‘Dream Darling’ is the new album from The Slow Show, out November 25th on Haldern Pop Recordings. The first single from the album is ‘Ordinary Lives’, available to stream & download now on iTunes and Spotify.
There are few bands who are aware of how potent a weapon silence can be in their music. As their name implies, The Slow Show have both a magisterial beauty to their sparse songs and the confidence to let their spellbinding four-minute stories find their mark.
After taking four years to assemble, last years debut album ‘White Water’ was a more aggressive, angry affair, topped off by Goodwin’s mordant baritone vocals. It’s a startling rumble that bears comparison to Leonard Cohen and Mark Lanegan but, on ‘Dream Darling’, Goodwin has honed his vocal range to become a compelling storyteller. He’s a singer who’s now able to narrate the jilted-at-the-altar heartbreak of ‘Last Man Standing’ or ‘Hurts’ tale of a man offering redemption to a sex worker with the necessary levels of wit and pathos, as well as convincingly crooning into the mic.
‘Dream Darling’ was recorded at a farmhouse in the Lake District and produced by Goodwin and Fred Kindt, The Slow Show’s keyboardist. The band would start at 8am and record until 2am, with the night-time studio sessions partly inspired ‘Dream Darling’s title. “It’s an album written in the dark and worked on late at night. It feels quite a dreamy record. The alliteration is deliberate – I think alliteration is an official theme now for The Slow Show, following the band name and ‘White Water’ for the first album title.”
Having experimented with orchestration on ‘White Water’, they were determined to push the classical influences further this time, recording with a choir in Berlin and letting them carry the vocals in places – most notably the soaring wordless finale ‘Brick’, which is the perfect, tear-jerking climax for the album’s theme of change.
The album’s other key guest is local Manchester singer Kesha Ellis, who sings the devastating duets ‘Hurts’ and ‘Last Man Standing’. “I don’t find traditionally ‘great’ singers so interesting. Kesha doesn’t sing much, but the texture and tone in her voice are beautiful.”
While they’re proud of Manchester’s heritage, musically The Slow Show stand apart, influenced more by Sigur Ros than New Order or The Stone Roses. “But seeing how many great bands come from Manchester makes you realise you can make it, and that’s important,” says Goodwin.
The Slow Show: Rob Goodwin (vocals); Fred Kindt (keyboards); Joel Byrne-McCullough (guitar); James Longden (bass); Chris Hough (drums)
The Slow Show, UK headline tour November 2016:
Nov 25 London, Bush Hall
Nov 26 Bristol, The Louisiana
Nov 27 Ramsgate Music Hall
Nov 28 Leeds, Brudenell Games Room
Nov 29 Manchester, Gorilla
Ceiling Demons are an alternative hip hop group from Yorkshire, they explain their goal simply as ‘Seeking to capture the rawness of human emotion in rhythms and rhymes.’ Currently one album and an EP deep into their career, the band have earned praise from legendary Hip Hop group ‘Arrested Development’, BBC 6Music’s Tom Robinson, Scroobius Pip and BBC Introducing as well as shows supporting the likes of Astronautalis, Sleaford Mods & De La Soul. Comprised of identical twin brothers Psy Ceiling and Dan Demon, the always masked Ceiling Demons are dark, experimental and raw, this is perfectly summed up in their contribution to CPWM, ‘Lost The Way’
Discussing the song, the band explain: “There are a few themes in ‘Lost the Way’, nature is one. We live in the Yorkshire Dales so naturally the landscape influences our music. Feelings of loneliness and directionless sometimes come from it, other times it’s a kind of respect for the vastness and beauty of those rolling hills. As ever, though, it’s a song to be interpreted however you like. It’s one of our more positive songs; a little bit of light against the darkness that usually permeates our music, but it’s nice to have a track that calls for a bit of solidarity and progression.”
The gigs include five hours of free live music in the bandstand in Marsden’s Victorian park, where there will also be over 30 artisan market stalls selling food, drink and crafts.
Street bands Tongues of Fire and BLAST! Furness, 12-piece jazz and funk band Emergency Exit, and the Doncaster Youth Jazz Orchestra will all be performing in the bandstand between 10.30am and 4.30pm.
A special children’s jazz gig – Monster Music Improv – will also be taking place at Standedge Tunnel Visitors’ Centre at 2pm on Sunday 9 October where live cartoons and live jazz will be mixed together.
