’s Sgt Pepper Project / Souljam / The SSS / Thirsty Ear / UK Mondo / The Wharves

 

ALBUM & TOUR NEWS: The Rails ‘Other People’ out 1st September, tour September 2017

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THE RAILS, Kami Thompson & James Walbourne, London 13-2-17 © Jill Furmanovsky

Critically acclaimed country/folk duo The Rails, Kami Thompson and husband James Walbourne, return with a stunning new record this autumn.

‘Other People’ will be released on September 1st via Sony / Red Essential.
Recorded in Nashville and produced by Ray Kennedy (Steve Earle, Lucinda Williams) the album features ten brand new Thompson/Walbourne original songs that showcase their trademark harmonies and vocal prowess.

The Rails 2014 debut album ‘Fair Warning’, produced by Edwyn Collins, had critics gushing. It was chosen as Mojo’s best folk album that year and the band went on to be presented the Horizon Award for Best New Act at Radio Two’s prestigious Folk Awards in 2015. The new album lives up to expectations as we hear The Rails adopt a slightly harder edged sound that incorporate elements of folk, 60’s pop, psychedelia and soul with a distinctive British flavour.

James is one of the country’s finest guitarists and full time member of the Pretenders, he also plays with both Ray Davies and the Pogues. Kami is folk rock royalty, daughter of Richard and Linda Thompson, sister to Teddy. The couple began working together in 2011 and married the following year.

‘Other People’ was recorded at Room & Board Studios in Nashville and features James on guitars and keyboards, drummer Cody Dickinson (North Mississippi Allstars), bassist Jim Boquist (Son Volt) and Eric Heywood (Ray Lamontagne) on pedal steel. Kami lends her exquisite voice and acoustic guitar playing to the proceedings.

Following the album release The Rails embark on a full band UK tour, their first in two years as follows:

September
Mon 11th GLASGOW, King Tuts
Tues 12th LEICESTER, Musician
Tue 13th HULL, The Adelphi
Thurs 14th HEBDEN BRIDGE, Trades Club
Fri 15th MANCHESTER, Deaf Institute
Mon 18th CAMBRIDGE, Junction 2
Tues 19th NORWICH, Arts
Wed 20th LONDON, Borderline
Thurs 21st NEWBURY, Arlington Arts

Immediately following these The Rails set out on a second UK tour taking in 14 major cities between September 30th and October 18th as main support to The Pretenders.

‘Other People’ Full Tracklisting Below:

1. The Cally
2. Late Surrender
3. Other People
4. Drowned In Blue
5. Hanging On
6. Dark Times
7. Shame
8. Leaving The Land
9. Brick And Mortar
10. Mansion Of Happiness

ALBUM & TOUR NEWS: The Cadillac Three release ‘Legacy’ August 2017, tour dates for November 2017

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“We started the ‘Legacy’ album the day ‘Bury Me In My Boots’ came out last August because there were some songs we were excited about and we wanted to jump in the studio and do what we do live for a minute – to see what would happen,” shared drummer Neil. “We didn’t really tell anyone what was up and by the end of the year we had cut the whole album and produced it ourselves. We can’t wait for everyone to hear what we’ve been up to in between all the shows the last year and a half!”

The trio collectively produced the 11-track project and worked with renowned songwriters like Lori McKenna, Jonathan Singleton and Laura Veltz to offer the next chapter of their story, following 2016’s Bury Me In My Boots. Excited to share new music with fans worldwide, two songs are available now – ‘Dang If We Didn’t’ and ‘American Slang’ – in conjunction with the album’s preorder: http://smarturl.it/TC3Legacy. The tracks also serve as radio singles for the US and UK respectively.

For tour dates and album updates, visit www.TheCadillacThree.com

UK TOUR DATES

Nov 9th – Belfast, Mandela Hall
Nov 12th – Cardiff, Y Plas
Nov 13th – Nottingham, Rock City
Nov 14th – London, O2 Kentish Town Forum
Nov 15th – Norwich, UEA
Nov 17th – Birmingham, O2 Academy
Nov 18th – Manchester, O2 Academy
Nov 19th – Newcastle, O2 Academy
Nov 20th – Glasgow, O2 ABC

NEWS: Help Musicians UK announce partnership with Women in Music

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This ground-breaking partnership launches WIM’s first European chapters entitled Women in Music Great Britain and Women in Music Northern Ireland. This will further establish Help Musicians UK’s commitment to promoting gender equality in the UK music industry after their recent high profile work with the UN Fund for Women’s HeForShe campaign.

