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FESTIVAL NEWS: Preparations are underway for York’s Little Festival of Live Music 2017

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Duncan McFarland Band at the festival in 2016 Picture copyrighted to Frank Roper Photography

With applications from musicians wishing to be part of this year’s festival having closed last week, the team behind York’s Little Festival of Live Music now have the mammoth task of whittling 511 applications down to 28 acts, who will be performing at this year’s festival, which will take place on Parliament Street from 22nd to 30th September (excluding 25th and 26th September).

The music event, which takes place alongside the York Food and Drink Festival, has grown from strength to strength since its formation in 2013. The event has generated a large number of loyal fans having built up a reputation across Yorkshire and beyond, and regularly receives interest from musicians from up and down the country.

Dan Webster who played at the festival in 2016. Copyrighted to Frank Roper Photography

Ellen Cole, Festival Director of York’s Little Festival of Live Music says: “My aim for the festival has and always will be to generate an inclusive music festival for all to enjoy. I wholeheartedly believe the festival is going in this direction and each year we make huge improvements to ensure that everyone who comes to our festival enjoys it regardless of whether they are a music-lover or new to the live music scene. This year, we have had over 500 musicians apply for the festival, including performers from London, North Wales, Edinburgh, Cumbria and of course from across Yorkshire. I am thrilled that so many acts want to be part of our festival and feel sad that I can’t give them all a slot. We’ve received so many applications from many talented musicians and would love to work with them all, whether it be during our 2017 festival or any other future events.”

York’s Little Festival of Live Music has had an incredible couple of years and most recently won the title of York’s Outstanding New Festival of the Year and narrowly missed out on the regional title, which the festival is striving to get this year. Ellen and her team will now spend June collating the acts for this year’s festival and will announce the line-up in July.

For more information about the festival, visit: www.facebook.com/YorksLittleFestivalOfLiveMusic or follow: www.twitter.com/live_music_fest

Dear Friends who played at the festival in 2016 – Copyrighted to Rob Gorman

TOUR NEWS: Katy Perry announces June 2018 dates

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WITNESS: The Tour comes to the UK in June 2018 with tickets on sale 9th June. Her new album ‘WITNESS’ set for 9 June Worldwide Release

Tour announcement video here

Tickets for the UK Tour go on sale Friday, 9 June at 9am BST via KatyPerry.com and www.axs.com. See below for itinerary or visit http://katyperry.com. For more information, visit www.aegpresents.com.

WITNESS: The Tour is Katy’s first run since the sold-out, 151-date Prismatic World Tour, which concluded in 2015 and was hailed by Rolling Stone as “a show to damage retinas and blow minds”.

Katy Perry’s WITNESS: The Tour – 2018 UK Leg

14-June London The O2
18-June Birmingham Barclaycard Arena
19-June Sheffield Sheffield Arena
21-June Liverpool Echo Arena
22-June Manchester Manchester Arena
24-June Glasgow The SSE Hydro
25-June Newcastle Metro Radio Arena

GIG NEWS: Transformer returns to the Victoria Warehouse Manchester, 28th October

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Featuring Godspeed You! Black Emperor, Liars, Ben Frost, Powell, Omar Souleyman, Bardo Pond, Valgeir Sigurdsson, The Field, Demdike Stare, Sculpture, Camilla Fuchs, Civil Civic

After a triumphant inauguration at the Victoria Warehouse in May TRANSFORMER is proud to announce their second event on 28th October. The first Transformer celebrated artists that expanded the boundaries of rock, round two features a cast that positively disregard genres altogether.

It’s a line-up that not only tips its hat to the ‘sui generis’ nature of our past headliners but also raises a glass to their bastard offspring. Transformer will once again reimagine the vast space of the Victoria Warehouse into an immersive festival setting with state of the art light and sound, two different stages, a cinema, digital funfair, record stalls, food trucks and much more besides. It will be a one-stop shop for genre-spanning live music. Tickets start at just £20 + bf from www.skiddle.com.