Cartoonist Patrick Sanders will be drawing cartoons, projected onto a big screen, to accompany improvised performances by outstanding guitarist and technology whizz Shane Latimer and Jazz FM Vocalist of the Year 2016 Lauren Kinsella. Tickets cost £6 and are available at www.marsdenjazzfestival.com/whats-on.
Marsden-born Saxophonist Tom Challenger and organist Kit Downes will present a free performance of Vyamanikal, their Aldeburgh Festival commission in St Bartholomew’s Church at 2.30pm
Marsden’s 19th century Mechanics Hall will also host headliner performances by Montreal trio Trifolia and Anglo-American supergroup The Impossible Gentlemen.
Festival Producer Barney Stevenson said:
“The Saturday of the festival weekend is always popular with families as we have our street parade but we wanted to give Sunday a special feel as well this year to bring our 25th anniversary celebrations to a close.
“They’ll be some fantastic bands performing for free in the bandstand in Marsden Park throughout the day on the Sunday, and festival goers will be able to browse the artisan market stalls or just have fun on the swings.
“There’ll also be 12 free gigs taking place at our three other outdoor venues – the Marquee on the Bridge, Hanson Musical Instruments and Venue 25, which is a pop-up venue we’ve created for our 25th festival.
“It will be great to welcome saxophonist Tom Challenger to his birthplace for a unique concert with Kit Downes, featuring the renowned James Jepson Binns organ in St Bartholomew’s Church.
“The children’s gig at Standedge Tunnel Visitors’ Centre also promises to be a really unique and fun experience to end the weekend – one not to miss!”
Over 100 gigs will be taking place during the 25th Marsden Jazz Festival, which is being supported by Yorkshire Water and Arts Council England.
Jazz legend Digby Fairweather appeared at Marsden’s first jazz festival in 1992 and tickets for his ‘Rocking in Rhythm’ show alongside BBC Radio 2’s Paul Jones for the 25th festival have already sold out.
Marsden Jazz Festival was named ‘Outstanding Established Festival’ at the Yorkshire Gig Guide Grassroots Awards 2015, and thousands of music lovers make their way to Marsden by train, bus, car and narrow boat every year for the festival weekend.
This year’s Marsden Jazz Festival is taking place between Friday 7 and Sunday 9 October 2016. Tickets are on sale now and can booked online at www.marsdenjazzfestival.com, by calling 0800 6125 649 (10am-4pm, Monday-Friday), or at the jazz festival office in the library at Marsden Mechanics (10am-4pm, Tuesday-Friday).
A decade has passed since The Travelling Band’s formative 2006 recording sessions in Brooklyn. Those sessions laid the foundations of the band’s debut album Under the Pavement and set the band on the road to creating their own label, Sideways Saloon. To celebrate the landmark, TTB embark on a their first UK headline tour for two years, and will be releasing their first new music since the 2014 album The Big Defreeze.
The Close Your Eyes and Count to Ten tour sees The Travelling Band playing shows all around the UK. Far from being a nostalgic look back at the last ten years, the tour marks a line in the sand after the departure of original guitarist Steve ‘Mugger’ Mullen, with the band looking forward to the release of their fourth album next year.
2016 has already seen TTB tour all over Europe supporting US country/rock star Lissie, including sold out shows at The Forum as well as huge theatres in Germany and Norway. They have been doubling up as Lissie’s live band, playing summer festivals across the continent.
It’s also been a landmark year for Sideways Saloon, with the acclaimed release of The Valley of Yessiree, the debut album from Canadian-born, London-resident maverick A. Dyjecinski, who will be special guest on the tour.
Sideways Saloon presents Pinhole Sounds Volume One
SIDE A
The Travelling Band – Wasted Eyes
The Travelling Band – Borrowed & Blue
SIDE B
Jo Rose & Pit Pony – Mustanging
Barbarisms – The Two Most Boring Things
A. Dyjecinski – The Way of the Buffalo
Released: 5th November 2016
Label: Sideways Saloon
Format: 10” vinyl
Cat No. SS010LP
Bands featured on the EP:
The Travelling Band, Jo Rose & Pit Pony, Barbarisms, A. Dyjecinski
In April 2015 I rolled the dice and decided to leave Manchester and head to Nashville for the spring. Inspired by the old stories of Dylan, Cash and the ‘Nashville Cats’ as well as today’s (just as feline) alternative scene in the east side of the city, I wanted to break free from the self-imposed confines of Manchester in search of fresh inspiration.
