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LIVE REVIEW: Amongst Thieves supported by Counterpoint and inFade – Temple of Boom, Leeds – 10th March 2019

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Amongst Thieves

It was with a certain amount of trepidation that I made my way to the Temple Of Boom to see two bands I hadn’t seen before – Amongst Thieves and Counterpoint – and one band that I had seen and liked before – inFade (who had invited me to see the gig). My trepidation was because that night there was big punk all-dayer going on in the main room and I was worried that the gig would be held in The Meatlocker, the scene of a severe (and thankfully temporary) hearing loss caused by a band that had many guitarists with much feedback; about 2 minutes in my left ear just went ‘that’s it I’m out of here’. Thankfully The ToB now has another room open for gigs so I was saved that happening again, and it would have for the three bands played really loud, I mean literally wall-shakingly loud.

inFade

I arrived early enough to catch the end of inFade’s soundcheck – including the first ‘public performance’ of a new track, I say public but the public was basically me and the sound guy – and chat with the band. Basically much of that chat was about music (natch). But I did find out that inFade are still developing what they do, mainly down to their new-ish drummer Jonny who’s bringing something new to the party (of which more later).

So it’s the second time of seeing inFade which gives me an opportunity to really listen and focus down on the detail. And yep as before this is a band who play loud, are heavy on the riff but what I started to hear was the subtle things going on – things just don’t stay on a riff they have these change-ups and downs, there are different sounds going on, in fact it’s way more dynamic with a big big sense of space in their music than I got from seeing them play live for the first time. This is a really fantastic thing to discover.

And there’s a great groove thing going on, Jonny does that kinda of swing thing drumming which really gets me, it reminds me of those classic rock drummers. He’s all over the beat people, Carl on bass – who unfortunately had some sound issues that night – is way way solid. Max – guitar and vocals – is really impressive.

inFade

The set is switched up from the first time I saw them, and somehow this works better at showing that inFade have songs that vary a huge amount, There’s slightly bluesy rock, there’s straight ahead heavy rock, there’s stuff with a metal edge and some things that have a kind of alternative edge. Technically inFade are impressive but that doesn’t overwhelm the feeling that their music is ‘meant’ – meant is a term I use a lot, and it deserves some explanation. What I mean by this is that it’s organic and played with feeling, it’s not a technical exercise.

The other thing I found is that there are tunes in their songs, tunes that you can hum – at least I could in my head. That I like, I like a lot.

inFade
inFade
inFade

They end their set with the aforementioned new track. This is currently an instrumental but may – I discovered chatting with Max – acquire some words at some stage. My notes say ‘it’s kinda groovy, slightly proggy in places, and has these builds to something screamingly loud in places’. It’s a cool thing. Instrumentals are a risky thing but this has changes – in tone, in loudness, in sound – that make it compulsive listening.

I liked inFade when I saw them the first time, but after this set I really like them. Catch them people, as soon as you can.

Counterpoint

Counterpoint are a Manchester band I’ve never heard of before – look there are way too many bands for me to know every band I see live – and I have what we might call ‘slightly mixed feelings’ about them. So let’s do the good stuff and I’ll get to my doubts after that.

While they don’t have bass player they do have a vocalist with the hugest voice, a voice that comes from way down in the depths with a power. That voice just fucking rams down your ears over the dirtiest sound – a riotous heavy rock kind of thing. That sound is bass heavy and is a riot people. The guitar is great, and somehow manages to be way bass heavy and do these rock squeals at the same time.

Counterpoint

Counterpoint
Counterpoint

In fact it is this that got my reviewer head started thinking. What I couldn’t work out is whether the two musicians – guitarist and drummer – were making all that wonderful noise or whether there was something that was adding to their sound. This unfortunately distracted me, sorry Counterpoint. I decided that, in the end, it didn’t matter at all, not one jot if there was.

The facts are that the vocals were great – in that heavy rock kind of powerful way, the guitar was fantastic and the drumming was way cool – in fact the drummer seems to produce what he does with an almost casual effortlessness. Counterpoint are a band I’d like to see again.

Amongst Thieves

There are a lot of Amongst Thieves – two guitarists, a bass player, a drummer and a singer, and the stage at the ToB is not big. Not that this is an issue, the singer basically spends the whole time out in the room and various other band members leave the stage at regular intervals.

So that’s the set-up. What this doesn’t in any way describe is the sheer assault of what they play. It’s loud, in fact loud doesn’t really go far enough to explain it in any adequate way, it’s a wall of sound. A beautiful wall of sound that just comes in wave after wave. It also doesn’t explain the scary way Josh – their singer – stalks around the room, being right in the face of the audience. He just never stops moving. It’s slightly scary but in a way good way, you start to think quite what is going to happen next. You’re never quite sure whether he’s going to come crashing into you on one of his trips across the room, get right in your face or grab you. That is hugely exciting.

Amongst Thieves
Amongst Thieves
Amongst Thieves
Amongst Thieves
Amongst Thieves
Amongst Thieves
Amongst Thieves
Amongst Thieves
Amongst Thieves

It’s at this point that my notes stopped, I was basically hypnotised by what they do, that unrelenting wall of sound takes you places, your eyes darting all over the place trying to keep track of what the band are doing, Sure Josh kinda draws the eye but the rest of the band are visually compelling as well. But behind the wall of sound is some not inconsiderable skilful playing, I mean sure you have to focus in, but it’s there. And when those guys lock together it’s awesome.

