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ALBUM & TOUR NEWS: WHY? releases fifth movement from ‘Aokohio’, dates October 2019

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WHY?, the creative moniker for consummate wordsmith and beloved songwriter Yoni Wolf, is excited to announce AOKOHIO, a visual album to be released on August 9, 2019 via Joyful Noise Recordings. Today, WHY? is sharing the album’s fifth three-song movement and accompanying visual, “V. I want to live with conviction, in silence and diction.” The album’s entire visual element stars Emmy-winning actress Tatiana Maslany (Orphan Black) and was directed by Sundance Dramatic Special Jury Award-winner Miles Joris-Peyrafitte and James Siewert​. Stream or embed the video HERE.

The lead-up to AOKOHIO will follow the somewhat unconventional path of gradually revealing the entire album in playing sequence, each movement accompanied by its own visual element, from now until its August 9 release date. The visual component of the album is anchored by a continuing narrative, which will continue to take shape until the album is released.

AOKOHIO’s themes of familial anxieties and nostalgia will be familiar to many, but few have attempted as clear-eyed and sincere a portrayal as Wolf has succeeded with here. Collaborators like Lala Lala’s Lillie West and both members of Sylvan Esso will no doubt come as welcome additions, both serving to bolster the unmistakable sound and vision on which WHY? has grown its legions of fans.

Alongside their Autumn US tour, WHY? has also announced a run of UK/EU headline tour dates, beginning on October 23 in Glasgow at Stereo and concluding on Nov 6 in Copenhagen, Denmark at Vega. Full dates are as follows:

Oct 23 – Stereo – Glasgow, UK
Oct 24 – Band on the Wall – Manchester, UK
Oct 25 – Belgrave Music Hall – Leeds, UK
Oct 26 – Islington Assembly Hall – London, UK
Oct 28 – Exchange – Bristol, UK
Oct 30 – Patterns – Brighton, UK

TOUR NEWS: Sebadoh announce Autumn 2019 dates

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Following the recent release of their first new studio album in more than six years, indie-rock pioneers SEBADOH are set to embark on a seven date UK tour this Autumn.

Act Surprised continues the soulful collaboration that’s defined the band since 1991’s Sebadoh III and 1994’s Bakesale. The new batch of songs reaffirms how vital the creative partnership is between members Lou Barlow, Jason Loewenstein, and Bob D’Amico.

When Barlow recently moved back to his home state of Massachusetts following a series of personal changes, he pressed the restart button and, in time, felt the incentive to reach out to Jason and Bob again to reunite and start work on a new album. The trio convened and began recording in their original stomping grounds in Northampton, MA where they first formed back in 1988. Along with producer/sound engineer Justin Pizzoferatto, Sebadoh have delivered one of the best records of their career. Act Surprised is a 15-song collection that’s as dynamic and visceral as anything the band has ever committed to tape.

Touring the US since its release, Sebadoh embark on their European tour this autumn with seven UK live dates from late September to early October.

UK Tour Dates 2019

28 Sep: Patterns, Brighton
29 Sep: Scala, London
01 Oct: The Fleece, Bristol
02 Oct: O2 Academy 2, Birmingham
03 Oct: Brudenell Social Club, Leeds
04 Oct: Broadcast, Glasgow
05 Oct: Academy 2, Manchester

SINGLE & TOUR NEWS: Black Country, New Road release 8 minute new single “Sunglasses”, announce UK tour for September / October 2019

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Today, Black Country, New Road announce a much-anticipated new single in the 8 minute “Sunglasses”, mixed by Dan Carey, to be released digitally on 26th July on BC,NR / Speedy Wunderground and physically 6th September on the Thurston Moore-affiliated Blank Editions.

500 copies of the single will be pressed to 7”, each copy a unique product, with different Polaroid images on each cover taken by the band.

PRE-ORDER “SUNGLASSES” HERE

Front man Isaac Wood has the following to say about the single’s themes, “it describes a series of events, loosely connected, all yet to happen. The song was intended to be highly inspirational. The lyrics are sometimes concerned with symbols of wealth or affluence but they are not written from a critical or even external position.”