Women in Music Great Britain and Women in Music Northern Ireland will aim to represent all women in the UK music industry. Any woman or man who works in the industry can join, from students to seasoned industry veterans — and from all genres and areas of expertise. Members will enjoy benefits such as:

  • Educational seminars, panels and workshops with top-notch professionals
  • Up close and personal evenings with acclaimed performers, producers and other industry professionals
  • Roundtable discussions held to discuss current topics relevant to the industry
  • Master Classes, Seminars and Workshops
  • Special Mixers and Speed Networking Events
  • Access to the exclusive WIM Google Group

Membership will initially be administered by Women in Music via WIM@helpmusicians.org.uk but will be completely free in the first year – ensuring a truly universal opportunity.

The announcement was made at a private brunch, panel and networking event at MIDEM hosted by Women in Music, where Christine Brown, Director Of External Affairs & Director Of Northern Ireland at HMUK spoke on a panel, announcing the partnership. The panel was moderated by Jennifer Newman Sharpe (Vice President, Women In Music/ CEO Sparkplug) and featured Vanessa Picken (Director, Comes With Fries), Virginie Berge (CEO, Armonia Online), and Jessica Sobhraj (President, Women in Music / CEO, Cosynd). Collectively, the presentation provided an overview of the challenges faced by women globally as well as the proven solutions and resources that can be implemented by the attendees to improve conditions for women worldwide. The event was supported by Help Musicians UK, and sponsored by Fox Rothschild LLP, Armonia Online, ASCAP, Cosynd, Sparkplug, and Quiv.

Richard Robinson, Chief Executive of Help Musicians said, “Help Musicians UK (HMUK) is privileged to partner with Women in Music (WIM) to launch the very first European chapters of the organisation. As an independent voice, the charity advocates on behalf of all individuals and groups within the music industry, supporting an ecosystem that attracts and provides opportunities to people from all walks of life and backgrounds. Working with WIM on such an important issue enables us, as an industry, to continue to question, have conversations, discuss and raise awareness of gender equality – working in tandem to address this imbalance.”

Christine Brown, Director of External Affairs at HMUK added, “As a female senior executive in the UK music industry I am part of the next generation. It has always been my goal to act as a catalyst and to raise awareness whilst empowering other women in music. It is important that we recognise the real worth of this growing movement and act collaboratively – as it is only together that we can affect positive change.”

Women in Music: http://www.womeninmusic.org

NEWS: New Jazz Promoters Fellowship to challenge gender balance in UK jazz scene

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This fully-funded HMUK Fellowship has been developed out of the need to create a gender balance within the jazz scene in the UK and provide a framework for best practice in training for promoters. The move has been supported by industry leaders across the sector.

Recent evidence—from Issie’s extensive four-year research project—shows that women are hugely underrepresented in jazz, often excluded from performance opportunities, rarely booked as often as their male counterparts, and infrequently considered in development initiatives.

The Fellowship will aim to change perceptions and create a new, inclusive jazz landscape. It will focus on equipping the next generation of male and female promoters for a career in the industry by working closely with many of the UK’s best jazz promoters, venues and festival directors.

By the end of this Fellowship’s pilot year (July 2018), participants will have had invaluable opportunities in order to deliver a year-long personal project aimed at addressing the equality gap.

Key opportunities* of the programme include:

  • Seven seminar days hosted at key points in the jazz calendar
  • Development of a promoter’s job description and toolkit
  • Monthly tutorials
  • Mentoring from leading experts and peers
  • Participation in roundtable discussions
  • Devising and delivering a year-long self-initiated project

*An allocation will be made per candidate to cover support costs incurred throughout the pilot year.

Emerging promoters of all backgrounds and stages in their careers are encouraged to apply to this yearlong programme.

Applications are now open and will close at midday Friday 7 July 2017 and successful recipients will be announced in late July.

Claire Gevaux, Creative Director, HMUK said: “As an independent voice, HMUK is committed to a fair, inclusive and equal music industry, and is keen to turn conversations into action.

Our recent partnership announcement with Women in Music enables us to continue to question, have conversations, discuss and raise awareness of gender equality—working in tandem to address this imbalance.

We’re really proud to announce and deliver this Fellowship in partnership with Issie Barratt. With a wealth of relevant experience and a broad network of contacts inclusive of promoters, managers and agents, Issie is ideal to oversee the project.”

Issie Barratt said: “As I celebrate my 30th year in the music profession I’m astonished there’s still such a gender imbalance within the jazz scene.

I’m confident that this new Jazz Promoters Fellowship will not only help a new cohort of jazz promoters establish best practice, but will also lead the way in creating a more diverse and inclusive jazz scene for us all to enjoy in the not so distant future.”