This is an experience I want again, Amongst Thieves I will be back.

All photos © Frank Roper Photography

SINGLE & TOUR NEWS: Hannah Sanders & Ben Savage share ‘Hidden Things’, intimate UK tour dates in April 2019

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‘Hidden Things’ is the first in a trilogy of singles by Hannah Sanders & Ben Savage. After widely touring for the past few years 2019’s singles reflect the duo’s relationship to the spirit of place; all three songs were written and arranged in different counties whilst they were touring their critically acclaimed album ‘Awake’ in 2018.

The first in this trilogy, Hidden Things, takes its inspiration from a time spent in northern Sweden. Hannah says “I was reading my friend Francesco Dimitri’s novel “Book of Hidden Things”. I was sitting on the coast of Stockholme’s Archipelago reading a novel set in Southern Italy and I was moved by the idea that landscapes hold dreams – love, mystery, loss… Dimitri’s book is about how stories become part of our connection to landscape. Like stories, songs can be a way of bringing the land’s dreams to life…”

The duo tour their intimate single-microphone show throughout the UK in April. Full dates below:

4th Apr SHEFFIELD The Greystones
5th Apr SALTAIRE The Live Room
6th Apr RUNCORN The Brindley
7th Apr CUMBRIA Sticklebarn Sessions
9th Apr NEWTON ABBOTT Kingskerswell Church
13th Apr FINCHINGFIELD Church, Essex
17th Apr ALDERSHOT West End Centre
18th Apr SHOREHAM-by-SEA Ropetackle Arts Centre
19th Apr OXFORD Holywell Music

Huddled round a single microphone, singing intimate duets with just mountain dulcimer, dobro and guitar, Hannah Sanders & Ben Savage are an acoustic duo that look & sound classically timeless, yet their music is unique.

Fleetingly, they may evoke a memory of Gram & Emmylou, Shirley & Davey, or Gillian & Dave but their distilling of musical influences from both sides of the Atlantic produces a refined sound that is decidedly their own.

Their unique unplugged presentation creates a widescreen, cinematic soundscape with open spaces and atmosphere, giving their beautifully pure vocals room to share the songs’ emotion and narrative.

The material is as joyful and fun as it is intense, but the common factor is the duo’s warmth and confidence in each other; their natural ease and connection is clearly evident on the recorded music, and a genuine pleasure to witness on stage.

VIDEO NEWS: Lisa Luxx drops video for her debut single ‘Girl Gang’

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Lisa Luxx has dropped a video for her debut single ‘Girl Gang’. The single was released today – International Women’s Day – you can read our review here

Lisa Luxx is an award-winning British-Syrian feminist poet, celebrated by Dazed magazine as “sensitive and revolutionary”. After putting a call-out on her social media for women to submit videos with their girl gangs she received an overwhelming response. Videos were sent in from Senegal to Canada via California and Beirut. Among the videos received was an all star cast including the likes of tattooist Grace Neutral, broadcaster and novelist Yasmin Abdel-Magied, Instagram poet Salma el Wardany, life coach and film director Alexandra Roxo, cult feminist punk band Dream Nails, presenter Poppy Jaime, sex writer Stephanie Theobald and Hollywood actress, musician and model Suki Waterhouse plus key members of the European Network of Migrant Women.

The call-out began creating an offline sense of sisterhood as women reported they were making a bigger effort to define who their girl gang was and spend time with them. Girl Gang was executively produced by a fellow queer Arab and former Buzzfeed presenter, Tania Safi

Lisa says: “During one of the Women’s March’s I blasted big tunes like Beyoncé’s Formation through a moving sound system. We’ve been through a lot, and women are working so hard on building a better world, so the least we deserve is to dance through the uprising. The oomph of energy and the joy it brought to resistance during that protest is what inspired me to write this song.”

Lisa Luxx on Facebook: https://www.facebook.com/lisa.m.luxx

ALBUM & TOUR NEWS: Little Steven and the Disciples of Soul release ‘Summer Of Sorcery’ 3rd May, dates May 2019

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Little Steven and the Disciples of Soul have announced the release of their eagerly awaited new album. SUMMER OF SORCERY, the legendary rock ‘n’ rollers first album of new material, arrives May 3rd via Wicked Cool/UMe. SUMMER OF SORCERY is available for pre-order now (here). The album will be released on CD, digitally and on vinyl as double LP on 180-gram black vinyl. A limited edition version will be available as a double LP on 180-gram psychedelic swirl vinyl exclusively via uDiscover. All digital pre-orders will be joined by an instant grat download of the LP’s jet-fueled first track release, ‘Superfly Terraplane’.

Little Steven and the Disciples of Soul will celebrate SUMMER OF SORCERY with a wide-ranging world tour, beginning May 16th at Liverpool’s 02 Academy and then making headline stops across the United Kingdom, before heading into Europe and the rest of the world.