Despite scarce information available on the band up to now, their debut single “Athens, France” sold out of its pressing on Speedy Wunderground in a matter of days, they were featured in The Guardian’s tips for 2019 and they have performed in session for 6 Music alongside other early accolades. A precociously young seven-piece featuring both prominent sax and violin in their line-up, BC,NR have cut their teeth playing their first shows alongside the likes of Fat White Family, Black Midi and more.

Black Country, New Road are:

May Kershaw – Keys
Charlie Wayne – Drums
Luke Mark – Guitar
Isaac Wood – Vocals/Guitar
Tyler Hyde – Bass
Lewis Evans – Sax
Georgia Ellery – Violin

Black Country, New Road have also announced a series of UK headlining dates for September / October alongside further festival dates, including Green Man, End Of The Road and Primavera Sound’s 20th Anniversary in Spain.

You can catch the band live on the following dates:

20.07.19 – Latitude Festival, Suffolk, UK
03.08.19 – Visions Festival, London, UK
17.08.19 – Green Man Festival, London, UK
22.08.19 – The Trades Club, Hebden Bridge, UK
23.08.19 – Future Yards, Birkenhead, UK
24.08.19 – End Of The Road Festival, Dorset, UK
24.09 – Boston Music Rooms, London, UK
29.09 – The Portland Arms, Cambridge, UK
30.09 – Hope & Ruin, Brighton, UK
01.10 – Rough Trade, Bristol, UK
02.10 – Yes Basement, Manchester, UK
03.10 – Poetry Club, Glasgow, UK
04.10 – Elsewhere, Margate, UK
19.10 – SWN Festival, Cardiff, UK
20.10 – Future Days, Birmingham, UK

TOUR NEWS: Native Harrow announce August/September 2019 dates

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Pennsylvania duo NATIVE HARROW have announced UK tour dates in support of the release of their new album Happier Now on 2nd August.

The month-long tour will include a slot at The Long Road festival, in-store performances at Rough Trade shops in London, Bristol and Nottingham, plus Jumbo Records in Leeds.

Early praise for the forthcoming new album has been high, with Uncut’s description of Devin Tuel’s ‘wondrous’ voice as ‘evoking both Judee Sill and early Joni Mitchell at their most wistful’ and Americana-UK describing Happier Now as a ‘captivating, almost mesmeric album of the highest quality’. Premiering the album’s second single and title track, Folk Radio explained how ‘it’s hard to be utterly timeless and refreshingly original, but Native Harrow manages it with ease’.

Native Harrow UK Tour Dates

23 Aug – LONDON Rough Trade West (6pm)
28 Aug – EXETER Cavern Club
29 Aug – BRISTOL Rough Trade (7.30pm)
30 Aug – BRISTOL Golden Lion
31 Aug – NOTTINGHAM Rough Trade (3pm)
01 Sep – NOTTINGHAM Running Horse
02 Sep – BIRMINGHAM Kitchen Garden
04 Sep – LONDON Paper Dress Vintage*
05 Sep – WINCHESTER Railway*
06 Sep – CAMBRIDGE Blue Moon
07 Sep – THE LONG ROAD FESTIVAL Leics
08 Sep – LIVERPOOL Leaf
12 Sep – SHEFFIELD Dorothy Pax (free entry)
14 Sep – LEEDS Jumbo Records (3.30pm)
15 Sep – NEWCASTLE Bobik’s (3.30pm)
16 Sep – GLASGOW Hug & Pint
17 Sep – EDINBURGH Stramash
27 Sep – PORTAFERRY Portico of Ards

*with Frankie Lee

Pre-order the album here.

With more dates expected to be added, an up-to-date tour schedule + tickets can be found here.

Devin Tuel may consider herself to be an artist meant for a different time, but she now finds herself inhabiting her own true place. The singer-songwriter is at home in Newburgh, NY reflecting on her third album, Happier Now, released under her nom de plume, Native Harrow, as well as the difficult sojourn the former ballerina and classically trained singer has had to traverse to become the writer and performer she was meant to be. “This record is about becoming your own advocate. Realising that maybe you are different in several or a myriad of ways and that that is okay. And further, it is about me becoming a grown woman,” Tuel says.

