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LIVE REVIEW: Kirk Knight with Denmarc Creary, Headrow House Leeds, 22nd March

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American hip hop label, Pro Era, has once again brought the UK new and original hip hop artists from across the seas, following on from the success of Joey Bada$$.

Kirk Knight left his home town Brooklyn, New York, to join his many UK fans on his first European headline tour. Knight was joined by local Leeds rapper Denmarc Creary.

Creary has already developed a significant fan base here in Leeds – since attending Leeds College of Music; his existing confidence, combined with his passion to create accessible and creative music, made his supporting set one not to miss.

The crowd were ready and more than willing to get involved and show their support for the music they so evidently enjoy. The excited vibes in the room were pulsing even before Creary entered the stage and when he dropped his first beat the crowd instantly felt it.
Creary demonstrated his own talent and played a set worthy of a much bigger crowd whilst constantly showing his support for Kirk Knight, the genre and his audience. His spoken word hits much deeper than the surface, with lyrics that are personal to him and clearly related to by the crowd.

With the crowd soundly warmed up and inspired by Denmarc’s lyrics and passion, Creary hit us with one last track; his newest single ‘Dido’. The tempo came down a notch for this final song, and, although not as upbeat and forceful as his previous tracks, Dido had a steady beat all the way through and a repetitive chorus that made it easy for the crowd to connect with for the first time.

Creary gracefully handed over the stage to Kirk Knight for the headline set. The small venue created the perfect space for the crowd to come together in unison for Knight and made sure the music could be felt as well as heard, as vibrations bounced off the surrounding walls.

The set started fast as Knight was eager to get the crowd riled up and ready for an hour of varying beats. The audience responded to Kirk with as much passion as he gave out as he constantly encouraged his fans to enjoy his performance, and he atmosphere was heightened thanks to Knight’s genuine enjoyment and gratitude to be able to play for us. Every Individual in the crowd appeared to be connected through their love of hip hop yet singularly enjoying the set in their own way.

Overall the rigid structure of your average gig (which strictly follows a set list and allocates a set amount of time to audience interaction) was thrown out of the window on that night . The tone between Kirk Knight and his audience was generally conversational and the gratitude flowed both ways.

The set was filled with numerous surprises to keep the crowd on their feet. Towards the end of the set,Knight declared that he was a producer and for the first time would like to make a beat live on stage for us. The hype died down and everyone looked on, interested to see how this would go. Kirk Knight declared that this was his first try making a beat during a set and if things go wrong, he told us, you’ve just got to be able to laugh at yourself.

The experiment however went decidedly well and members of the crowd were itching to get on stage and lay some lyrics over the top of it… so Knight invited them to. This part of the gig seemed to sum up the whole experience. as well as Knight’s music – exciting, original, inspirational and something you definitely didn’t want to miss out on.

Knight followed Creary’s lead and left us with a new track;although short, and rough around the edges, the reception it received showed that Kirk Knights fans would appreciate his music until the end.

FESTIVAL NEWS: LIVE in Barnsley Line-up Announcement No.5

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Tthe following bands will be appearing at Live In Barnsley 2016:

Cavorts from Barnsley
Do you like rock, punk AND metal? Cavorts combine all three in one smouldering gutpunch of an aural assault. Signed to In At The Deep End who have been home to bands such as Architects and Gallows, Cavorts were asked to provide support for Dragonforce’s ‘The Power Within Tour’ after the release of their self-titled EP.

The Black Lamps from Barnsley
Live In Barnsley favourites The Black Lamps will be gracing the festival again this summer. Their eponymous album of post-punk and alternative rock anthems was met with much acclaim on it’s release last year and is a favourite of those who have heard it. Be sure to check them out live as well as their back catalogue.

Retro Deluxe from Barnsley
Bringing the music of BeBop Deluxe to a live audience, Retro Deluxe will be taking part in this years Live In Barnsley for fans old and new.

The Spirals from Barnsley
Drawing on inspiration from various different genres, The Spirals will be showcasing their eclectic palette at Live In Barnsley 2016.