Dates

MAY
Thurs 16th – Liverpool, O2 Academy
Sat 18th – Leeds, O2 Academy
Mon 20th – Glasgow, O2 Academy
Wed 22nd – Bristol, O2 Academy
Fri 24th – London, O2 Forum Kentish Town
Sun 26th – Derbyshire, Bearded Theory Festival

“My first five albums in the ‘80s were both very personal, and very political,” explains Little Steven aka Steven Van Zandt. “I wanted the new material to be more fictionalised. The way records were when I grew up. Before it was an artform. The concept was capturing and communicating that first rush of summer. The electricity of that feeling of unlimited possibilities. Of falling in love with the world for the first time. Obviously, there are occasional personal references, and a bit of what’s going on socially scattered throughout, but I achieved what I set out to do. I created a collection of fictional movies scenes that feel like summer. I’m quite proud of it.”

SUMMER OF SORCERY – which arrives just two years after Little Steven’s acclaimed 2017’s solo return, SOULFIRE, and its 2018 live follow-up, SOULFIRE LIVE! – was written, arranged, and produced by Van Zandt at his own Renegade Studios in New York City; the album was co-produced and recorded by GRAMMY® Award-winner Geoff Sanoff and co-produced by Disciples of Soul musical director and guitarist Marc Ribler. SUMMER OF SORCERY was mixed and mastered respectively by Van Zandt’s career-long collaborators and friends Bob Clearmountain (Rolling Stones, David Bowie, The Who, Bryan Adams), and Bob Ludwig (Led Zeppelin, Nirvana, The Band, Sly and the Family Stone). The album – which features an exclusive introduction written by Van Zandt – is adorned with Frank Frazetta-inspired cover art by Van Zandt’s longtime art director, Louis Arzonico.

Little Steven is joined on this thrilling musical journey with his all-star band the Disciples of Soul, a 14-strong ensemble made up of some of the best studio and live musicians in the business. Leading the charge alongside Van Zandt is musical director and guitarist Marc Ribler (Darlene Love, Roger McGuinn, Carole King) who conducts the band consisting of Lowell “Banana” Levinger of The Youngbloods on piano and Wurlitzer, bassist Jack Daley (Lenny Kravitz, Boz Scaggs, Darryl Hall), drummer Rich Mercurio (Ben E King, Sara Bareilles, Idina Menzel), percussionist Anthony Almonte (King Creole and The Coconuts), Andy Burton on B3 organ, piano, synthesizers (Cyndi Lauper, John Mayer, Ian Hunter), the dynamite horn section of horn director Eddie Manion on baritone saxophone (Diana Ross, Bruce Springsteen, Southside Johnny), Stan Harrison on tenor saxophone and flute (David Bowie, Mick Jagger, Duran Duran), Ron Tooley on trumpet (James Brown, John Lennon, Maceo Parker), Ravi Best on trumpet (Aretha Franklin, Stevie, Wonder, Kool and The Gang) and Clark Gayton on trombone (Sting, Bruce Springsteen, Joss Stone, Rihanna). The band is rounded out with the soulful, synchronised dancing backup singers Jessie Wagner (Kid Rock, Lenny Kravitz, Chic ), Sara Devine (Alicia Keys, Mary J Blige) and Tania Jones (Disciples of Soul).

SUMMER OF SORCERY is another landmark work in a four-decade career full of milestones, a spirited collection of songs which conjure up all the wonder and magic of the eponymous season – the beach and the boardwalk, the young love and unbridled lust, the innocence and experience that somehow starts it all.

“I always work thematically,” Van Zandt says. “I can’t just throw together a collection of songs; there has to be some kind of overriding idea that drives it. This time I wanted to capture the excitement of that first summer of consciousness. That one special summer where you first fall in love with life, that thrill of just being alive.”

Van Zandt’s first solo album as Little Steven in close to two decades, 2017’s SOULFIRE saw the Rock & Roll Hall of Famer revisiting songs that spanned the length of his career as artist, performer, producer, arranger, and songwriter, focusing on the “soul horns-meet-rock ‘n’ roll guitars” sound he first pioneered on Southside Johnny and the Asbury Jukes’ classic first three albums and later, his own first solo LP. The album saw Van Zandt uniting an all-new Disciples of Soul, complete with three backing vocalists and a full horn section featuring original Asbury Jukes/Miami Horns saxophonists Stan Harrison (tenor) and Eddie Manion (baritone). Little Steven and his 15-piece big band spent nearly two years traveling the world on the SOULFIRE Tour, not to mention last year’s “SOULFIRE TEACHER SOLIDARITY TOUR” supporting TeachRock, the Rock and Roll Forever Foundation’s national initiative to bring music curriculum into schools across the country. Still, the planetary success of the SOULFIRE project left Van Zandt to ponder: Where do I want to go now?

“Quite honestly, the SOULFIRE Tour was something special,” he says. “It was a definitive type of tour – I told my whole life story and most of the story of the history of rock ‘n’ roll simultaneously, it was a show 20, 30, 40 years in the making. So it was like, ok, now what? How do we beat that, or at least equal it? You set these standards and now you’ve got to reach them.”