GODSPEED YOU! BLACK EMPEROR is making their return to Manchester after a rapturous 2015 performance at the Albert Hall in support of their first album after a five years hiatus Asunder, Sweet and Other Distress. Their return comes as welcome relief that their timely re-emergence wasn’t to herald, like the horsemen, an apocalypse they’d forewarned on Dead Flag Blues twenty years ago. For anyone unlucky enough not to be unfamiliar with that particular end of days fanfare or their other doomed hymns, Godspeed combine elements of World of Skin era Swans with the fin de siècle angst of Current 93 (but without actual songs). Even that description doesn’t quite do them justice. Best to see them for yourselves…before it’s maybe too late.

Whilst traces of Transformer 1’s headliners can be heard in Godspeed, LIARS echo both the discordant punk-punk of The Fall and deconstructed rock of This Heat. Emerging from Los Angeles at the turn of the century with similarly danceable North American bands like LCD Soundsystem, !!! and Canada’s Death From Above 1979, they’ve proved both their staying power and adaptability with seven, all entirely glorious albums. Their last, 2014’s Mess, was released on long time label home Mute, fittingly as it was its very own Black Celebration.

Much of POWELL’s music is like a distillation of LIARS organic machine funk. Or if your head was in a toilet bowl whilst they played in the next room. Thankfully his inclusion on our bill will mean you won’t have to take such measures. Steve Albini said of him “I am against what you’re into and an enemy of where you come from” (when asked for clearance for his voice sample on Insomniac). We’d hope he’d rethink this combative stance if played the Touch & Go worthy Jonnie Standish (HTRK) collaborations on Powell’s ace debut album Sport.

Long before Psych became a more fashionable way to describe indie-rock, Philadelphia’s BARDO POND were enjoying cult status as one of the best contemporary acid-rock bands around. Although formed in 1991 they garnered wider attention when Tantric Porno opened the seminal Monsters, Robots & Bug Men 1996 compilation alongside such titans as Mercury Rev, Stereolab and Labradford. Despite having over 30 albums in their arsenal, visits across the pond are relatively scarce, making this Transformer appearance all the more essential.

OMAR SOULEYMAN hails from the north east of Syria where he previously performed his unique take on Dabke music at weddings and other celebrations. Luckily he caught the ear of the Sublime Frequencies label, advancing his appeal exponentially. One of his fans is Bjork who asked him to contribute three remixes to Biophilia and his 2015 album Bahdeni Nami is produced by none other than Four Tet. Trilogy Tapes in collaboration with Palace Skateboards issued the single Heli Yuweli in the same year. In short, he is one of the most original live acts on the planet. Miss him at your own peril.

Since 1996, Swedish producer THE FIELD has been crafting his unique take on shoegaze type atmospherics fused together with minimal techno. A simple idea perhaps but he executes this with labcoat precision, ensuring that he’s sound is often imitated but very rarely matched.

The influence of early Swans on Australian born, Reykjavik domiciled composer BEN FROST is unquestionable. He not only recorded a track with the title We Love You Michael Gira but also contributed to Swans The Seer album. Their influence alone doesn’t tell the whole story however, as his soundtrack work on the series Fortitude testifies: his music posses a scenic quality that reflects Iceland’s natural beauty.

VALGEIR SIGURÐSSON from Iceland releases Ben Frost’s music all the label he founded Bedroom Community. He notably collaborated with his native’s most famous cultural export on the Dancer in the Dark soundtrack and continues to be one of the most prolific and in demand composer and arrangers in the world currently.

Manchester’s own DEMDIKE STARE is named after the head witch of nearby Pendle’s 17th century coven. The duo of Miles Whittaker and Sean Canty not only acknowledge such portentous Lancashire folklore but also the Black Science of the regions many electronic music pioneers: The alchemy of everyone from Richard H Kirk and Muslimgauze to Gerry & the Holograms and A Guy Called Gerald reverberate through their myriad, beautiful packaged works on the consistently excellent Modern Love label.

TRANSFORMER 2’s line-up is completed by London based male/female duo CAMILA FUCHS who make sublime pop that is equal parts Gal Costa, Broadcast and Seefeel. SCULPTURE employ similar radiophonics to artists on the Ghostbox label or imagine Raymond Scott making techno. Melbourne, Australia’s CIVIL CIVIC play instrumental guitar music with synths thus seeing them often labelled post-rock as a consequence. There are indeed traces of the genres greatest proponents but also much to savour for fans of everything from M83 to Lightning Bolt.

