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SINGLE REVIEW: Answer Machine – ‘Disco Dancer’

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This is insane. It’s grin inducingly fantastic. I wouldn’t generally describe myself as a fan of electro-indie but, this, this is on another level, a whole genre all to itself.

Early computer games bleeps and tones, huge 80s’ synth driven dance rock, bombastic slightly goth vocals. Let’s be honest here the term electro-indie is inadequate to describe this; it’s at moments like this that I find myself wallowing in a sea of joyous confusion. I mean it’s undoubtedly retro but in a way that couldn’t have happened back in the day; it’s just too much of a mash-up of things that span years of music.

The fact that it starts with a ring tone and ends with a ‘phone disconnected’ message just adds the seasoning to it. It points to an awareness that what Answer Phone is doing here has a call back to the past(s). There’s an archness to this, an indication that he’s aware he’s making something theatrical or a musical art study. Yes, it sure hits that art pop/rock mark.

Archie had this to say about the song “Disco Dancer is the most synth heavy track I’ve currently written and is the direction I can see future songs following. While this song originally had over five pages of verse, unfortunately this didn’t make it to the final edit as the first take of the song was over seven minutes long!”

And yet, my attempts to put this in some sort of context are wasted for this is a glorious track that insists you get on the dance floor and throw some (vaguely retro) staccato dance shapes.

This is simply fabulous.

The info

Answer Machine is an electro indie artist from Leeds. Building on previous releases such as the single ‘Alarms’, written with Bernard Butler (Suede, Mcalmont and Butler, The Tears), ‘Disco Dancer’ is a narrative on two people trying to force a meaningful relationship out of the fact that they have nothing in common besides going out, in a desperate attempt to distance themselves from everyday life, as much as possible.

Answer Machine’s is Nottingham born Archie Banks. After years struggling to break into the indie scene with his clarinet playing to the dismay of grandmas everywhere, they turned to writing chorus filled, instantly memorable melodies. With a live set up of keyboards, guitars, vocals and any instrument they have been able to get his hands on, no one gig has ever been the same.

SINGLE REVIEW: Purple Thread – ‘Easy Livin’’

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There’s something unexpected about this release from Purple Thread; not, I must say right now, in a bad way, it’s more pop than rock.. Although – he says rowing back on that immediately – they’ve always had that pop thing happening.

So, I hear you say, tell us what sort of pop sound we’re talking about. Sure, I was just getting to that. What we are talking about here is sharp as a knife 80s’ pop. There’s blissful 80s’ synth, that choppy ringing guitar cutting through in a kind of Simple Minds way and a vocal that positively oozes the best of 80s’ pop.

And yet, it’s not all retro. It does that thing of sounding how you remember it sounded rather than how it actually sounded back in the day. The production is crystal clear, the guitar cuts through harder, that drum is sparser, the synth is positively dreamy.

This is as earwormy as you would ever want, and as danceable as a dance-y thing. Purple Thread have a plan – even a cunning plan – to get the world shaking their thang.

And look, there’s all this, and it tells a story too. It continues the theme of the last release ‘Gimme More’. I’ll leave Liz to explain ‘’Easy Livin’’ picks up where our last single ‘Gimme More’ left off. It talks about fast pleasures, the highs and lows of life, and the euphoric feeling of letting go of everything you thought mattered. ‘Easy Livin’ lingers on the bittersweet moments before releasing into a dancefloor epiphany of a higher dream. We’ve found a thread in our songs recently which we’ve been following down the rabbit hole. The idea that we live in a world where tomorrow is promised but never delivered’.

A tune that’s going to lodge itself into your head for keeps, playing that bloody euphoric, a beat that demands you dance your arse off, and words that we can all relate to. Is this perfect? Yep, it’s perfect

SINGLE REVIEW: Fold – ‘Take It All Back’

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If you’ve heard releases from Fold before – and if you haven’t you’ve been missing out – you’ll know that their music comes with powerful messages that are personal or political. ‘Take It All Back’ is one of those tracks that could be either.

Fold explain ‘the track is about reconciling our stories with the truth. There’s a line about the holocaust that claimed my father’s side of the family. We look back with horror at genocide and slavery but really they remain just around the corner. The mindset of those who created the mythology of racism is the same held by today’s rulers: that which values profit above all else.

‘The protections against dehumanisation are being eroded across the globe once again. I believe with all my heart that we must urgently empower ourselves to take control of the narratives that shape society and reverse this trend of dehumanisation’.

So it comes with a big picture message, but there’s also a message about taking back control of your life, about realising the power you have to cope with life’s pressures.

Lyrically the song goes straight to the heart of it, with a clarity that is emotionally compelling and powerful.