Reach them he did – SUMMER OF SORCERY is Little Steven at his omnivorous, humanistic best, expertly crafted and deeply rooted in the many classic genres which taught and inspired the self-proclaimed “walking history lesson” from the jump. With their richly bombastic arrangements, floor-shaking groves, and high-powered performances from all involved, new songs like “Soul Power Twist and the album kick off “Communion” synthesize Van Zandt’s incalculable range of cultural and sonic inspirations into a one-of-a-kind brass-fueled brand of Technicolor rock ‘n’ soul unlike anyone else’s. The album features 10 original new songs alongside “Suddenly You,” an outtake from the “Lilyhammer” score, Netflix’s first original series, which starred Van Zandt who also composed all the music for trailblazing show, and a reimagining of “Education” which was first recorded for his 1989 album Revolution. “The education system needs to be fixed, needs to be improved,” he says. “Teachers need to be supported. There needs to be more support, more funding. That’s what I’m trying to get across with my TeachRock program and that’s all in this song.”

The record culminates with the epic title track, “Summer of Sorcery,” an eight-minute mission statement that conjures the euphoric rush of a summer romance and limitless possibility. “The whole theme of the album is summed up in that song, that wizardry, that magic mixture of falling in love in the summer,” says Van Zandt.

“I wanted to create a hybrid that would be uniquely me,” he says. “I wanted to hear Sly and the Family Stone, I wanted to hear Sam Cooke, I wanted to hear Tito Puente. I wanted to try and get the Beach Boys in there. James Brown, of course. I had certain touchstones of musical influence that I wanted to integrate into my thing.”

Recorded last year mid-SOULFIRE Tour and then mixed whilst on the road once again, SUMMER OF SORCERY represents a straightforward progression from its predecessor, the first time in Van Zandt’s long career that he’s maintained a band line-up and sonic approach from one solo work to the next.

“Instead of embarking on a whole new adventure, I decided, I’m going to evolve this thing,” Van Zandt says. “I’ve always wondered where my sound would evolve to if I ever did the same thing twice, if I ever evolved vertically rather than horizontally. All five of my solo albums before SOULFIRE are completely different genres. I never had a chance to evolve one particular thing to see where it went.”

Not to say Van Zandt didn’t push himself towards something new and novel – quite the opposite in fact. Where his prior solo canon was irrefutably linked by both his lifelong activism and deeply personal lyricism, this time Little Steven chose to eschew the overly political and explicitly autobiographical for a more overarching approach, one which allowed him a chance to apply his particular style of studied songcraft for his own album instead of another’s.

“With this record I really wanted to travel back to a time when life was exciting, when unlimited possibilities were there every day, says Van Zandt. “That was the feeling in the ‘60s, the thrill of the unexpected coming at you. Our minds were blown every single day, one amazing thing after another, constantly lifting you up. So you kind of walked around six inches off the ground all the time, there was something that kept you buoyant in your spirit. I wanted to try and capture that first and foremost.”

If SOULFIRE stands as the last word at the end of one chapter of Van Zandt’s long career, SUMMER OF SORCERY marks the start of what comes next.

“Making this record was everything I’d hoped for,” Little Steven says. “What I’d hoped would happen was, you put the whole tour, all of those songs, into a funnel and out of that funnel comes a new album. And that’s exactly what happened.”

ABOUT STEVEN VAN ZANDT
Musician, band leader, producer, actor, arranger, activist, and so much more, Little Steven Van Zandt is known and beloved around the world for his utterly distinctive songwriting, artistic ambition, and unyielding belief in the power and glory of classic rock ‘n’ soul. In addition to his ongoing role as a touring and recording member of The E Street Band, the past two decades have seen the Rock and Roll Hall of Famer expand his personal parameters to include legendary work as an actor on The Sopranos and Lilyhammer as well as host-creator of Sirius XM’s one-and-only “Little Steven’s Underground Garage” (not to mention creator of Sirius XM’s long-running “Outlaw Country” format). Van Zandt’s myriad creative efforts in recent years include composing the score for all three seasons of Lilyhammer along with landmark work as producer and songwriter, lending his distinctive craft to records including Darlene Love’s acclaimed 2015 release, INTRODUCING DARLENE LOVE.

Van Zandt’s first solo album in close to two decades, SOULFIRE drew rapturous applause from fans and critics alike upon its 2017 release, with Rolling Stone declaring, “Rock’s ultimate sideman reclaims the Jersey Shore sound he helped invent.” “Cynicism, irony and cultivated hip detachment have taken their toll on rock ‘n’ roll,” raved USA Today. “With SOULFIRE, Van Zandt aims to blow all that out and lead listeners back to its more passionate essence.” “It’s hard to imagine a more joyous and revelatory contemporary blue-eyed soul recording,” enthused American Songwriter. “The appropriately titled SOULFIRE is a tough, tight and clearly inspired project as well as a most welcome return from the musical shadows for Steven Van Zandt.” SOULFIRE “hearkens back to Van Zandt’s classic first solo album of gritty, greasy, horn-accented ‘60s-style rock and soul,” noted Billboard, while Paste proclaimed, “Rockier than Motown or the Sound of Philadelphia, this a joyous invitation to live and love.”

SINGLE REVIEW: Lisa Luxx – ‘Girl Gang’

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‘Girl Gang’ is the debut single from British-Syrian feminist poet Lisa Luxx. Released on International Women’s Day the track is a celebration of women and their girl gangs.