Event Details:

Transformer Events presents:
Godspeed You! Black Emperor
Liars
Ben Frost
Powell
Omar Souleyman
Bardo Pond
Valgeir Sigurdsson
The Field
Demdike Stare
Sculpture
Camilla Fuchs
Civil Civic

Venue: Victoria Warehouse, Trafford Wharf Road, Manchester M17 1AB
Date: Saturday 28th October 2017
Doors: 3pm – 1am
Age: 18+

Tickets:

1st release – £20
2nd release – £25
Final release – £29.50

1st release Mezzanine level – £40
2nd release Mezzanine level – £45

Direct ticket link > skiddle.com/e/12987302

Links
www.transformerevents.com
www.facebook.com/transformerevents
https://twitter.com/vicwarehouse

SINGLE & TOUR NEWS: LANY share new track ’13’, tour December 2017

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The track is taken from their debut album ‘LANY’ released 30th June. People who pre-order the album will gain access to tour pre-sale tickets this Wednesday 7th June.

’13’ finds the Los Angeles-based trio reflecting on a relationship that has moved off course, with vocalist and songwriter Paul Klein wondering “where did we go wrong”, “who got inside your mind” over echoing, Chris Isaak-esque guitar flourishes.

The upcoming album includes their global streaming hit ‘ILYSB’ (I love you so bad) – and will be available on CD, vinyl and digital formats as well as a box set. Fans who pre-order the album will receive ‘13’, ‘The Breakup’, ‘It Was Love’, ‘Good Girls’ and ‘ILYSB’ as instant grat downloads.

LANY have just announced a run of UK headline dates – see below for details.

MON 4 DEC: HEADLINE BRIGHTON, UK CONCORDE 2
TUE 5 DEC: HEADLINE BRISTOL, UK 02 ACADEMY BRISTOL
THU 7 DEC: HEADLINE LEEDS, UK STYLUS
FRI 8 DEC: HEADLINE GLASGOW, SCOTLAND QMU
SAT 9 DEC: HEADLINE BIRMINGHAM 02 INSTITUTE
TUE 12 DEC: HEADLINE LONDON, UK 02 SHEPHERDS BUSH
WED 13 DEC: HEADLINE MANCHESTER, UK 02 RITZ MANCHESTER

VIDEO & TOUR NEWS: Diet Cig new video for ‘Barf Day’, Tour dates October 2017

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NY’s Diet Cig have shared the video for ‘Barf Day’, a single off their debut album ‘Swear I’m Good At This’. “Barf Day” premiered via Noisey alongside a feature on the band. Of the video they say, “Watch as The World’s Most Energetic Band™ turns a bummer birthday into a full-on ice cream bash in their video for “Barf Day” with just a few frozen treats and some minor auto theft. The song is off the band’s debut LP, Swear I’m Good at This, one of the most refreshingly fun albums of the year.”

You can read the full Q&A here and watch the video here: https://noisey.vice.com/en_us/article/diet-cig-barf-day-video

Diet Cig On Tour

Oct 12 – Norwich, UK @ Norwich Arts Centre
Oct 13 – Nottingham, UK @ Rough Trade Nottingham
Oct 14 – Lancashire, UK @ Lancaster Library
Oct 16 – Manchester, UK @ Soup Kitchen
Oct 17 – Edinburgh, UK @ Sneaky Pete’s
Oct 18 – Glasgow, UK @ Broadcast
Oct 19 – Leeds, UK @ Headrow House
Oct 21 – Bristol, UK @ Simple Things Festival
Oct 23 – Cambridge, UK @ Portland Arms
Oct 25 – London, UK @ Moth Club
Oct 26 – Brighton, UK @ The Hope & Ruin

SINGLE & TOUR NEWS: Placebo new single ‘Life’s What You make It’, October 2017 dates

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An unmistakably 21st-century take on an 80s art-rock classic, complete with a thought-provoking short film. Watch the video here

For a band with such a strong and unmistakable catalogue of original material, Placebo have always had an impeccable way with a cover version. Starting with a take on Syd Barrett’s ‘Dark Globe’, way back in 1996, they have freely interpreted the songs of others to complement the originals. Their choice of covers – from Nick Drake to Boney M; Serge Gainsbourg to Depeche Mode – demonstrates Brian Molko and Stefan Olsdal’s musical influences and heritage. Rather than keep their musical passions locked in an ivory tower, they approach each interpretation with an excitement to share what they love.

