Cooking Vinyl has announced a new partnership with the 2017 Grammy-winning artist Fantastic Negrito and his imprint Blackball Universe. The UK label will re-issue Fantastic Negrito’s current and critically acclaimed debut album ‘The Last Days of Oakland’ (recipient of a Best Contemporary Blues Album Grammy Award) with two new additional tracks, just in time for his imminent European tour.

The new tracks – ‘Push Back’ and ‘The Shadows’ – are both produced by Xavier Dphrepaulezz (aka Fantastic Negrito). The extra tracks are available for download and streaming, and will be released worldwide along with the rest of the album on CD and 180g vinyl on 28th July 2017 to coincide with a series of UK dates planned this Summer (see below). Pre-order the album here: https://FN.lnk.to/TLDOO

Musicians on these new recordings include Masa Kohama and Tomas Salcedo (guitars), Cornelius Mims (bass guitar), Lionel Holoman Jr. (piano and organ), with vocals, additional piano, additional guitar, drum programming and claps by Xavier Dphrepaulezz.

In his teens, Xavier ran the streets of Oakland, before finding music and eventually signing with Prince’s management. After a slow recovery from a car crash that left him in a coma, Xavier undertook several different musical alter egos, but in the end, he walked away from music — only to re-emerge years later as Fantastic Negrito.

A performer with something to say, Fantastic Negrito runs an arts-collective in his hometown of Oakland, and performed at Bernie Sanders’ rallies in New Hampshire, Las Vegas and San Francisco during the 2016 US Presidential campaign. Of the new songs, he says, “We must unify — not divide — along the lines of our differences. We have a common enemy: distraction and propaganda. Our strength is in our diversity. We push back against our common enemies: fear, hate, bigotry, misogyny, racism, sexism, homophobia, xenophobia, classism… these parasites, these carcinogens that live in the shadows of our society. One world, one love, one race.”

Fantastic Negrito has once again invited UK friends, Miraculous Mule to support him at his London, Manchester and Nottingham dates.

Dates

July 28th London @ Nell’s Jazz and Blues
July 29th Cambridge @ Cambridge Folk Festival
July 31st Manchester @ Band On The Wall
Aug 3rd Nottingham @ The Bodega

Teaser single ‘Love or Love’ was released last December to critical acclaim. New single ‘Produkt’ was released on 30th June 2017. The video was directed by Douglas Hart (founding member of The Jesus & Mary Chain and video director for the likes of Paul Weller, Primal Scream, The Horrors and Toy).

Made up of Barrie Cadogan (guitar/vocals), Lewis Wharton (bass) and Virgil Howe (drums), their fifth album, ‘Death Express’, packs a heavy punch, channelling the three members’ ferocious musical chops into a raw, DIY response to today’s atmosphere of confusion and division. There’s no political message, just lyrical food for thought, and some of the tautest, most incendiary grooves you’ll ever hear, enticing even dancefloor-shy listeners to hip-shake away their cares. High-octane meditations on surveillance paranoia (‘Copter’), devious policing at mass protests (‘Molotov Cop’) and greed (‘Vulture Swarm’) have rarely felt so irresistible to body movement.

For Little Barrie themselves, global events of the last 12 months were a surreal backdrop to their own bold progress as a band. After 15-plus years of underground excellence together, this pathologically questing triumvirate were seeking to up their game, ready for Album No. 5. “In downtime at our rehearsal room, we’d be looking at the news – everybody’s gone nuts!” says Lewis. It was at Boogie Back 2, their practice space in Hornsey, that the sound of ‘Death Express’ was born – and recorded, as they ended up spurning big, expensive studios, in favour of a couple of ancient MacBooks, and an old tape machine.

The album’s genesis kick started, when Little Barrie were invited to provide incidental music for ‘Better Call Saul’, a spin-off series from hip TV phenomenon ‘Breaking Bad’, for which they’d already cut the theme tune. With no time to book a studio, they were forced to do it themselves, in their practice room. The response was favourable, and they began to feel that such DIY takes had a vibrant quality often lacking from ‘proper’ productions. Says group leader Barrie, “Such amazing records have been made when people are breaking the rules – weird, stripped-down, self-made records like ‘Oar’ by Skip Spence, and ‘There’s A Riot Going On’ by Sly & The Family Stone. There’s a bedroom aspect to it, and a street aspect, too, which felt right for what we wanted to say this time”.