After nearly two decades of rigorous training in ballet, theatre, and voice, Tuel needed to break out of the oppressive rules of academia and find her natural voice, write from her heart, and figure out what kind of performer she truly was rather than the one she was being moulded into from the age of 3. “I spent my early twenties playing every venue in Greenwich Village, recording demos in my friend’s kitchen, and making lattes. I felt very alive then. I was on my own living in my own little studio, staying up all night writing; the dream I had of being a bohemian New York City artist was unfolding. I wanted to be Patti Smith. I was also heartbroken, poor, and had no idea what I was getting myself into. My twenties, as I think it goes for most, were all about getting up, getting knocked down, and learning to keep going. I never gave up and I think if I told 20-year-old me how things looked 9 years later she’d be so excited”.

Happier Now (out 2nd August on Loose), is a set of nine songs recorded and mixed by Alex Hall (JD McPherson, The Cactus Blossoms, Pokey LaFarge) at Chicago’s Reliable Recorders. The album was co-produced by Hall, Tuel, and her bandmate, multi-instrumentalist Stephen Harms.

Native Harrow cuts out clear and vibrant narratives on fear, love, the open road, ill-fated relationships, and coping with the state of the world. “I wanted to share that I made it out of my own thunderstorm. I had experienced the high peaks and very low valleys of my twenties. I saw more of the world on my own, got through challenges, reveled in true moments of triumph… but all the while the world around me was growing louder, wilder, and scarier. Music for me is a place to be soft. This album was my place to feel it all.”

Happier Now’s nine songs were written during three back-to-back tours across North America supporting the band’s second album, Sorores. The album was recorded in just three days in March 2018 during what Tuel jokingly calls “downtime” in the middle of the grueling 108 date tour. Tuel approached the sessions like a musicians’ workshop, each morning beginning with the songwriter presenting her collaborators with the day’s material. The trio rehearsed and documented each song live on the floor, tracking as a band through each take. No click tracks, scratch tracks, or even headphones; just three musicians in a small room, captured with Hall’s collection of vintage mics and some subtle retro production techniques. Overdubs, including vocal harmonies, B3 organ, Rhodes, and the rare lead guitar were added to decorate these live performances. The creative energy of the tightly-knit sessions spilled over into Tuel’s songwriting as well – she skipped lunch on the third and final day of recording to pen the road-weary “Hard To Take”. Four days after arriving in Chicago, Native Harrow was back on the road and Happier Now was complete.

Happier Now oscillates between feeling the sting of uncertainty (“Can’t Go on Like This”), the beauty of California (“Blue Canyon”) and the ache for lavish stability (“Way to Light”). You could say Tuel wears her heart proudly on her sleeve, but that’d be underplaying the exact gravity of her stories. Each starlit image is framed within her warm, enveloping vocals and the careful, profound considerations of Harms’ musicianship. Start to finish, the new record pours forth from her very bones, and you get the overwhelming sense she has never been more daring and honest than right now.

The nine tracks of Happier Now were recorded in three days on March 19-21, 2018 at Reliable Recorders in Chicago, IL. The album was co-produced by Native Harrow and Alex Hall.

GIG NEWS: Mark Peters plays The Stained Glass Centre, York on 3rd August 2019

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Mark Peters was the songwriter in the acclaimed York based shoegaze band Engineers who released four albums on the Echo label and K-scope between 2005 and 2014; he has also collaborated with a number of other artists, including two albums on Bureau B with German electronica legend Ulrich Schnauss.

In 2018 he released his first solo album, ‘Innerland’ on Sonic Cathedral. It was one of last year’s most surprising sleeper successes. An intentionally low-key album of windswept instrumentals inspired by Mark’s move back to his native northwest, it gave musical nods to Eno, Talk Talk, Vini Reilly and Richard Thompson.

Something about its beautiful simplicity struck a chord and slowly but surely – thanks to word of mouth, as well as the support of the likes of Lauren Laverne on BBC Radio 6 Music and positive reviews everywhere from Uncut to The Times – it worked its way into people’s hearts. By the end of the year it had also worked its way into Rough Trade’s top 10 albums of 2018.