Morris & Watson from Barnsley
Folk duo Lizzie Morris and Dan Watson introduce traditional songs to a new crowd while also writing their own material as can be heard on their ‘Seeing Through Smoke’ EP which you can check out on their website.

Scott Swift from Barnsley
Solo acoustic act Scott Swift will be making an appearance at this year’s festival

Married to Machines from Barnsley
The Barnsley-based outfit will be making their first appearance at Live In Barnsley this year.

Big Bad Wolves from Barnsley
Known to many in the local music scene, the five-piece are back playing again after a near two year hiatus. They will be making an appearance at a charity event hosted by Barnsley Rock & Blues (Polish Club) on Sunday 10th April if you want to check them out in the run up to their festival appearance.

Black Vines from Barnsley
Hot on the heels of their latest album ‘iNFREQUENCY!’, hard-rockers Black Vines will be playing the Barnsley leg of the Live In Barnsley Taster Tour on 8th April at Barnsley Rock & Blues (Polish Club) en-route to their festival appearance. You can check out their 2014 album ‘The Return of the Splendid Bastards’ in it’s entirety on their YouTube channel.

The Rolling Down Hills from Barnsley
Originally an acoustic duo, Lewis Ryan and Simon Moore’s music is heavily influenced by the grunge movement of the early ‘90s. They’ve expanded their sound to incorporate additional members and have been playing recent live events as a five-piece.

Barnsdale Hood from Barnsley
Known for playing a combination of traditional tunes and self-penned originals, Barnsdale Hood are made up of Alan Jones on banjo and Dave Alton on guitar. Good music and good fun!

Keep up with the all the latest festival news at www.liveinbarnsley.co.uk

FESTIVAL NEWS: Beat-Herder Festival make second line-up announcement for 2016

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Announced today, and joining veteran Scottish psych-rockers Primal Scream, folk-pop troubadour and Rock & Roll Hall of Fame member Donovan, and reggae legend Chronixx (alongside his Zincfence Redemption Band) on the main stage, are Berlin electronic duo Booka Shade, Swedish indie pop band Miike Snow, German electronic music duo Digitalism, Stockport’s own Fairey Brass Band, and Essex folk artist Beans on Toast.

Joining guitarist and singer Louis Berry and electro-pop duo Cash and David at The Maison D’Etre, the stage known for hosting hotly tipped musical talent in an intimate setting, include enigmatic London band Haelos, BBC introducing favourite Zibra, singer and multi-instrumentalist Rationale, dance-pop outfit NIMMO, York electro six-piece Grinny Grandad, Liverpool rock band The Vyrll Society and Brighton’s Yonaka – who recently signed to Phil Taggart’s Hometown Records.

Joining headliner and LA-based dubstep superstar Jauz and living ragga legend General Levy at Beat-Herder’s very own 60ft x 60ft rave Fortress – complete with its own lasers, ramparts and fire breathing turrets, are ground-breaking and Breakspoll award-winning DJ Lady Waks, breakbeat producer Krafty Kuts, DJ’s Deekline, Jon Rundell and Mr C, Megadog veteran and techno stalwart DJ Templehead, producer duo Hybrid Theory and house and techno outfit Solardo.

Beat-Herder friend and regular Mr Scruff will be lighting up the woods at the Toil Trees stage, alongside DJ, producer and tastemaker Chris Coco. They join an already impressive line up of house and techno talent, including Riton, Dirtybird co-founder Justin Martin, Andhim, Defected stalwart Sonny Fodera and a special Doorly & Friends takeover, featuring fellow Dirtybird head honcho Claude VonStroke, Derrick Carter, Will Tramp and many more.

Head past the fairground and you’ll find the intimate genre-bending lounge space Trash Manor, where funk meets punk, hip-hop hangs with house, and anything goes! Announced today, and bringing the disco on Friday night, is Chimpo, of BBC Radio 1Xtra’s LEVELZ, whilst King of the 80’s electro scene Greg Wilson will play out the encore on Sunday.