I’ve got to admit I’m probably not the best LSF person to be reviewing this single but right now LSF doesn’t have any female writers (Something we’d like to change, if there are any women out there who’d like to write for LSF, please do get in contact – Ed) so I can only tell you how I reacted to the track’s lyrics. What I get from the – entirely unsurprisingly – well written words is a sense of community, strength and unity. They make you listen. Their message is clear and strong. They’re completely compelling and important.

While I’m not a big fan of spoken word, the music that Lisa ‘speaks’ – although it’s might more a kind of rap really -over is fantastic. It’s a groovy thing that will have you getting up and getting down in seconds. It has hints of soul and R’n’B, hints of jazz, hints of funk. It has the grooviest bass line I’ve heard in a long time. I’ve developed a particular liking for this sparse piano that crops up now and then, but that’s me. And there is a particular luscious flute like sound – that might actually be a flute, I don’t particularly care right now – that is so sweeeet. This is cool, it’s way cool.

For a debut single this is incredibly impressive and compelling. If you’re putting together a playlist for IWD this is a must, an absolute must.

‘Girl Gang’ is released by Saving Grace http://www.saving-grace.co.uk

The info

Lisa Luxx is an award-winning British-Syrian feminist poet, celebrated by Dazed magazine as “sensitive and revolutionary”. After putting a call-out on her social media for women to submit videos with their girl gangs she received an overwhelming response. Videos were sent in from Senegal to Canada via California and Beirut. Among the videos received was an all star cast including the likes of tattooist Grace Neutral, broadcaster and novelist Yasmin Abdel-Magied, Instagram poet Salma el Wardany, life coach and film director Alexandra Roxo, cult feminist punk band Dream Nails, presenter Poppy Jaime, sex writer Stephanie Theobald and Hollywood actress, musician and model Suki Waterhouse plus key members of the European Network of Migrant Women.

The call-out began creating an offline sense of sisterhood as women reported they were making a bigger effort to define who their girl gang was and spend time with them. Girl Gang was executively produced by a fellow queer Arab and former Buzzfeed presenter, Tania Safi

Lisa says: “During one of the Women’s March’s I blasted big tunes like Beyoncé’s Formation through a moving sound system. We’ve been through a lot, and women are working so hard on building a better world, so the least we deserve is to dance through the uprising. The oomph of energy and the joy it brought to resistance during that protest is what inspired me to write this song.”

Lisa recently featured on label mate Savvy aka Asaviour’s groundbreaking new album “The Battle For Hearts & Minds” performing spoken word verses as the narrator for the album as a whole.

Lisa Luxx on Facebook: https://www.facebook.com/lisa.m.luxx

EP REVIEW: Gawjuss – ‘Gawjuss’

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‘Gawjuss’ is the debt EP from Gawjuss (AKA Kieran Wade Clarke from Forever Cult). ‘Drive’ has already been released as a single – and there’s a rather fab video for that – but this isn’t Gawjuss’ first appearance, back in January 2018 a track – ‘Ghost’ – appeared in a Clue Club release – paired with Pepe Sylvia’s ‘Hannibal’ (see my review).

I was kinda expecting something akin to ‘Ghost’ in the sound of the tracks on the EP but no, although there’s something of the same feel in there, these are something quite different. They have a sound that is difficult to sum up in any useful way but there’s something of a garage-y alternative rock-y sometimes Americana thing going on (Look I’m open to suggestions on quite how the sound might be described OK). There’s this twangy thing going on in places.

The EP opener – ‘No Reset’ – sets the scene sound wise. It’s sort of slow and stalky sparse alternative rock with this edge of Americana. The vocals are right up front and Kieran employs a kind of punky tone in his voice which fits right in. The thing that makes this track is that while some of it might sound garage-y (that guitar is as raw as hell) there’s this lovely smooth thing going on – the backing vocals on this are way cool. It’s the contrast which had me. What also had me was that this thing draws you in, you get deeper and deeper, it does that taking over your head thing.

‘Drive’ adds keyboards into the sound. It retains that sparse stalky thing but it’s edgier, more strident. Under the instruments sit the vocals – which seem to be doubled but who knows it may be something else – which are just ethereal. Guitars stab out in the most wonderful raw way. Again it’s that contrast that does it for me. But there’s also something else, the track seems to be on the edge of becoming this layered rich sounding song but it never happens – keyboards start something that normally you’d expect to swell but they don’t. It refuses to do that, and I love that. I love something that rips at what you expect it to do.

‘Young Losers’ has something that my useful friend (the friend who I play things to when I just don’t know what it sounds like) described as being ‘part New Wave, part Brit-pop with a punky edge’, although just to confuse me they added that ‘this could almost be a pop track – it’s the synth parts – if it wasn’t for the guitar’. I sort of agree. It sounds as though it shouldn’t work but it does. What I love about this track is the jerkiness of it.

EP closer ‘Pressure’ is a different thing altogether, it’s closer in sound to the sound of ‘Ghost’ although it’s slower, way slower. There’s that strident guitar, but there’s this synth part that appears at times that is just menacing. It does that almost becoming something else – there’s a point where it could take off in something alt-rock but it doesn’t, it just sits there.