With its sledgehammer beat and Molko’s keening vocal, ‘Life’s What You Make It’ – the lead track from last year’s EP of the same name – instantly reminds you of all the reasons you fell in love with Placebo. There is a great deal in common with the work of Talk Talk (who sang the original in 1986) and Placebo: both remained true to their artistic vision, even if that has sometimes meant not taking the easy route. The song’s message of making the best of circumstances strikes a particular chord in the challenging era in which we live.

“We covered Talk Talk’s Life’s What You Make It because it is a song from the 80s that we still liked, and wondered if we could replicate Gwen Stefani’s global smash hit with her band’s cover of ‘It’s My Life’. That remains to be seen…” Brian Molko says.

Molko wanted something different for the film to accompany their song. He had a concept in mind that was loosely based around the original 1986 Talk Talk video that was shot at night on London’s Wimbledon Common. It featured the band surrounded by nature, complete with, as Molko puts it, “little beasties crawling over leaves”. Brian felt that there could be an updated version, where “the band would be robots playing instruments and that e-waste would replace nature, as it appears to be doing only a few decades after the song’s original release”. The brief that the band put out to prospective directors was short, simple and open to interpretation: “e-waste, please!”

It’s not that Placebo were inundated with appropriate responses. Brian continues, “The only director who actually came back to us with a treatment about e-waste was Sasha Rainbow. I called her up to sound her out and discovered that I was speaking to a very brave and passionate woman.”

Rainbow’s accompanying film for ‘Life’s What You Make It’ was shot in Agbogbloshie, a former wetland in the heart of Accra, in Ghana, which is home to one of the world’s largest electronic waste dumps. It sets an apocalyptic backdrop of first-world waste against the daily lives of those who inhabit this thoroughly otherworldly space.

“I told her that she had balls of steel for actually daring to go film on location in Ghana and that, no, we would not be coming, since we were timid little souls,” Molko says.

“The two boys in the film live in this extraordinary place,” Rainbow says. “Which for me, highlights a human’s ability to adapt with incredible strength, resilience, and humanity.” It is a compelling look into a world that few know exists: “I hoped to capture the environment in a dreamily meditative way that would at once juxtapose and yet synergise with the theme of the song, and glimpse at part of the repercussions of our current technological revolution. On the one hand, technology is enabling us to create things beyond our wildest imagination, and yet little discussion has been had about what to do with all our discarded e-waste.”

“I think that it is important to stress that the video is not anti-technology,” Molko adds. “That would be ridiculous, considering how much it enriches our daily lives. To me, it is about the triumph of the human spirit in the face of adversity that has not been chosen. We do, however, hope that it will make the viewer think about the repercussions of just throwing away tech that doesn’t work anymore. There are several new and ingenious ways to recycle tech these days. Some companies will even give you money for it. All it takes is a little more effort.”

One of songwriter Mark Hollis’ key phrases in ‘Life’s What You Make It’, “yesterday’s favourite”, is sung so powerfully by Molko, and underlines the e-waste message strongly in the film; yet it is far from being downbeat – the boys are seen dancing and laughing, making the most of their circumstances.

‘Life’s What You Make It’ continues Placebo’s remarkable run of singles, and its accompanying short film will provide one of the most thought-provoking moments you’ll have all year.

 

We are delighted to announce that Placebo will be returning to the UK to play a run of dates in October.