Live at sacred dance site The Ring will be UK DMC Champ JFB, electro-swing producer Jamie Berry, hip-hop group Credit to the Nation and house DJ Sacha Schwarz. Apexape will be mixing house & bass, and Scotland’s Shaka Loves You are expected to pile on the funk.

Rounding up the new announcements, at The Working Men’s Club the deliciously fun Lancashire Hotpots are back for 2016.

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ANNOUNCED TODAY:

BOOKA SHADE
MIIKE SNOW
DIGITALISM
GREG WILSON
MR SCRUFF

LADY WAKS | KRAFTY KUTS | MR C | CHIMPO | CHRIS COCO DEEKLINE | JON RUNDELL | HYBRID THEORY | SOLARDO | JFB APEXAPE | HAELOS | LANCASHIRE HOTPOTS

FAIREY BRASS BAND | GEORGIA | ZIBRA | NIMMO | THE VYRLL SOCIETY
THE AMAZONS | YONAKA | FRONTEERS | TOM WALKER | RATIONALE
BEANS ON TOAST | MEADOWLARK | GRINNY GRANDAD
JAMIE BERRY | CREDIT TO THE NATION | WBBL | SACHA SCHWARZ
DEXTRIC | SHAKA LOVES YOU

JOINING:

PRIMAL SCREAM
CHRONIXX & ZINCFENCE REDEMPTION | DONOVAN ANDHIM | CLAUDE VONSTROKE | DERRICK CARTER CLEAN CUT KID | DUB PISTOLS
GENERAL LEVY | DOORLY
EASY STAR ALL STARS | GENTLEMAN’S DUB CLUB

FORMAT: B | KIKO BUN | A.SKILLZ | DELTA HEAVY | UTAH SAINTS JAUZ | JESS ROSE | JUSTIN MARTIN
MARSHALL JEFFERSON | RITON | SONNY FODERA

And many, many more

Full line up A-Z below.

List of artists A-Z:

A.Skillz
Andhim
Apexape
Beans on Toast
Beatangers
Booka Shade
Broadway Sounds
Captain Hotknives
Cash + David
Chimpo (from Levelz)
Chris Coco
Chronixx
Claude VonStroke
Clean Cut Kid
Cosmo Sheldrake
Credit To The Nation
Deekline
Delta Heavy
Derrick Carter
Dextric
Digitalism
Dohnut
Donovan
Doorly
Dr Alex Patterson (The Orb)
Dub Pistols
Easy Star All Stars
Ed Stones & The BD3
Eddie Earthquake & The Tremors
Fairey Brass Band
Fandjango
Father Funk
Format B
Formation
Foxes Faux
Fronteers
Gentleman’s Dub Club
Georgia
Greg Wilson
Grinny Grandad
Haelos
Hybrid Theory
J-Bear and the Giants
Jamie Berry
Jauz
Jay Newman
Jesse Rose
JFB
Jon Rundell
Justin Martin
Kiko Bun
Krafty Kuts
Krysko
Lady Waks
Lancashire Hotpots
Louis Berry
Mafia Kiss
Marshall Jefferson
Meadowlark
Miike Snow
Mooqee
Mr C
Mr Scruff
Nicola Bear
Nimmo
Otherkin
Pete Foxton’s Soul Train
Primal Scream
Rare Element
Rationale
Riton
Rubber Kazoo
Sacha Schwarz
Shaka Loves You
Skapes
Solardo
Sonny Fodera
Tantz
The Amazons
The Folkestra
The Vyrll Society
Tom Walker
Utah-Saints
WBBL
Will Tramp
Yonaka
Zibra

GIG NEWS: Upcoming at The Doghouse Halifax in May

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These Doghouse gigs are at the Arden Road Social Club, Arden Road Halifax

THE BURNING HELL + The Tiny Minds
Monday 16th May
Doors Open 20:00 : Main act on stage around 9.15

£7 DOGHOUSE members :
£7 advance from Revo (no booking fee), Jumbo or Ticketweb: £8 Door
JSA FREE entry : Low income price on the door