As a whole this EP is impressive, incredibly impressive. The songs are well put together – they do sparse really well, even though there’s lots going on, there’s space in them. I love that every track has a something that you just don’t expect. And the guitar is just fantastic – the way it suddenly just hits you with a raw sounding blast of sound but without being so strident it takes away from the feel is just clever. In fact clever is a word I’d use to describe how the tracks are put together, you get the care and attention that’s been put into them. But what isn’t lost is the feel, these songs take you places.

I wasn’t really expecting what I heard on this EP, and that’s a great thing. It’s a fantastic thing. This has joined my rotating playlist (the one I listen to when I’m not doing LSF work) but I find myself going back to the songs again and again. It’s brilliant, just brilliant.

The EP is released by Clue Records

The info

Too many nights without sleep in front of Garageband led Kieran Wade Clarke (AKA Gawjuss) to empty his head & create his debut EP. Clarke is a serial writer, endlessly throwing ideas out, crafting away, rejecting as much as he approves. His band Forever Cult are a fully formed, alt-rock outfit where Clarke takes songs to be moulded to fit the band. With Gawjuss there’s a purity in it all coming from him, unfiltered.

Kieran grew up the North-East but is a serial wanderer, finding home in several different areas of Yorkshire over the last few years. He has recorded, produced & created everything you hear on the EP. It was mastered by Alex Greaves at Nave Studios (Maximo Park, Bloc Party, Pulled Apart By Horses, Yowl).

Gawjuss on Facebook: https://www.facebook.com/gawjussband/

FESTIVAL NEWS: Want To Play At Tramlines Festival?

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Applications are now open for bands and artists to perform at Sheffield’s biggest ever party

Budding musicians, bands, and artists can now Apply To Play at Sheffield’s biggest ever party, Tramlines Festival, which takes place at Hillsborough Park from Friday 19th July to Sunday 21st July 2019. Entrants hoping to bag a career-changing slot at the 30,000 capacity festival where they’ll be added to a bill alongside the likes of Two Door Cinema Club, Courteeners and Nile Rogers & Chic, need to visit the ‘Apply To Play’ tab on the Tramlines website before 31st May. A handful of winners will be chosen by a judging panel comprised of This Feeling, BBC Introducing, plus organisers of Tramlines and its music-loving audience.

Despite its ever-growing status, record crowd numbers and bigger-than-ever line ups, Tramlines remains true to its longstanding ethos of supporting grass roots talent. Over the years it has been responsible for booking live acts such as The xx, Alt-J, and Catfish and the Bottlemen before they went on to become headline names selling out arena shows. Tramlines continues to offer a stage to showcase the next-gen of UK talent unearthed through its Apply To Play system.

Timm Cleasby, Operations Director at Tramlines said: “We’ve always championed new and local talent at Tramlines. It’s been a highlight for me every year and this year will be no different. We have some great slots across all stages for new artists this year, and it’s open to all. Last year was a massive success with slots being filled by Universal Tree, Little Grace and Saint Petersburg to name a few. I love the excitement of hearing my new favourite band on one of our stages and I can’t wait to see who’s in this year.”

Anyone from the UK can apply to play at Tramlines 2019 from solo folk musicians to multi-piece rock bands. All entrants must have recorded original material that is available for the judging panel to stream via Spotify or Soundcloud.

Sitting on the 2019 judging panel are members of the Tramlines organisation team are; Christian Carlisle of BBC Introducing Sheffield, and the club for future rock and roll stars, This Feeling. The Tramlines audience will also be casting their votes.

Several winners will be selected to play across four music stages, the Main Stage, T’Other Stage, the Leadmill, and the breaking talent Library Stage.

Last year saw the Apply To Play selections impress crowds at Tramlines. These included, Universal Tree, the new band fronted by legendary Sheffield vocalist, Steve Edwards; Saint Petersburg previously known as The Ratells; Leeds three-piece outfit, Polo; female solo artist, Imi; MTV Iggy Artist of the Week winner, Kadija Kamara, and Little Grace who perfectly merged Motown, 80’s synth pop and post-2000’s electronic R&B!

Bands have until 31st May to Apply To Play via www.tramlines.org.uk.

TOUR & ALBUM NEWS: David Gray dates March/April 2019 dates, album ‘Gold In A Brass Age’ out 8th March

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DAVID GRAY has confirmed release details for his new album ‘Gold In A Brass Age’ – his first album of new material in four years – alongside a seventeen-date tour of the UK for 2019.

The album will be available on March 8th through IHT Records / AWAL Recordings, with first single ‘The Sapling’ out now. Produced by Ben DeVries, son of producer and soundtrack composer Marius. The album arrives just ahead of a run of headline shows, commencing at Cardiff’s St David’s Hall on Friday, 15th March and including London’s Royal Festival Hall on Sunday, 17th March before culminating with two nights at Dublin’s Bord Gais Theatre on Saturday 5th and Sunday 6th April.

Speaking about the creation of ‘Gold In A Brass Age’, Gray says; “With this album, my default position was to do everything differently. I didn’t think ‘this would be a good hook or ‘these lyrics could work for a chorus’. I was keen to get away from narrative. Instead of writing melodies, I looked for phrases with a natural cadence, so that the rhythm began with the words. I reimagined where a song might spring from and what form it could take.”