Three of their previous four albums were made at Edwyn Collins’s West Heath facility in London. Last year, however, Edwyn upped sticks for rural Scotland, a happy development in his ongoing rehabilitation from serious illness, which left Little Barrie at a crossroads. Back in their rehearsal bunker, they demoed their first two new tracks, including ‘I5CA’, a song documenting an insane tour of America’s West Coast, which saw them pounding up and down Interstate Five between shows. It came out vibey and spontaneous, like a ’60s garage nugget repurposed for a hip hop block party. Instead of then slavishly re-recording the tracks in a hi-tech studio, they sent them on to an Edinburgh-based dance producer called Tom Forrest: he zipped up the mix, in Barrie’s words, “bringing a better spread and width of sound.” In layman’s terms: in your face; live and dangerous.

Self-releasing the two tracks on a 7-inch 45 before Christmas ’16, they got an ecstatic response, and it was a no-brainer to make the rest of ‘Death Express’ the same way. With Virgil’s propulsive breakbeats pushed to the max (his CV includes a rap-rock band called Lunatic, and a secure grounding in drum ‘n’ bass), these tracks leap from the speakers as Little Barrie have never done before, expressing an urgency rare in a band approaching the end of their second decade together. But then, this is no everyday band…

Little Barrie’s grief-free vibe has won them countless friends. They backed Paul Weller on ’08’s ’22 Dreams’ album, and memorably supported the reunited Stone Roses in Paris. They’ve toured with buddies including Dinosaur Jr, Brian Jonestown Massacre and Charles Bradley, as well as several jaunts with Primal Scream (Barrie performing two sets per night). Quite apart from ‘Better Call Saul’ their music has appeared on countless ads, TV shows and movies.

Yet, these irrepressible vibesmen have managed to remain underground, one step ahead of short-lived trends, with all their joy in music-making intact. Anyone interviewing them can expect a colourful conversation, taking in heroes from right across the pop-cultural spectrum, and how that culture’s bonding social purpose is the antidote to our political/industrial fears.

On paper, the album’s title looks dark. The title track arose, says Barrie, “when I was flicking through my phone to find someone’s number, and I realised there’s quite a few people in there who aren’t here anymore. What with the state of the world, it feels like, as much as you can, you have to be around the people that are important to you. It’s been inspirational knowing Edwyn, seeing how he’s pushed really hard, and got his life back more than the experts expected. Looking at things that way, the title’s positive. Time’s short. None of us know how long we’ve got.” So, yes: the clock’s ticking. Seize the day. Time to jump aboard.

Little Barrie are guitarist and vocalist, Barrie Cadogan, bassist Lewis Wharton and drummer extraordinaire, Virgil Howe. In addition to being in the band, Wharton is also a motorcycle enthusiast and illustrator; Howe, the acclaimed drumming son of rock figurehead Steve Howe, produces and DJs in the UK and abroad; Cadogan is a world respected guitarist and the go-to guy for the likes of Primal Scream, Paul Weller, Edwyn Collins, Anton Newcombe, Spiritualized, Pete Molinari, Charles Bradley, The Chemical Brothers and Paolo Nutini. It is a testament to these three players that as a band they are making their strongest music to date.

Live Dates

7th July British Summer Time – Soho Radio Stage – Hyde Park London
4th Aug – The Brunswick – Brighton
12th Aug UFO Festival Concarneau, France.
12th Sept Portland Arms Cambridge
13th Sept Think Tank Newcastle
14th Sept The Attic Bar Glasgow
16th Sept Trip Out festival Suffolk
19th Sept Deaf Institute Manchester
20th Sept Brudenell Social Club Leeds
21st Sept Studio 2 Liverpool
22nd Sept Trades Club Hebden Bridge
23rd Sept Adelphi Hull
26th Sept Exchange Bristol
27th Sept Scala London
28th Sept Bodega Nottingham
29th Sept Music Hall Ramsgate
30th Sept Actress & Bishop Birmingham