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The seventh Burning Hell album is a collection of eight short stories drawn from different sections of the bookshelf of the brain. A murder mystery rubs shoulders with a biography, while a romance leans against a prison diary. There’s a killer priest, a nameless band lost in Yorkshire, and Elvis and Michael Jackson moonwalking their way into space and/or global annihilation.

http://www.wearetheburninghell.com/

EMMA POLLOCK + supports
Friday 27th May
Doors Open 20:00

£9 DOGHOUSE members :
£9 advance from Revo (no booking fee), Jumbo or Ticketweb: £10 Door
JSA FREE entry : Low income price on the door

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If Emma’s long-awaited – very long-awaited – new album ‘In Search of Harperfield’, explores themes of family, place and time, then the urgent call and response of ‘Parks and Recreation’ finds us in the company of a younger Pollock: engaged in a fight or flight scenario with local bams, and delivering us a gilt-edged slab of alternative pop in the process.

http://emmapollock.com/

Doghouse website: http://www.doghouseuk.com/index.php

 

FESTIVAL NEWS: Rochdale Feel Good Festival add The Twisted Dolls and The Bright Black

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Manchester blues band The Twisted Dolls and Middleton based The Bright Black will take to the main stage by the town hall on Saturday 20 August, during the council run event – the biggest free music and food festival in the north west.

The Twisted Dolls
The Twisted Dolls

The Twisted Dolls blend of catchy rock and roll blues mixed with power and showmanship has gained them a reputation as one of Manchester’s most exciting new live acts. Their acclaimed single ‘Bluesbreaker’ released in November was named one of the year’s best singles by new music website sonicbandwagon.com and they’ve been tipped for great things by BBC Introducing in Manchester. Taking musical influences from Kings of Leon, Arctic Monkeys and The White Stripes, the Dolls’ distinctive sound has been described as ‘a mix of fuzz, riffs and 60’s garage rock n’ blues.’

The Bright Black
The Bright Black

Also on the main stage line-up are Middleton based band The Bright Black. This funk and soul-inspired pop outfit launch their new single ‘Skin on Skin’ this month and have been recognised as one of the region’s best new unsigned bands, performing sell-out gigs across Manchester in recent months. They take influences from classic funk and soul artists like The Isley Brothers and Al Green while maintaining a high-energy sound symptomatic of their Mancunian roots. Their blend of upbeat feel good sounds with soulful lyrics was emphasised in their debut EP ‘Up Not Down’ recorded at 80 Hertz Studios, produced by George Atkins who has worked with Lily Allen and The Courteeners.

The Twisted Dolls and The Bright Black will be joined by previously announced headliner The Fratellis plus more to be announced.

Rochdale Feel Good Festival returns on Friday 19 and Saturday 20 August, for another showcase of entertainment, food and culture.

The festival includes live music across indoor venues, a main stage sponsored by The Flying Horse Hotel against the backdrop of the town hall, and Stage 2 – the community stage. Chefs and food producers will host live cooking demonstrations throughout and the festival will also include the popular food market.

More acts will be announced this month.

The summer festival is funded by Rochdale Borough Council together with sponsorship from local businesses.

For more visit www.rochdalefeelgoodfestival.co.uk or go to www.facebook.com/feelgoodfestival or connect on twitter @FeelGoodFest

 

LIVE REVIEW: Floodhounds with Bayonet, Sheffield Plug, 19th February

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FloodHounds Live at Plug Feb 2016 by Aimee Catt

As they take to the stage, I don’t quite know what to make of Floodhouds. Jack Flynn, the frontman, looks like a younger Brian Cox, with a swishy fringe and chiselled cheek bones. Standing spread out across the small stage of Plug, I can’t help but think they look like a band of young teachers, assembled at a secondary school battle of the bands. But plunging into the catchy opening riff of ‘Bare Bones’, the title track of their EP, the band relax and it’s clear they know what they’re doing. Jack’s soft vocals are well balanced against the bass, played by Rhys Owen. The final chord fades and Jack looks amused as he realises he hasn’t plugged his pedal in. The crowd comprises a mix of older fans, who seem to know the band well, and students, here for the cheap rock and Wolf Alice DJ set afterwards.