Mark will be supported by Elk. Elk is 21 year old York based multi-instrumentalist Joey Donnelly, whose brooding and beguiling work on debut album Beech marries up the sound of Daudi Matsiko, Florist and Talons with the lyrical depth of Phoebe Bridgers.

“I love how dark and honest her lyrics are at times,” says Joey of Bridger’s writing, “and I tried to use that whilst writing the Elk songs.”

Working with brother Mikey in his band Miles, Joey began writing the music that would become Elk. Mikey did what all good big brothers do and kicked Joey out of the band.

“He made me do my own stuff, so he’s to thank for Elk. I’ve learnt a lot from him over the years about song-writing and just being a good person.”

Family is embedded in Elk. The 7 songs that make up Beech were written and recorded at the family home in York, over a 6-month period.

“I’d write the songs in Leeds and go home and record them with my brother Mikey,” with Joey handling everything except drums and some backing vocals.

Like a family, the songs envelope you in a trusting warmth; Joey lays himself bare, as his honest songs slowly welcome and wash over you. The songs are a personal reflection on relationships, loss and growth, all told with the openness of family.

“We used to move around a lot when I was younger and the first place we stayed in for a long time was on Beech Avenue, which is the name of the album and [a] song, as it was pretty important to me”

“We moved out of the house and rented it for a few years, but before we sold it we all stayed for one last night. We stayed up all night, drank and ate Chinese food and reminisced about the time that had passed.”

Live Elk performs as a 2 piece with Mikey Donnelly joining Joey on keys, samples, glockenspiel and backing vocals. The show is a captivating glimpse of Joey laid open on stage.

Please Please You & Bad Paintings presents
Mark Peters
‘Performing songs from Innerland’
+ Elk
+ The Listener’s Club DJs
The Stained Glass Centre, York
Saturday 3rd August, 7.30pm

Tickets are £6 in advance from Earworm Records in York in person and online via http://www.pleasepleaseyou.com

LIVE REVIEW: Penetration supported by Klammer – The Lantern, Halifax – 14th July 2019

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Penetration

It’s the second time I have seen Klammer live, and they are fast becoming one of of my favourite live bands. A second time gives you the opportunity to listen closely and focus down on what a band does.

The thing about Klammer is that while their post-punk sound – and they do the full gamut of post-punk – may initially appear to be rather retro, it isn’t. They have this really crisp sound that is bang up to date.

Klammer

Tonight’s set is the same as the set they played supporting Peter and the Test Tube Babies but they really did appear to be on it. Perhaps that’s just me being more used to their live thing and the songs. What this does is to confirm that ‘Production’ a rather more angular punky sounding song about workers in East Germany is definitely a live favourite for me, as are ‘Spiral Girl’ and their cover of ‘Being Boiled’.

Klammer
Klammer
Klammer
Klammer
Klammer

If you’re a fan of post-punk in all it’s glory Klammer should be on your list of bands to catch. The playing is incredible, their singer is both visually fascinating and vocally great, and the songs are fantastic.

Penetration

It’s kinda of strange seeing a band that you can’t actually remember seeing before but are pretty sure you have. Penetration are one of those bands for me. There was a time when I saw loads of bands – I call it ‘the long dark night of my soul’ – but only remember who I saw vaguely. The songs and the band ring bells but only slightly. Perhaps I’m better off reviewing them a band new to me.

Penetration are not a band who are resting on their laurels, the live experience was amazing, Pauline’s in fine fine voice and the band are great. Frankly the performance would have left many ‘younger’ bands in the shade.

The set starts out with songs that have something of a poppier punk thing but as the set progresses the songs get more raw and punkier. Pauline is naturally the focus of the band – she moves around the Lantern Stage in a slightly menacing way. Although I found myself rather fascinated by the rather imposing figure of their bass player. Actually his bass playing is rather important to the band’s sound.