Fans have the opportunity to get tickets in a special 48 hour pre-sale that begins at 9am on the 7th June via www.aplaceforustodream.com

October tour

Sat 7 | Edinburgh Usher Hall
Sun 8 | Dundee Caird Hall
Tue 10 | Doncaster Dome
Wed 11 | Blackpool Empress Ballroom
Fri 13 | Reading Rivermead
Sat 14 | Cardiff Motorpoint Arena
Mon 16 | Portsmouth Guildhall
Tue 17 | Swindon Oasis
Fri 20 | Plymouth Pavilions
Sat 21 | Wolverhampton Civic Hall
Mon 23 | London O2 Brixton Academy

ALBUM & TOUR NEWS: Reverend & The Makers announce new album ‘The Death Of A King’ out 22nd September, UK tour October/November

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Reverend & The Makers release their sixth album, ‘The Death Of A King’, through Cooking Vinyl, on Friday 22nd September. The first song to be taken from the album, ‘Too Tough To Die,’ was premiered on BBC 6 Music Steve Lamacq show on Wednesday, is available on June 2nd upon pre-ordering ‘The Death Of A King’ from: https://rntm.lnk.to/TDOAK

‘The Death Of A King’, the followup to the Top 20 album ‘Mirrors’, was recorded at Karma Sound Studios, Thailand with additional recording at 2Fly Studios & 1984 Studios (Sheffield) and produced by Dave Sanderson. It will be available on CD, Deluxe edition CD, 12” Vinyl, limited edition 12” vinyl, cassette and digital download. The album can be pre-ordered from the bands website: www.reverendmakers.com and iTunes https://RntM.lnk.to/TDOAKPR/itunes

The video for ‘Too Tough To Die’ is an extract from a film shot in Thailand and directed by Shaun James Grant. Following the critical success of previous album/film ‘Mirrors’, which saw the band decamping to Jamaica, ’ The Death Of A King’ follows the band as they arrive in a remote fishing village in Thailand to record and film, however things take an unexpected twist when on the day of arrival the controversial king of Thailand, Bhumibol Adulyadej, dies.

Jon McClure: “We loved the recording abroad thing after the last album. Gives the albums a flavour of their own and so we thought we’d give Thailand a try, take the family and all that. I’ve been there before and Pete and Carl raved about Bang Saray so we took all the gang out there. Loads of us. It had finally got back to that big collective I’d always wanted to create. Having long since given up the notion of being number One, we resolved to just make tunes we liked. Ryan’s mrs played bass for a tune, the wives and kids sang backing vocals. Being so far away from home and my family (Laura couldn’t come as she was pregnant) meant I was starting to go a bit mental by the end. I kinda feel like some of that comes thru in the tunes a bit too. I’m kind of off trying to recreate ‘Heavyweight Champion of the World’. I’m 35. I have a new set of concerns . I see the world in a different way now so I’m trying to be true to who I am today.”

Reverend & the Makers were originally born out of a collective of musicians, ‘The Death Of A King’ renews the original spirit of the band and sees lead vocals shared on certain songs with other band members ‘Juliet Knows’ (Joe Carnell), ‘Auld Reekie Blues’ (Eddie Cousins) and ‘Black Flowers’ (Laura McClure).

The full tracklisting for ‘The Death Of A King’ is:

• Miss Haversham
• Auld Reekie Blues
• Bang Seray
• Boomerang
• Too Tough To Die
• Carlene
• Monkey See
• Black Cat
• Who Am I
• Time Machine
• Juliet Knows
• Black Flowers

Bonus songs: Deluxe CD & vinyl download code:

• Lisa (featuring James Skelly)
• Still Down
• You Can Have It All (featuring John Cooper Clarke)

Live

Reverend & The Makers play the following summer festivals:

JUNE
3rd Camden Rocks, London
10th Tidal Waves Festival, Bridlington

JULY
8th One Live Festival, Guilford
9th International Festival, Llangollen
21st Bugjam Festival, Northampton
22nd Pennfest, Buckinghamshire
28th Camp Bestival, Dorset
29th Kendal Calling, Penrith

AUGUST
6th Hope and Glory Festival, Liverpool
12th Green Meadows Festival, Peterborough

Reverend & The Makers have announced five shows in October and November, with support from Will And The People. Tickets go on sale at 9am on Friday 2nd June from: http://gigst.rs/RATM

OCTOBER
14th Garage, Glasgow
25th Electric Ballroom, London
27th Academy, Sheffield
28th Academy, Sheffield

NOVEMBER
4th Academy, Manchester

Reverend & The Makers are: Jon McClure, Ed Cosens, Joe Carnall , Laura McClure and Ryan Jenkinson.

www.cookingvinyl.com
www.reverendmakers.com
www.facebook.com/ReverendAndTheMakers
www.twitter.com/reverend_makers

ALBUM NEWS: AMPLIFIER announce new album ‘Trippin’ With Dr Faustus’ due via Rockosmos this June 30th

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In stark contrast to the compact kidney punch that was 2014’s ‘Mystoria’ – ‘Trippin’ With Dr Faustus’, like all epic journeys, is in no rush to let the plot unfold and spill out its secrets. “Each child is a child of circumstance” summarises frontman Sel Balamir.