‘Gold In A Brass Age; will be David Gray’s eleventh album in a career that spans over 25 years, several Brit and Grammy nominations, and three No.1 UK albums, including for the breakout multi-platinum White Ladder. It is also a vital new collection of songs from an artist still revelling in his passion for song-craft, pushing himself into unfamiliar terrain, surprising himself as much as his fans along the way.

Live Dates:

Fri, 15 Mar Cardiff St David’s Hall
Sat, 16 Mar Cambridge Corn Exchange
Sun, 17 Mar London Royal Festival Hall
Tue, 19 Mar Brighton Dome
Wed, 20 Mar Southend Cliffs Pavilion
Fri, 22 Mar Manchester Bridgewater Hall
Sat, 23 Mar Nottingham Royal Concert Hall
Sun, 24 Mar Gateshead Gateshead
Tues, 26 Mar Liverpool Philharmonic Hall
Wed, 27 Mar Bournemouth Pavilion Theatre
Fri, 29 Mar Birmingham Symphony Hall
Sat, 30 Mar York Barbican
Sun, 31 Mar Glasgow Royal Concert Hall
Tues, 2 Apr Belfast Waterfront
Thur, 4 April Castlebar Royal Theatre
Fri, 5 April Dublin Bord Gais Theatre
Sat, 6 April Dublin Bord Gais Theatre

https://www.facebook.com/davidgray
https://twitter.com/DavidGray
https://www.youtube.com/user/TheRealDavidGray
https://www.instagram.com/davidgray/

SINGLE & TOUR NEWS: Dream State release ‘Hand In Hand’, gigs March 2019 onwards including festivals

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DREAM STATE release new single ‘Hand In Hand’ on UNFD after world premiere on Radio 1 Rock Show, release date Wednesday 6th March

Band head out on their biggest ever UK headline tour through late March and April, confirmed festivals include 2000trees, Groezrock, Teddy Rocks and Handmade.

UK tour will be starting in Bristol at The Exchange on 23rd March, through to London Underworld on 17th April and finishing in Cardiff at Clwb Ifor Bach on 22nd April.

The band are currently in the studio recording their debut album with Dan Weller, to be released later this year.

Stream/Purchase ‘Hand In Hand’ links – HERE

From DREAM STATE vocalist CJ on the new single – “Hand In Hand is a single for our listeners; our family. To all those who need something they can lean on, we want the music and lyrics to help you feel less alone with what you’re dealing with mentally. Despite all of us feeling the same way, we can still live our lives and make something of it. There is always light at the end of the tunnel, you just gotta give all you got!”

“We have a lot of fan mail on a day-to-day basis of people telling us about the experiences and the dark head spaces they find themselves in. Unfortunately, it’s impossible to reply to everyone, so this song is a way to say we’ve heard you and this is our response to what you’ve told us.”

Live wise, following a massive UK and European tour with The Amity Affliction and European dates with Neck Deep, the band head off on their biggest ever UK headline tour to date, through March and April 2019. They will be playing 24 shows in less than a month, including a London Underworld show on April 17th and a Welsh return to Cardiff at Clwb Ifor Bach on 22nd April (the tours final date).

For ALL the March/April UK headline dates as well as all currently confirmed
festivals, see below:

M A R C H
23RD BRISTOL – EXCHANGE
24TH EXETER – CAVERN
26TH PLYMOUTH – THE JUNCTION
27TH SOUTHAMPTON – JOINERS
28TH READING – FACE BAR
29TH TUNBRIDGE WELLS – FORUM

A P R I L
1ST GUILDFORD – BOILEROOM
2ND OXFORD – BULLINGDON
3RD PETERBOROUGH – MET LOUNGE
4TH BIRMINGHAM – FLAPPER
6TH BLACKPOOL – BOOTLEG SOCIAL
7TH MANCHESTER – DEAF INSTITUTE
9TH GLASGOW – KING TUTS
10TH ABERDEEN – KRAKATOA
11TH EDINBURGH – SNEAKY PETES
12TH NEWCASTLE – THINK TANK
14TH LEEDS – KEY CLUB
15TH HULL – WELLY
16TH NOTTINGHAM – ROCK CITY BASEMENT
17TH LONDON – UNDERWORLD
19TH NORWICH – WATERFRONT STUDIO
20TH MILTON KEYNES – CRAUFURD ARMS
21ST BRIGHTON – HOPE & RUIN
22ND CARDIFF – CLWB IFOR BACH

CONFIRMED 2019 FESTIVALS:
March 30th – KARNAGE FEST – KEELE
April 26th/27th – GROEZROCK FESTIVAL
May 3RD – TEDDY ROCKS FESTIVAL
May 6TH – HANDMADE FESTIVAL
July 11TH – 2000trees FESTIVAL

For UK tour tickets, go – HERE

FESTIVAL NEWS: Live At Leeds complete 2019 lineup

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SEA GIRLS, HALFNOISE, THE MURDER CAPITAL, LADY BIRD
MENACE BEACH, SEAFRET, SHE DREW THE GUN, HAK BAKER, OLI FOX
+ MORE

Bursting as the unrivalled home of new music discovery in 2019, Live At Leeds is once again primed to be a true hub for fans looking to discover their next favourite band or artist to soundtrack the months ahead. With some of the biggest and most exciting names in new music setting up shop across the city, Live At Leeds 2019 will prove why its award-winning reputation stands tall like no other – with even more favourites and exciting new names being announced today (6 March).