That Blues Brothers saloon bar sketch and general myth about there being two types of music in the south, and particularly Nashville – “Country AND Western” – was far from a complete picture. Much as they had done in the 60s and 70s, artists and bands spanning various genres are flocking again to ‘Music City’ to make records, and many are making it their home. Music is in air and the level of musicianship would be intimidating if the place wasn’t so friendly. It’s a city that feels like a small town and there is a genuine sense of a healthy, collaborative music community.
Amongst a host of legendary venues, I also visited several studios including Sputnik Sound and Welcome to 1979 which both blew my mind and left me drooling at all the vintage gear. Recently established enterprises like Jack White’s multipurpose set up Third Man Records showed me a city that is more than just country music and is at the forefront of modern music in America. It wasn’t just the hot chicken and purpose built studios that got me hooked on the place either. Analogue project studios built into 19th century craftsman houses, where living rooms are live rooms and bathrooms are vocal booths, made me dream of The Travelling Band having our own place to record back at home.
I returned to Manchester with a renewed sense of optimism about the spirit of collaboration in our own music community in Manchester, and beyond. After the near miss of having our van and gear stolen (and then recovered), The Travelling Band had begun writing new music but our recording equipment was located in our carpet covered rehearsal room sweat box, located above a pole dancing studio in the Northern Quarter and felt like hell compared to what I’d just experienced. Chief engineer Adam Gorman was beginning to lose his mind too, so we decided it was time to find a new room! Pinhole Sound Studio was established in the summer of 2015 in Ancoats, Manchester and from this base we have been recording The Travelling Band’s fourth album as well as producing other bands from Manchester and further afield.
Pinhole Sounds Volume One is the first in a series of compilations on Sideways Saloon and marks the celebration of ten years since The Travelling Band’s formation on a whimsical recording project in Brooklyn, NY in the autumn of 2006. The mini compilation includes as yet unheard tracks from bands on the Sideways Saloon roster, as well as one-off gems from other bands and artists we love. Side A opens with ‘Wasted Eyes’ – the first glimpse of The Travelling Band’s forthcoming new album – a self reflection on the reckless behaviour of the troubled protagonist. It features a wild fuzz that any 70s dad and/or Charles Manson follower would be proud of. It’s followed by a live recording of ‘Borrowed and Blue’ (from The Grand in Clitheroe in May 2015) that conjures the sentimental last shreds of now departed guitarist Steve ‘Mugger’ Mullen, in what was his final show for the band. Side B opens with the killer ‘Mustanging’ from Manchester’s Jo Rose & Pit Pony, weaving literary references through scuzzy guitars and feel good riffs and showing that much like Nashville, there is more to Jo Rose than simply country music. Sweden based Barbarisms follow up from their highly rated sophomore album ‘Browser’ with a new dreamy, harmony drenched ear worm ‘The Two Most Boring Things’. Their music was introduced to us by A. Dyjecinski, who closes the EP with what could be the exit music of a yet to be written modern western, with the beautiful ‘The Way of the Buffalo’. I first saw him perform this song a cappella around a campfire at End of the Road festival back in 2009 and from that moment I fell in love with his baritone voice and his ability to write songs that transcend the space between darkness and light. His critically acclaimed 2016 debut LP The Valley of Yessiree is out now on Sideways Saloon.
To celebrate their tenth anniversary, The Travelling Band are filming a series of ten videos featuring covers of songs that have inspired them in each of the years they have been playing together.
There are four so far, with more to follow leading up to the EP release…
Part 1 – Naked as we came (Iron & Wine cover)
We’d often this beautiful song around campfires and coffee tables when we first started out. Iron & Wine’s album ‘Our Endless Numbered Days’ was a staple for us and the close harmonies and beautiful fingerpicking certainly inspired our early recordings. Sam Beam is an incredible songwriter. Check out his albums if you haven’t already, including his recent collaboration with Manchester based artist Jesca Hoop.
Part 2 – New Slang (The Shins cover)
This song blew me away when I first heard it. I love the cryptic lyrics and the way he turns a phrase, almost waiting for the last minute to get the words out. It reminds me of sitting in Adam P. Gorman’s flat overlooking the Northern Quarter in 2007, dreaming of getting back to Brooklyn to finish the first album. It was in this period that I wrote ‘Desolate Icicle’ and looking back you can definitely hear the influence of James Mercer on that song.