The genesis of the idea of TWDF lies neatly in the heart of the song ‘Silvio’ – originally written in the period around 2011’s ‘The Octopus’. ‘Silvio’ didn’t make it onto that behemoth double album, “it didn’t really fit in with the Album’s universal themes.” But the ideas lurking in ‘Silvio’ persisted and soon made their own bed. “Who doesn’t want to make a record about our relationship with The Devil? The ultimate baddy…” ‘Silvio’ was very specifically the story of Faust, albeit renamed in reference to Italian Faustian politico Berlusconi, and thus became the template for the rest of the album.

Recorded between 2014 and 2016 at Amplifier’s studio in Manchester, TWDF was produced by Balamir, who also designed the now traditional Amplifier packaging and artwork. A decidedly European affair, the album was mixed by Spanish engineer/producer Iago Lorenzo in Vigo, Spain, and mastered by Robin Schmidt at 24:96 in Karlsruhe Germany.

Much of the sound of TWDF is owed to the chance acquisition and the ensuing slow, tedious and loving rebuild of an old 2” Otari Tape Machine, which had been left to the band in a bequeathment following the untimely death of an old and much missed colleague. This retro piece of gear lead to a new and more intricate studio-based focus on the record – compared to the previous approach to ‘Mystoria’, rehearsing the record for several months and then recording the whole thing live in a few days. TWDF evolved slowly but gradually over 18 months as the tape machine repeatedly died and was each time reanimated with components scavenged from the internet from other old and dead machines scattered around the globe.

Meanwhile, following the release of 2014’s ‘Mystoria’ on the Thomas Weber’s Superball label, a relationship that the band had been very happy with, Sony Music acquired Superball’s parent company Century Media, moving the ownership of the label from independent hands to corporate control. This was a position that Amplifier were not comfortable with.

In 2004 exactly the same thing had happened around the release of their debut self-titled album. In this incident BMG raided MFN parent company Zomba to dissolve the label – in turn being cannibalised by Sony a few months later.

“It always ends up with the little guys getting lost down the cracks…that’s why we decided to bail while we could – for better or worse”, Sel adds.

Following the sad but amicable parting from Superball, the band were left in dire financial straits following the sudden removal of future advances – but were none the less buoyant about the prospects for the next record. Balamir decided that following the experience of self-releasing ‘The Octopus’ in 2011 and its relative success, receiving Impala Silver Status, that it would make sense to gather some investors and found his own Artist-focused label, Rockosmos, to release TWDF. Promptly he also signed Sheffield space rock titans Awooga and London art rockers Thumpermonkey to be the core of his new eclectic rock stables.

Exploring the Faustian coincidences of power, success, fame and money, TWDF blurs fact with fiction, reality with fantasy. It’s a diverse sonic landscape where human civilisation begins to take on the appearance of a synthesis between David LaChapelle and Hieronymus Bosch. Greed, Ego, Dominance, Fear and Seduction suddenly becoming the defining trends of the 21st Century. Enjoy the trip.

‘Trippin’ With Dr Faustus’ is released via Rockosmos on June 30th 2017 via all digital distributors and will also be available on double 180g gatefold transparent vinyl, a collector’s edition mediabook CD and in standard Jewelcase CD. Pre-order here – http://smarturl.it/DrFaustus.