Look while I get that some people will be seeing the band because they were fans back in the day, I’d really recommend catching them live if the band are ‘new’ to you. And yeah, they play all the well known songs which is great for the older fans but these are great songs, they don’t actually sound all that ‘retro’ they just sound like great songs played really well.

All photos on this page © Frank Roper Photography – see more pictures from the night on his Facebook Page

SINGLE REVIEW: LELO – ‘Stuck’

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This single is dark, so very dark, although given the subject the song tackles this isn’t surprising – it addresses the subject of coping with the grief of losing someone close. The arrangement is appropriately sparse and the vocals are so full of feeling, it’s almost too much, the sense of grief is oh so heavy.

The lyrics of this song are simple but convey the feeling of grief, of losing someone important to you, so effectively. And although clearly this is very much a personal song, it’s something so many of us can relate to. The words and the meaning are universal and incredibly moving.

There’s a sense of tribute here, the song has something of the feel of a eulogy. Musically there is a beauty in the arrangement, an appropriately understated beauty. It’s those two things that work together to make it so emotionally effective.

Reviewing something like this is difficult, I found myself thinking of the passing of people close and important to me, maintaining any sense of objective perspective is virtually impossible as a result. Given that there may be people listening to it who haven’t experienced that, the test is ‘does it convey the feelings of a person experiencing that?’ The answer to that is very definitely yes.

Although it may seem strange to describe this as beautiful, that’s what it is.

‘Stuck’ is available to buy on 7” turquoise vinyl here

The info

‘Stuck’ was written after the passing of LELO’s grandfather, and addresses the subject of coping with the grief of losing someone close. For the music video, an invitation went out to various friends and acquaintances, each of which were asked a simple question: “If you could say something to a person you have lost, what would that message be?”. Each participant is filmed in turn, writing their message and holding it up to the camera. The result is a thought provoking piece of film that leaves a lasting impression.

Speaking about the song, LELO says: “Stuck is a song that I had wanted to write for quite a while. It’s great to find inspiration for songs in things that are out of the ordinary, but sometimes something happens to you and you just have to write about it for your own sake, no matter how many times it might’ve been done before. I wrote the song 6 months after my grandad had passed away. It was the first time I’d really experienced losing somebody I was close with. It remains the most important song I have ever written”.

EP REVIEW: Concrete Armbands – ‘Anti-Therapy’

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I reviewed Concrete Armband’s previous two singles – ‘The Brink’ and ‘… Like Russian Dolls’ – and was hugely impressed, although somewhat surprised by the difference in their sound. These singles are on this EP by the way. However those in no way shape or form prepared me for this EP, it left me reeling. What Concrete Armband are doing I have frankly not one idea, I love it make no mistake but it’s the strangest thing.

So to get us all up and on the same page ‘The Brink’ was a piece of heavy alternative rock, while ‘… Like Russian Dolls’ hits with, at least for the majority of the track, something like an 80s’ synth track. I thought I had this band down, I thought I knew what to expect. How wrong I was.

So ‘Satellites’ opens with piano, and that leads us into something that sounds like one of those theatrical 70s’ ballads. It is the strangest thing. It even sounds a bit like Queen at points. While throwing in Pink Floyd, Sparks, Yes and all manner of things. There is not one alternative rock guitar in there. It’s huge, layered and lush. We are obviously on some kind of journey.

So next up is ‘… Like Russian Dolls’. I’m on safer ground here. I reviewed this. I said ‘The opening is all 80s’ electronic rock, it has that synth drum thing going on. And it has vocals to die for, the lead vocal is a thing of joy. And then, at nearly 3 minutes in, it just goes completely crazy. It gets loud, way loud, it thunders, it roars’. It left me speechless when I reviewed it before, it still does that.

And then I am completely confused, the next track ‘Bud’ is something almost country, Americana. It reminds me of Aztec Camera in a rather weird way. What are Concrete Armbands doing? I have not the slightest idea. But I adore this track. It’s rather moving and sweet. It’s jaunty, not a word I think I’ve ever used in a r before but it is.