Leading the charge is BBC Sound of… nominees and live breakthroughs Sea Girls. Building up a word-of-mouth following across the UK over the past year, the four-piece are geared up for a mammoth year ahead, following on from the vast plaudits and sold-out shows up and down the land drawn in by their euphoric and earnest indie-rock. Soundtracking radio stations at every turn with cuts like ‘All I Want To Hear You Say’, ‘Open Up Your Head’ and ‘Call Me Out’ – their return to Live At Leeds is bound to be a moment not to be missed.

A guy who knows all about rising to the very top, Zac Farro will bring Halfnoise to Live At Leeds 2019 – with his own sublime sun-kissed pop echoing the shimmering sounds of his recent work in Paramore. Captivating and packed with energy, his appearance at the festival is bound to see roadblocks across the city – as is one of the most talked about punk bands of 2019 as The Murder Capital make their mark on Live At Leeds too. Without putting a single track out, the Irish blazers caused a mass stir with fans dying to see and hear what they’re bound to do – with debut cut ‘Feeling Fades’ cementing that standing as the arrival of a new force in guitar music. They’ll be joined on the bill by the volcanic riffs of Kent trio Lady Bird, who since releasing the mesmerising ‘Spoons’ on Slaves’ own record label have captured the attention of thousands with their unstoppable live power. Expect more of the same when they turn to Live At Leeds this May.

Seafret will return to Live At Leeds with their blissful cuts of stunning sound, promising to welcome in a new chapter for the Yorkshire duo. Gritty and undeniably raw, Hak Baker brings his open tales of modern life to Live At Leeds. With a distinct voice and his ability to meld incredible folk with potent lyrics on the hardships seen around him, tracks like ‘Like It Or Lump It’ and ‘Conundrum’ signal the arrival of a vital new voice in British music, and a definite must-see at the festival this year.

Leeds’ very own Menace Beach will return to Live At Leeds, fresh from the acclaimed release of latest album ‘Black Rainbow Sound’. Embracing a whirlwind of different sounds and thriving with creativity and a live presence that has seen thousands return again and again to see them, it’d bound to be a special homecoming for the duo. They lead a staggering array of local talent taking their spot at the festival, as Leeds showcases to the world the exciting and jaw-dropping music being created in the city. Renowned six-piece Team Picture will be making their anticipated next move of fizzing guitars and all-sweeping ease at Live At Leeds 2019, with the rapturously received Tallsaint guaranteed to stun with the sort of tender-pop that’s already making a mark across the UK and beyond. In addition joining the line-up are Dead Naked Hippies, punching their way into view with an unmistakable heavy-hitting set that’ll grab fans by the collar and dance in joy. Joining a who’s who of the best new music Leeds has to offer, it’s a showcase of a city overflowing with unbelievable new voices.

With 25 names joining the packed Live At Leeds 2019 lineup today, there’s a plethora of different genres and styles to try – promising something new and different around every corner. From the adored strains of BBC 6 Music favourites She Drew The Gun, rising pop wordsmith Orla Gartland, Manchester’s own The Lottery Winners or electronic mood-maestro Big Wild to the immediate kicks of Be Charlotte, the open voice of Oli Fox, the potent flows of the DJ Shadow-approved rapper Barny Fletcher and many more. Live At Leeds continue to add even more stellar names that fans will be talking about for months and years to come.

These new additions join a stellar cast of previously announced names heading to the city, building on Live At Leeds’ unrivalled reputation as the essential home of new music. With the trailblazing Sundara Karma, revered game-changers Metronomy and man of the moment Tom Grennan topping a bill boasting the likes of critical titans Kate Tempest, spitting live kings Drenge, the BRIT Award winning Sam Fender, Black Honey, Swim Deep, Mini Mansions, Dream Wife, The Sherlocks, Goat Girl, Easy Life, whenyoung, Gengahr, Marsicans, VANT, Another Sky, Sports Team, Squid, Gently Tender, Bloxx, Fuzzy Sun, Lauren Aquilina and many more.

The starting-gates to the summer ahead, Live At Leeds 2019 soundtracks a city soaring with the best in new and now.

Announced Today

Sea Girls
Seafret
She Drew The Gun
Hak Baker
Menace Beach
Orla Gartland
The Murder Capital
Halfnoise
Big Wild
Wovoka Gentle
The Lottery Winners
Luckie
Bailen
Oli Fox
Pip Hall
Be Charlotte
Barny Fletcher
Tallsaint
Team Picture
Dead Naked Hippies
Archie Faulks
Balcony
Honey Harper
Inhaler
Katie Pruitt
Liz Lawrence
Hello Cosmos
Wasuremono
The Jungle Giants
Tom Joshua
Upsahl
Faux Pax
La Rissa
Sam Wilde
Trueman
Green Gardens
Mollie Coddled

Live At Leeds 2019
May 4th 2019
For further details and information, head to:
https://www.liveatleeds.com/

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