Jack Flynn by Aimee Catt
Jack Flynn by Aimee Catt

‘Wolf at the Door’, the next song, begins with a laid back beat and bass riff worthy of The Black Keys. The comparisons are easy to make- Small band, strong drums and cool musicianship- the only notable difference being the lack of American accent. Floodhounds seem to have drawn influences from everywhere- the next song, unfortunately as yet unnamed, has a syncopated retro feel, but a later song seems to feel a lot more bluesy- I could listen to them all evening.

Rhys Owen by Aimee Catt
Rhys Owen by Aimee Catt

A seemingly impromptu addition to their set is a cover of ‘Ball And Biscuit’ by The White Stripes. It suits their style and the rendition is near identical. Floodhounds are sophisticated musicians, effortlessly using interesting chord progressions and stylish riffs. They smoothly transition into ‘End of the Road’, of which a steel city sessions video is available on YouTube and well worth checking out. Lauren Greaves, the drummer, explains how she was hungover from her graduation when the video was made. The constant interaction with the audience and down to earth honesty make me feel like you could meet them down at the pub afterwards.

Lauren Greaves on Drums. Photo by Aimee Catt
Lauren Greaves on Drums. Photo by Aimee Catt

Rhys later confesses to me that The 1975 are his guilty pleasure, and that’s one of the reasons he really likes the next band, Bayonet. Taking to the stage dressed all in black t-shirts and bursting into a bouncy feel good song, I can see the similarities. Whilst they aren’t the band to stray far from four chords and generic lyrics, the room is now full of students and Bayonet have a clear following amongst the crowd, especially as they play their new single ‘Three More Months’. Bayonet are enthusiastic and their music upbeat, but having listened to three other bands tonight I feel myself growing bored as each song varies only slightly from the last.

Suddenly, I begin to recognise some lyrics as the music slows. Vince Ringrose, the lead guitarist and singer, begins an indie version of ‘Beautiful Girls’ by Sean Kingston. I can’t help but smile at the contrast, but suddenly it’s over, plunging back into the penultimate song. Vince requests the lights to be dimmed before the band begins the final song of the night. I miss the name of it, but it’s loud, energetic, and the now boisterous crowd are immersed until the very final chord, a fitting end to a night showcasing the impressive talent of Sheffield.

FESTIVAL NEWS: Tramlines Festival have begun their search for the UK’s best breaking talent

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In its ongoing mission to showcase the country’s breaking bands and artists, the UK’s biggest metropolitan music festival is looking to fill 15 slots across a wide range of official festival venues and stages.

Hopefuls have until 29th April to submit their details via Tramlines’ page at gigmit.com, with the winning entries being chosen by a mix of festival organisers, BBC Introducing presenters and influential music industry figures.

Tramlines has a long history of showcasing breaking acts before they hit the big time, with Blossoms, Toddla T, The XX, George Ezra, Charli XCX and Alt-J just a few of the artists who’ve gone on from early shows at the festival to bag chart-topping singles and sell-out shows. Having played at some of the festival’s smallest venues just a few short years ago, indie four-piece Catfish and the Bottlemen return for 2016 as Sunday night headliners on the huge outdoor Main Stage. As the band themselves said:

“We’re absolutely buzzing to be headlining Tramlines this year. We remember it like it was yesterday. The last times, we were in Frog & Parrot with Little Comets or in Soyo with the Broken Hands lads watching Kieran Gallagher crowd-surfing and pulling the chandeliers down. It’s a real honour to be headlining.”

The panel of judges selecting bands to play at Tramlines this year include, the festival’s Head of Programming, Kate Hewett and – ensuring that a wide portion of UK talent is represented – presenters from BBC Introducing Kent, Nottinghamshire, Lincolnshire, York, and of course Sheffield.