Part 3 – Glenn Tipton (Sun Kil Moon cover)
Songs can be saviours. It was the summer of 2008 and i’d just left my old ruckus to follow The Travelling Band, split with my girl and then moved back to the city. A couple of years before i remember Adam P. Gorman had leant me the AC/DC covers record and then I got into Sun Kil Moon’s album ‘Ghosts of the Great Highway’. This song opens that album, it’s such a beautiful trail of thought. I remember sitting in my sisters flat learning it and wondering what was next in life. No one does nostalgia quite like Mark Kozelek. Hope we haven’t trashed it…
Part 4 – My My, Hey Hey (Out of the Blue) – Neil Young cover
Not much hasn’t been said on the impact that Neil Young has had on generations of musicians and music lovers. He is a legend of the road, a giant of songwriting and the godfather of grunge! As a band we have covered entire albums of his (1974’s ‘On the Beach’) and he is possibly the biggest influence on our early music and he continues to inspire us. We all watched his 2009 Glastonbury Festival (official) performance together and it was a really special moment. We hope you enjoy our version of ‘My My, Hey Hey (Out of the blue)’ recorded rough and ready at our studio Pinhole Sound Studio. I think we might do this one on the tour!
Of the video concept Robin explained: “The song Snow is quite a personal one to front man Shane, so I wanted to make the main focus of the video about him. I had the idea of trying to make it like a dream going on in his head. The close-ups of his face are him talking to and rationalising with himself, while the shots of the forest and him falling are meant to symbolise the idea of being lost or unsure of his emotions.
“At the time of filming Shane felt quite self-conscious about the idea but after seeing it was pleased that it portrayed the same feelings visually as he was trying to express musically.”
Here’s Shane (vocals & guitar in Colour Of Spring) talking about the track itself: “‘Snow’ is mainly about inner conflict. About self analysing your short comings and bad habits while wanting to change them for someone you care for. Snow is the experience of knowing somebody who eventually disappears from your life over time.”
5th York – The Fulford Arms (supporting Man of Moon
14th Leeds – Brudenell Social Club (supporting INHEAVEN)
15th Manchester – A Carefully Planned Festival
This UK exclusive edition of Ska Bravo sees KEMURI’s original members join forces, along with their live support musicians, to cover and re-record 14 of their greatest tracks, taken from a career spanning three decades.
Some of the highlights include their ultimate anthem ‘PMA (Positive Mental Attitude)’, ‘Standing in the rain’ with its lyrics paying homage to Madness, and ‘New Generation’ which originally appeared on their debut album ‘Little Playmate’, released by ROADRUNNER JAPAN in 1997.
In total Ska Bravo features nine energy-filled songs sung entirely in English, one instrumental piece and four tracks in Japanese. The latter have their lyrics translated into English for the first time in the album’s 16-page booklet, along with transliterations that allow fans to sing along phonetically, without needing to be fluent in Japanese.
Famed illustrator and manga writer Taiyo Matsumoto also returns. The Tekkonkinkreet creator’s first and only other time to work with KEMURI was on the artwork to Little Playmate. This time round Matsumoto has supplied art for the cover, booklet, backcard and CD, while the inlay features a selection of photos from KEMURI when they toured the United States last year. They will return to America this November with further tour dates.
KEMURI will be in the United Kingdom from 3rd October as part of the Fireball – Fuelling The Fire Tour 2016, featuring some of the best live bands the international punk scene has to offer, and headlined by Florida heroes Less Than Jake.
KEMURI will perform at the following Fireball – Fuelling The Fire Tour dates:
3rd October – Bristol, O2 Academy
4th October – Sheffield, O2 Academy
5th October – Birmingham, O2 Academy
6th October – London, O2 Academy Brixton
With acts on the bill who have who performed to sell-out crowds at Leeds / Reading, Isle of White, Kendal Calling, V Festival, Tramlines, Live at Leeds, Yorfest, Party in the Pines, London International Ska Festival, Welcome to the Village and Bingley Music Live, the line-up is going from strength to strength.