Key dates

  • Applications open: Monday, 12 June 2017
  • Applications close: Friday, 7 July 2017
  • Interviews of shortlisted applicants: Thursday, 20 July 2017
  • Successful applicants announced: Tuesday, 25 July 2017
  • Jazz Promoters Fellowship begins with Introductory Afternoon: Wednesday, 26th July 2017

More information here

LIVE REVIEW: Todmorden Community Brass, Central Methodist Church Todmorden, 6th June

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This 16th anniversary concert featured various groups within the band itself. The senior band, conducted by Pam Smith, opened with a varied set, including a serene and heartfelt performance of the psalm tune “Crimond” and a fast-paced “The Wee MacGregor”.

The training band played a set of more well known music, including the Flintstone, Wombles’ and Muppets’ signature tunes and the quirky “Dance of the Cuckoos” associated with Laurel and Hardy. They concluded with “On Ilkla Moor Baht ‘At”.

The Five-Note Band featured a variety of ages among their musicians. Their set included a melodious “Streets of Laredo” and a “Mexican Clapping Song”.

Finally the Senior Band appeared again, including “The Humming Chorus” adapted from the opera “Madam Butterfly”, a bright, rocking version of “American Patrol” and “Les Miserables. Finally all the musicians came together for a lively performance of “Ballerina”.

A performance that shows the scope of the brass band and the abilities of local musicians of all ages.

LIVE REVIEW: Antony and Friends, Central Methodist Church Todmorden, 10th June

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This last Antony and Friends concert of the season featured, as well as Antony Brannick on piano, two players from Todmorden Orchestra: leader Andrew Rostron on violin and Diana Doherty on oboe. It was all J S Bach.

Antony Brannick opened with the Italian Concerto (BWWV 971), an expressive performance of a piece whose moods went from forceful to reflective to stormy.

Then followed this reviewer’s favourite piece of the evening, the concerto for violin and oboe (BWV 1060), featuring all three musicians. A lively Allegro was followed by a beautiful slow Adagio showing the contrasting tones of oboe and violin, and the piece concluded with a sharp, bright Allegro.

The next two pieces were for oboe and piano, the Sinfonia from Cantata 156 and “Gerechter Gott, Ach, Rechnest Du?” from Cantata 89, the first serene, the second with a questioning feel, beautifully played by Diana Doherty.

Finally a piece for solo violin: Partita no 2 in D minor (BWV 1004). The moods ranged from formal to complex to dance rhythm. In this demanding piece Andrew Rostron excelled himself.

The next concert is expected in September. To get on the mailing list contact Antony Brannick on abrannick@garrattslaw.co.uk or 0161 665 3502.

LIVE REVIEW: Herakles, Todmorden Choral Society and Todmorden Orchestra, Todmorden Town Hall, 30th April

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This was the world première of a new oratorio, composed by Tim Benjamin with text by Anthony Peter, Tim Benjamin and Emma Stafford. Unlike an opera, an oratorio does not have staging, so the backgrounds of Herakles are created in the listener’s mind by the text and music.

The oratorio was introduced by Claire Benedict, an authoritative and expressive narrator, as Time. This was a spoken part.

Spoiler alert: former rulers Tyranny (Elspeth Marrow, with a lovely rich voice) and Royalty (Rebecca Moon, who ably expresses passion and power) reproach Herakles for their downfall. We go back in time to when Zeus sent the young Herakles to see Tyranny and Royalty and their kingdoms in order to decide which system would be best for mankind. Zeus (James Fisher) was impressive but could have used more volume. Herakles (Zachary Smith) conveyed a sense of innocence but also of an underlying strength. Hermes (powerfully voiced by Jean-Pascal Heynemand) is sent to escort Herakles to the two realms.

Time describes the history of the lands they pass through, marked by human folly. In a chorus describing a battle, the music has a hopeless feel. The words are at first warlike but eventually admit, “We wander wounded now and starve…”

Hermes and Herakles first visit the realm of Royalty, where all is conformity and abstract nouns. Herakles asks a question, which is one question too many, and has to leave for “a harder path”.

The second half opens dramatically with the travellers approaching Tyranny’s realm. The chorus express the greed and hatred resulting from the rule of Tyranny, where all her subjects are at each other’s throats. Tyranny praises power and wealth. Again Herakles asks an unwelcome question and is hurried away.

It is not hard to guess the answer Zeus wants from Herakles, but it is not the answer he gets. Herakles chooses self determination for mankind and he, Royalty and Tyranny are all banished, Herakles to mankind and the former rulers to Hades. Herakles sings again a song in praise of his home and the birds that live there in freedom.

Another riveting and thought provoking work from Tim Benjamin.