Band applications are now open until Friday 29th April. Applicants should head to Gigmit.com to fill out an application using the following link https://www.gigmit.com/gigs/tramlines-festival-festival-in-tramlines-festival-sheffield-4289

Kate Hewett, Head of Live Bookings at Tramlines commented:

“Showcasing undiscovered talent has always been a key part of the festival’s ethos. The Tramlines audience are open-minded and experimental, and new bands are guaranteed a great show, regardless of what kind of music they make.”

 

For up-to-the-minute information about Tramlines 2016 and to find out who is selected from the Apply To Play programme, visit www.tramlines.org.uk or follow Tramlines on Twitter @tramlines

 

 

ALBUM NEWS: John Reed releases ‘Moorscape’ on 4th April

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John is releasing his debut album ‘Moorscape’ tomorrow. We’ll be reviewing the whole album but he’s made two tracks available so we have at least some idea of what is coming.

It’s folk based but this isn’t folk as we know it. There’s a lot of other influences in there. John describes it as ‘60% folk, 30% rock, and 10% punk’. And further explains, “The whole album was written around the cittern, but instead of playing it like the medieval folk instrument that it is, I play it more like a rock/rhythm guitar”.

And you’re very definitely going to get that punk 10% loud and clear in the second of the two tracks ‘Guns’.

As well as John on cittern, six & 12 string acoustic guitars, the album features Kieran Heaney on electric guitar and bass, Rajendra Jadeja on tabla and Emma Perry providing vocals.

The production was handled by HeyGamal who needs little introduction around the rap and hiphop scene and earned his crust in the Manchester music scene from the age of 14 as the bass player for Fear of Music.

For me this is complex moving music that’s going to appeal to a lot of people – yes even those who say that they don’t like folk music.

EP REVIEW: Algernon Cornelius – ‘Sarni Deli’

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This is interesting stuff recently released by the Manchester-based hip-hop producer. It’s his second release, following on from his soul-inspired mix-tape stylee offering of ‘Happiness’ in September of last year. It’s entirely instrumental, experimental in nature, based around live improvisation, sequencing and recording which gives it a fresh, edgy, pacey feel.

The concept behind the tracks is based upon the life and works of its eponymous character, Sarni Deli. We are told that he’s a 22nd Century architect, alchemist and fugitive who finds himself ensconced in the dystopian horror that is the future of our planet. The songs reflect his work and dreams to rebuild mankind and civilisation in a format that moves away from the memes that got us all so messed up in the first place. This is a good back story that works well for the tunes presented here.

It employs simple musical instrumental loops, breakbeats, scratched sample phrases, electronic glitch utterances, multi-layered production and inventive beat construction. All these noises and rhythmic devices do well to take us out onto the streets of a troubled urban future. All of the tracks have funk and rhythm well embedded within them, augmented by bass drone foundations, over the top of which the more ethereal noises are juxtaposed with dexterity and skill. Whilst evoking dystopia they are not unpleasant to listen to, the groove carrying us along nicely and making us want to shake our hips, as well as howl in horror in the milieu in which we find ourselves.

If you like early Chemical Brothers then you will like this. It has a very similar feel and soundscape, equivalent grooviness and very similar sonic architecture. In places it resembles some of Radiohead’s more experimental work from the latter phases of their career. There are thirteen tracks in total and they are well combined to lead us on what feels like a little biography of this interesting and intriguing character.

I enjoyed it on my first listen and quickly went back for more. It stands to repeated aural exposure and because of its multi-layered construction it continues to impress and give the listener novel tropes and sound combinations to find in each track on subsequent listenings. I think this music would make the perfect soundtrack for driving in an urban setting. It wouldn’t surprise me if these tracks were snapped up by futuristic film-makers and ad-men when looking for something cool to play under their images of a future gone wrong.

If you want to listen to something interesting, fresh, different and groovy then you could do worse than this. The stand out tracks for me are Sarni Deli, Heavy Rain, IWFY, San José, The Gold and King Skin, but they’re all good. Listening to the whole thing in sequence as a work of sonic art is probably the best way to appreciate it and that’s what I’ve been doing with it since first being asked to pen this review. If you like ambient instrumental stuff with a hard edge, a conceptual story to tell and a heart of funk, then this is the stuff for you.