The Oxjam Leeds bill also boasts artists who have been championed on BBC 6 music, BBC introducing, received rave reviews in Kerrang and Terrorizer, featured on the soundtrack of a new British film and even had a nod of recognition from Sir Paul McCartney!
Vexxes: Photocredit -Shoot J Moore
Music lovers can expect to see some of Yorkshire’s finest local talent as Leeds pop-rockers VEXXES, who recently played to crowds at the Leeds/Reading festival join the eclectic line-up. Leeds based lyricist WEEZY JEFFERSON, currently getting airplay on BBC Radio 1Xtra will shine a spotlight on urban music, entrancing every rap fan with his unique style of hip hop, and Bradford’s PUSHER who earned themselves a place on the main stage at Bingley Music Live, bring their funk and soul groves to the festival.
Other acts on the bill from Leeds include powerhouse PNEUMA whose soulful sound blends jazz and electronic funk, indie rock band THE DANGERHOUNDS, rock and blues band RED LIGHT REVIVAL, and future soul singer and producer DULAHLI. Anthemic indie rockers THE BRAZEN whose band member’s come from Yorkshire and Birmingham fuse classic rock with indie and Britpop while Manchester’s SLY ANTICS bring grimy new rock to the festival celebrating its 10th birthday this year. All six acts appear on the Fred Perry subculture bands you need to hear now list which recognises the best emerging artists in the country.
To compliment this incredible line-up, we’re pleased to announce that London based HEAVYBALL play one of their only UK dates for 2016 at Oxjam Leeds. Following a string of successful headline European tours, they bring their modern interpretation of two tone, mod, rock and ska to the festival – an act not be missed.
Judas; Photocredit-Andrew Benge
Another band to watch is JUDAS who return to Leeds after smashing the stage at the Leeds/Reading festivals this summer. Their unique sound of alternative rock is a fantastic addition to the line-up that’s sure to delight their Yorkshire fan base.
Oxjam Leeds 2016 Takeover Manager, Fiona Dillon, who moved to the UK from Australia for music says, “We are just gob smacked with the quality of the artists who want to be part of the festival. Collectively our acts have performed on some of the biggest stages in the country and have received some of the most sought after accolades in British music. Not only does the line-up showcase some incredible emerging talent it is also a real testament to the festival venues who are making the Leeds music scene one of the best in the country.
“The buzz around the festival at the moment is just incredible and we would encourage you to grab yourself a ticket to this amazing event.
“We’ve all seen what’s happening around the world on the news and social media and people feel quite powerless and don’t know how to help – well this is the perfect way to make a difference. Last year Oxfam provided life-changing support to more than 11 million people worldwide and your £10 can help Oxfam reach their goal of eradicating poverty and injustice around the world.”
Saturday 22 October | Tickets: £10 (Booking fees apply) | www.oxjamleeds.co.uk | Age 18+
Established in 2010, the award-winning Brass Factor is a celebration of one of Britain’s most traditional forms of entertainment. Taking on the form of a talent contest, the brass band event will showcase six brass bands, from across Yorkshire, competing for the coveted title of “Brass Factor Winner”.
Performing 18 to 20 minute sets each, the bands will aim to impress a panel of celebrity judges who will decide their preferred musicians on the night.
The only brass band contest of its kind, Brass Factor adds an unusual twist to the judging process, where audiences will also receive the opportunity to vote for their favourites.
Growing up with brass band music and having played the cornet since the young age of 11, Brass Factor creator, Alex Bray founded Brass Factor with the aim of raising public awareness and nurturing young talent.
Since its inception, Brass Factor has raised around £15,000 in support of charities; the 2016 event will help to raise funds in aid of The Town Foundation and Martin House Children’s Hospice.
Commenting on this year’s launch of the Brass Factor, Alex Bray stated:
“I am incredibly excited for the launch of Brass Factor this year and plans are in place for it to be just as fantastic an event as previous years. The support we have gained since 2010 has been phenomenal and if some of this can transferred into promoting brass band culture and young talent, then the event has fulfilled its objectives.”
Alex’s plans for the future of Brass Factor include taking the event nationwide.
Last year’s winners, Besses o’ th’ Barn stole the show with their outstanding choice of music, unique arrangements and all-round entertainment value. Now the search is on to find 2016’s Brass Factor winner.