THEATRE REVIEW: Virtuoso, Three Minute Theatre Manchester

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There are plays that leave you thinking for days afterwards – and Virtuoso at the Three Minute Theatre, Manchester was one of those. My friend and I discussed it all the way to the train station – holding conflicting views about the motivations and personalities of the drama’s central couple. While the play’s central theme – whether musical genius is more valuable than a person’s mental wellbeing – remained unanswered. And unanswerable.

Virtuoso charts a turbulent period in the life of concert pianist, John Ogdon (performed, most convincingly by seasoned tv and musical actor, Simeoen Truby) and his relationship with his wife Brenda Lucas (former Coronation Street actress, Kerry Willison-Parry). Heralded in his lifetime as one of our country’s greatest pianists, Ogdon won prestigious prizes such as the International Tchaikovsky Competition in Moscow in 1962, (which he shared jointly with Vladimir Ashkenazy). In the early 70s Ogdon experienced a significant breakdown, and was diagnosed with schizophrenia, but was later thought to be bipolar. Ogdon’s total immersion in his music – he was able to play most pieces at sight and had committed many to memory – and his lack of rehearsal for some of his performances, seems to indicate that his mental health issues were intricately linked with his skills.

Ogdon’s dead father, who had experienced frequent psycotic episodes, was brought to life on stage by Peter Gibson – who plays both the ‘ghost’ of the dead man but also Bernard, a friend of Ogdon’s, who seemed to have upset him during some minor business negotiations concerning a charity performance. I especially loved Gibson’s portrayal of the father, which had a heightened edge of pantomime madness, lending a humorous but also sinister twist to the domestic settings.

Brenda managed many of the couple’s business affairs and the play depicts her as increasingly frustrated by her husband’s tendency to leave all the daily practicalities to her. Especially as his behaviour becomes more threatening and unpredictable. (Apparently John Ogdon was known to others for his gentleness and mild manners and the play never makes it clear whether this was normally reflected within is marriage, and only changed during his illness. My own father was a man known for exquisite manners outside the family and a terrible temper at home – so it’s possible I brought my own perceptions into the drama, at this point)

It was while they were both studying at the Royal Northern College of Music in the mid-50s (formerly The Royal Manchester College of Music) that Ogdon and Brenda met and their relationship is at the very heart of this play. Brenda speaks openly in the play of her recognition that her husband possesses a rare talent she will never have, but hopes that they will do some recordings together, as she still has aspirations for a musical career. As John becomes more and more ill, and subjects Brenda to physical and mental assaults, it is she who must make decisions about her husband’s treatment at the hands of mental health services. Unwillingly she consented to him undergoing ECT and was then disappointed and angry when this impacted on his musical talents. And Brenda became the victim of his attacks when this frustration became too much for him.

This brought us to the bit where my friend and I disagreed. She saw the representation of Brenda as a woman more in love with her husband’s talents than the man himself, who chose to walk away when Ogdon was no longer able to perform at national level. However I found myself sympathising with this character – whose excellent performance by Willison-Parry reminded me of a more rounded and realistic version of Margo from the Good Life -or was it just that voice?. A woman both highly capable but also highly frustrated, and standing alone in a world dominated by men. For me, she was a character who valued her husband’s talents but also recognised that they made him what he was – and that without them, he would lose the ability to truly express himself. Yes, she was portrayed as highly flawed – but so was he. They were two all-too-human partners in an all-too-human relationship, united by their passion for incredible music.

Written by William Humble (On Giant’s Shoulders, An Unsuitable Job for a Woman, Maigret, Juliet Bravo) Virtuoso as originally shown as a film for tv in February this year. Under the direction of Sue Jenkins (perhaps better known for her acting roles in Brookside, Coronations Street and a range of tv, stage and radio dramas) this small but perfectly formed version of the play kept this reviewer engaged from start to finish. (Although someone in the audience said they found the second half a little too long winded) The atmosphere in the pint-sized performance area of the Three Minute Theatre, is intimate to say the least, and the play’s setting of front rooms worked well at creating a sense of being right at the centre of the couple’s turbulent relationship as Ogdon’s mental health unravelled.

Humble was in the audience at the performance, and I spoke to him at the end. I said I found the play’s treatment of mental health issues much more engaging and humorous than many I’d seen on the subject. Humble told me he’d been impressed by the performance he’d just seen and was especially pleased with the second half, which follows Ogdon and Brenda’s transfer to the USA where John took up a tutorial role and received more effective support from a therapist, who recognised his condition as bipolar disorder.

The play ends with John Ogdon returning to the international concert scene after the ghost of his father has finally left him alone, and Brenda and John reuniting in an awkward but seemingly natural way for a couple, who are only human beings, after all.

Performances run until 21 June
Tickets: https://www.fatsoma.com/room-5064-productions/utyj1m40/virtuoso