Algernon Cornelius on Facebook: https://www.facebook.com/algernoncorneliusmusic

FESTIVAL NEWS: LIVE in Barnsley Line-up Announcement No. 4

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The following bands will be appearing at Live In Barnsley 2016:

MKII from Huddersfield
Huddersfield two-piece MKII will be bringing the rock to this year’s edition of Live In Barnsley. Their new single ‘The Island’ is available now.
Twitter – @MKIIOfficial
YouTube – https://www.youtube.com/channel/UCOSUjN2zQIxGYOqfIsaHZNw

Nathan J Kozma from Wakefield
Currently based in London singer-songwriter Nathan J Kozma is a regular in Barnsley playing venues such as The Opium No10. Always a good set, check him out.
Twitter – @nathanjkozma
Soundcloud – https://soundcloud.com/nathan-j-kozma

Goodnight Dakota from Dewsbury
Goodnight Dakota’s recently released ‘The Rosewood Sessions’ EP has been met with favourable reviews, check out their brand of acoustic pop/rock on their ReverbNation page.
1Twitter – @GoodnightDakot4
ReverbNation – https://www.reverbnation.com/goodnightdakota

Mad Love from Huddersfield
Hailing from Huddersfield, indie rock outfit Mad Love are look set to be a highlights of this year’s festival, be sure to check them out live.
Twitter – @madlovexoxo
Soundcloud – https://soundcloud.com/madlovexoxo/

Mila Lee from Shipley
Leeds College of Music student Mila Lee recently featured as the musician-in-residence at BCB Radio’s Drive time show and will be playing dates up and down the country before her Live In Barnsley appearance in June.
Twitter – @MilaLeeMusic_
YouTube – https://www.youtube.com/channel/UCC4eidEiN-kGGt5ndjcyITg

Kovax from Leeds
Modern hard-rock four-piece Kovax will be providing an always welcome shot of adrenaline to Live In Barnsley this year, don’t miss them.
Twitter – @kovaxtheband
YouTube – https://www.youtube.com/channel/UC2W6WfjSpmafJT8BPdrtlaA

Kernel Panic from Leeds
Brand spanking new Kernel Panic describe themselves as “Psychedelic, grunge laden, punk dripped rock and roll”. Truly a winning combination.
Facebook – https://www.facebook.com/Kernelpanicsounds
Soundcloud – https://soundcloud.com/kernel-panic-sounds

Late Night Legacy from Leeds
Influenced by Incubus, Red Hot Chili Peppers and Black Label Society to name a few, Late Night Legacy won Radio Aire’s ‘Battle of the Bands’ in 2015.
Twitter – @LNLegacy
YouTube – https://www.youtube.com/channel/UC45_63HMs8O4khA9IbCSVVA

Those Delta Wolves from Leeds
Garage blues sounds from Leeds, their music has been featured on BBC Introducing West Yorkshire and their latest single ‘Whispers’ has been described as “an absolute head banging banger that leaves you feeling both exhausted and satisfied” by Leeds Music Scene’s Tomas Cummings. Their upcoming single ‘Shallows’ is out soon.
Twitter – @DeltaWolvesBand
YouTube – https://www.youtube.com/channel/UC5Yln7vQTUrNzECt6tXzJDw

The Filthy Palms from Keighley
Indie rockers The Filthy Palms have toured up and down the country and are currently working on their debut album. For more details, check out their website www.filthypalms.com.
Twitter – @TheFilthyPalms
Soundcloud – https://soundcloud.com/fillthypalms

Arcadia Falls from Leeds
Leeds based alternative rock band Arcadia Falls have recently released their latest single ‘Yours’ for free on Bandcamp and have been working in the studio, much to come from this new band.
Twitter – @Arcadia_Falls
Bandcamp – http://arcadiafalls.bandcamp.com

Keep up with the all the latest festival news at www.liveinbarnsley.co.uk
Social Media
Twitter: @liveinbarnsley
Facebook: live-in-barnsley
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