For more information about Brass Factor or to purchase tickets visit the website: http://brassfactor.com/
Seven gigs will take place in the venue during the weekend, including a street band battle outside the marquee on the Saturday afternoon (8 October) – featuring Orkestra Del Sol, The Firm, Band Baja and Tongues of Fire.
The Monkey Club – a members’ club based in Armitage Bridge – will also be staffing a bar in the pop-up venue throughout the weekend.
The 25th Marsden Jazz Festival, which is being supported by Yorkshire Water and Arts Council England, will also feature the renowned Saturday street parade, an artisan market in Marsden’s Victorian park and over 140 hours of live music.
Festival Producer Barney Stevenson said:
“We wanted to do something special to mark our 25th festival and came up with the idea of creating our own pop-up venue in the centre of the village.
“We’ll have a bar there for the entire weekend if people want to pop in for a quiet drink and there’ll also be seven free gigs taking place on Saturday and Sunday.
“We’ve got some fantastic venues which take part in the jazz festival every year – from pubs and clubs to churches, restored mills and outdoor stages. It’s great to be able to add Venue 25 to the list for our 25th festival.”
A ukuleles thrash-off between Thornhill Junior and Infants School in Dewsbury and members of Marsden Ukeleles Club – Mucipups – will also take place in Venue 25 on Saturday 8 October along with performances by jazz duo Lee Jones and Tim France, and guitar-whizz Shane Latimer.
Sunday’s gigs will feature performances by Marsden’s community jazz band – Marsden Swing, internationally-renowned jazz guitarist Adrian Ingram, and jazz quartet Andchuck.
Over 100 gigs will be taking place during the 25th Marsden Jazz Festival, including over 80 free gigs and events.
Jazz legend Digby Fairweather appeared at Marsden’s first jazz festival in 1992 and tickets for his ‘Rocking in Rhythm’ show alongside BBC Radio 2’s Paul Jones for the 25th festival have already sold out.
Other headliners include ten-piece band Jazz Jamaica, Anglo-American supergroup The Impossible Gentlemen, and Jazz FM Awards 2016 nominee Nérija.
Marsden Jazz Festival was named ‘Outstanding Established Festival’ at the Yorkshire Gig Guide Grassroots Awards 2015, and thousands of music lovers make their way to Marsden by train, bus, car and narrow boat every year for the festival weekend.
This year’s Marsden Jazz Festival is taking place between Friday 7 and Sunday 9 October 2016. Tickets are on sale now and can booked online at www.marsdenjazzfestival.com, by calling 0800 6125 649 (10am-4pm, Monday-Friday), or at the jazz festival office in the library at Marsden Mechanics (10am-4pm, Tuesday-Friday).
Canadian Northcote (Matt Goud) and Colorado songwriter Jon Snodgrass are joining forces for a whistle stop four-date tour of the UK in Bristol, Southampton, Manchester and London this November.
Northcote will return to the UK for the first time since September 2015. Northcote has invested over a year of touring in support of latest album Hope Is Made of Steel, building on a solid fanbase with gospel-tinged, soulful songs that capture positivity and the loving embrace of life’s rugged terrain.
2016 has included both full-band and solo shows supporting labelmate Frank Turner’s Canadian tour, as well as a summer of touring in the Matt’s home country. These UK dates precede a European tour, including Germany, Switzerland and Austria, during November and December with more dates to be announced.
Northcote’s Hope Is Made of Steel is available now on CD, vinyl, download and a variety of t-shirt bundles from XMR. You can also get albums by Drag the River and Jon Snodgrass / Frank Turner collaboration Buddies.
Joining Matt on tour is another Frank and XMR buddy, Jon Snodgrass. The singer-songwriter of XMR alumni Drag the River – the country-tinged Colorado band formed with Chad Price of ALL– will bring a variety of songs from his vast back catalogue in his inimitable solo style. Expect humour, a little drama and a throng of throaty singalongs from this one-man show.
Having performed and written with stream of influential artists including Descendents, Cory Branan, Chuck Ragan (Hot Water Music), Tim McIllirath (Rise Against), Vinnie Fiorella (Less Than Jake), Jon is not only part of a select group, but also one of a kind.
Watch Jon do ‘Song For My Roomates’ on his own. For more, grab a ticket or two!
Dates
NOVEMBER
21st Bristol @ Thekla
22nd Southampton @ Joiners
23rd Manchester @ Gulliver’s
24th London @ Upstairs at The Garage