TWDF Track listing

1. Rainbow Machine
2. Freakzone
3. Kosmos(Grooves Of Triumph)
4. The Commotion (Big Time Party Maker)
5. Big Daddy
6. Horse
7. Anubis
8. Supernova
9. Silvio
10. Old Blue Eyes

The info

Amplifier are: Sel Balamir (Guitar and Vocals), Matt Brobin (Drums), Steve Dursoe (Guitar and Vocals) and Alex Redhead (Bass and Vocals)

Website: http://www.amplifierband.com
Facebook: https://www.facebook.com/amplifierband/
Twitter: https://twitter.com/amplifierband
Rockosmos: http://www.rockosmos.com

SINGLE & GIG NEWS: James Holt releases ‘Whatever Happened to John?’, upcoming gigs

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There’s been plenty of buzz about James, check out what people are saying:

“Fresh and exciting to listen to” – Brian Eno
“Talented and versatile songwriter” – Tom Robinson, BBC 6music
“Sounds so great on the radio!” – Chris Douridas, KCRW
“Very talented, very wonderful – absolutely love his voice” – BBC Introducing Manchester

James played all the instruments and sang lead and backing vocals on the song. The track was mastered at Abbey Road Studios by Alex Wharton

You can preview the track on Soundcloud or watch the video.

The info

James Holt is a singer/songwriter from Manchester. He is a classically trained pianist, guitarist and cellist. With his unique blend of folk and alternative rock, James performs regularly at venues and festivals in towns and cities across the UK.

http://www.jamesholtmusic.com
https://www.facebook.com/jamesholtmusic
https://www.facebook.com/jamesholtmusic
https://jamesholtmusic.bandcamp.com

Upcoming gigs

5th June – Acoustica at Apotheca.. Northern Quarter, Manchester
16th June – Night at the Museum, supporting Nick Heywood (Haircut 100).. Blackburn Museum
27th July – supporting Tom Hingley at The Alma, Bolton
29th July – Jimmy’s, Manchester

LIVE REVIEW: Todmorden Folk Festival, 28th/30th April 2017

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These are just some of the events at this year’s Folk Festival. Get ready for next year! (4 – 6 May 2018).

Robyn and Georgia (Kava Cafe, 5 pm Friday)

Robyn and Georgia opened the festival in style. These young performers sing, clog dance, and play accordion, guitar and tin whistle, all with joyous verve. The set included “Who will be the lady” and “Will ye go, lassie, go”. They also opened the evening concert.

Evening Concert (Masonic Hall, 7.30 pm Friday)

After Robyn and Georgia came john McGelligot (Gilly). His set included a ghost story song “Raglan Road” and the well known “King of the Road”. There was also a passionate rendering of “Carrickfergus”, bringing out the sadness of this song of alcoholism and exile. Mike Wilson and Damien Barber continued with a variety of instruments and songs old and new, which included “On board a 98”, about a press ganged sailor, “Down where the drunkards roll”, and “The first time ever I saw your face”. They ended with “The joy of living”, but the audience responded to their beautiful singing and energy with a demand for an encore, which was a cowboy song, “Alongside of the Santa Fe Trail”.

Stand To! (Masonic Hall, 12.30 pm Saturday)

This was a solo show by Richard Parkes on World War I. There was mention of conscientious objectors but this was more a demonstration of how the war was experienced at the time than a denunciation with the benefit of hindsight. There was Kipling as well as Owen. A powerful show, whose overall impression was of sadness.

Evening Concert (Unitarian Church, 7.30 pm Saturday)

Singer-songwriter Magdalen Bath opened with catchy tunes and thoughtful lyrics.

Next, Chris Hall and his band brought welcome Louisiana sunshine into the bonechilling cold of the Unitarian Church with their lively Zydeco set.

A great entrance by Lady Maisery as angels on stilts was followed by a long wait for them to show again. A versatile set with several instruments featured Sydney Carter’s grim “Crow on the Cradle”, and the rousing “Diggers’ Song”. They got a standing ovation and performed “Land on the Shore” as an encore.

Director’s Brunch (Golden Lion, 12.00 pm Sunday)

A relaxed singing session which also included turns from Gaorsach Rapper, with an amazingly acrobatic dance, Sailah, singing of the sinister Outlandish Knight, and an instrumental group from Oakenhoof.

Afternoon Concert (St Mary’s Church, 2.30 pm Sunday)

Cohen Braithwaite-Kilcoyne had a good strong ballad voice, as well as playing accordion and concertina. A popular set included the dramatic “The Golden Vanity”.

The Furrow Collective had beautiful solo voices which also blended effectively. Their set featured “Barbara Allen” and “Polly Vaughan”, and, as encore, “Oh, to be in my bed and happy”.