‘The Brink’ is up next, I’ve reviewed that before so here goes ‘The band’s brand of alternative rock is heavy, I mean way heavy, this thing majors on bass. I mean yep, so the band say Muse are an influence and you can hear that but there’s more than hints of post-hardcore here. This is musically by the way, there’s none of that hardcore vocal thing’. Got it. But what I hear, having heard ‘Satellites’ is a certain theatrical thing going on there, there’s a continuity of sound. This is fantastic thing people.

The EP closer is a many sectioned track, here goes ‘God Complex (I. Serenity Station, II. The Universal It, III. And the Music Gets Louder, IV. Ego Death)’. This alone should clue you into the fact that this isn’t the average song. It opens with acoustic guitar over washes of synth and the odd weird sound. Before morphing into something of softly rocking thing with the loveliest high pitched vocals. And then indeed ‘And The Music Gets Louder’, it goes post-hardcore, it goes shake the windows loud. Before dropping into something that mixes that almost prog sound with something almost country. It sounds as though it shouldn’t work but it does. It’s so good it leaves me without words to describe quite how good this is.

I love this EP but I just didn’t ‘get’ what the band are doing until a friend rather helpfully reminded me that there were bands in the 70s that used to release albums that mixed heavy rock, folk tracks, sweet ballads and more. All you needed to know was the band had a sound that travelled over those styles. Like Queen, like Yes, like Led Zepplin. This is something I should have got, I do actually have lots of that in my collection.

Concrete Armbands very definitely have a sound, across these track although they vary, that sound shines through. What else shines through is that this is a band who know how to play, musically it’s highly impressive.

Look if you’re one of those people who like a band to ‘sound’ generally the same, play the same kind of stuff, then this probably isn’t for you. However if you are someone who just likes great music played really well, and don’t care one jot what style of music it is, then this is very definitely for you.

This is brilliant, it’s fantastic, it’s a band just doing what they want to do, and doing it incredibly well.

SINGLE REVIEW: Everyday People – ‘It’s Complicated’

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If you’ve been keeping up, you will know that I’m rather keen on what Everyday People do. I say ‘rather keen’, this is something of an understatement, I love what they do. The band are releasing three singles this summer – I feel rather spoilt, three singles in one summer – ‘It’s Complicated’ is the first.

It’s a damn funky thing this single, yep it has that Everyday People soul thing going on but it’s funked up to the max. But it switches, it changes – there are sections which have you – if you’re stuck writing a review – getting down in the chair dance, there are sections of soulful bliss, and the hottest RnB. And that’s not to mention the phone voice-over sections. And it has this organ thing, a thrilling trill, going on which I love so much it leaves me trembling. It’s a joyful thing, a get down and dance your arse off, joyful thing.

But it has a sophistication, the way it’s put together, the playing. Everyday People just seem to get better and better musically. This is a band who really know how to play, and Maeve’s vocals are a lovely thing. It’s smooth and funky if you get what I mean.

I’ve said it before but Everyday People really should be huge. This should be breaking through big time, it’s the perfect summer song. This at a summer party would be so cool. I’m tempted to get a party organised just so I play this to my friends. If this is the first single of three, I can’t wait for the next two.

SINGLE REVIEW: Zach Pygall – ‘Casino’

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When I saw Zach play live back in late last year this track stuck in my head – it was definitely one of my favourites, so news that Zach was releasing it as single was greeted with joy here at LSF Towers. Even better the song features The Harriets as Zach’s backing band, so it’s all good, it’s all more than good.

So the song itself tackles gentrification in the North of England which is pretty big topic, but Zach takes a personal approach to the subject and it’s all the more effective lyrically for that. But it’s the fact that those lyrics are sung over what is a raucous country-rock arrangement – it’s all crunching guitars, throbbing bass and roaring organ – that really makes it for me. It’s a joy people. A bloody joy. It rocks.

The thing about this song, is that it rewards closer listening, yeah so that crunching country-rock is fantastic, but the words are really worth listening to, Zach’s a great writer of words. So do that people, really listen to the words.

Zach’s one of those singer/songwriters that I’m always recommending to people – he’s just quietly great. The words are always great, and musically it’s fantastic. This single doesn’t disappoint in any way. Lovely stuff.