Musically the track takes a slightly more electronica feel than the previous releases I’ve reviewed but that jazz hip-hop feel is still there. There’s something about the sound that magnifies and amplifies the power of the lyrics; while at the same time sounding intimate and personal.

That’s the ‘objective music reviewer take’ but it’s the combined effect of the message, lyric and music that’s the overwhelmingly important thing here. This is a deeply emotional track, it’s incredibly moving. Quite how moving it is took me by surprise.

This is a beautiful song that combines music and lyrics to express a powerful message in a deeply emotional way. Make this song part of your life.

FESTIVAL NEWS: Onwards Festival, Huddersfield Saturday 24th/Sunday 25th September 2022

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An annual, multi venue music festival with a twist, Onwards as the name suggests leads audiences successively through Huddersfield town centre grassroots music venues, showcasing a carefully curated programme of live music.

Onwards Festival began in 2016 fulfilling a concept conceived by event organisers Sam Hodgson & Noah Burton of a live music experience that would move audiences around town in a ‘pub crawl’ style. Popular demand caused the Onwards Festival to grow, involving more venues and acts each year. Following a forced two year hiatus of the 2020 and 2021 festivals, the need to unite the town’s creative sector and community felt even more important and so Onwards Festival sought and were awarded Arts Council England and Kirklees Council support to bring the festival back, bigger and better!

This year the festival will take place across the weekend of the 24th & 25th of September 2022. It will involve 8 independent venues, 17 musical acts, premiere new music and artist collaborations, unveil a visual art installation and feature its own festival beer in collaboration with Zapato brewery. This year’s headline act The Haggis Horns will deliver a mighty performance in the magical Small Seeds indoor forest venue. This event will be filmed and broadcast on the Saturday evening along with the day’s festival highlights and remain available to be viewed online.

Onwards Festival is a celebration of grassroots music in Huddersfield. All the bands booked for the festival have a connection to the area. Most have been playing in Huddersfield regularly or have a Huddersfield following and connection to the town.
The venues too are important to the festival. Each venue has been hosting live music throughout the year or supporting Huddersfield’s grassroots music and arts scene in some other way.

This year’s Onwards Festival has another special treat for all attending. Brand new music commissioned by the festival and written by internationally renowned rapper Rob Bradley will be performed in collaboration with the Huddersfield Community Gospel Choir and take place in the spectacular Victorian Byram Arcade.

Rob Bradley has built a solid reputation as an astute lyricist, captivating storyteller and unrivalled improviser. In fact, he’s a freestyle rap world champion! He has performed around the world, from underground clubs in New York to festivals throughout Europe. The Huddersfield Community Gospel Choir’s mission is to bring diverse audiences together through life affirming roots and gospel music. Through performance, workshops, and other community-based activities, they seek to uplift, enrich, and educate.

Onwards Festival, on the surface, seems to be all about the music. But each year something else happens over the last weekend of September. Something that hides in the corner, or dangles above our heads or springs out of the walls. Something bright, something beautiful, something eye-catching.

Every year Onwards commissions one artist to decorate one of the venues on the trail. This year the art is not only to look at but also to look through! Saba Rifat is possibly best known in the area for her 2020 big pink and blue geometric installation ‘Dewsbury Urban Garden’. It was this piece that drew the attention of Onwards to her wider work. Saba’s art is full of patterns, shapes, bright colours, science, nature, divisions and forms. She takes natural phenomena such as a honeycomb, a snowflake, or a flower and, using Islamic Patterns as inspiration, re-imagines the object as one of pure geometry and colour. This year, Saba is dangling brightly coloured geometric frames from the ceiling of Byram Arcade. Audience members will be able to look through these frames at the performance to experience it from a fresh perspective and a defined focus.

More information and full line up of artists and venues can be found on the festival website www.onwardsfestival.com. Come and support this grass roots, organic live music festival taking place in the heart of our wonderful town.

FESTIVAL NEWS: Marsden Jazz Festival is back for its 30th year against all odds 6th-9th October

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Dani Sicari and The Easy Rollers

Marsden Jazz Festival is thrilled to celebrate 30 years of the festival (6th-9th October)! They have just launched their 2022 programme and released tickets to the electrifying jazz coming your way in October.

Established in 1992, the festival is one of the longest running jazz festivals in the UK. The festival owes much of this longevity to its diverse programming and supportive audience, from the jazz curious and festival-loving families, to the community cohort and music buffs.

Marsden Jazz Festival 2022 will be self-funded through ticket sales, due to unforeseen changes this year in how the festival is funded.

Whilst this year the festival will look rather different to a usual year, it’s nonetheless spectacular in its lineup. The festival is urging their audience to show their love and support, as they enter their fourth decade, through buying a Full Festival or Day Pass to some of the incredible live music they are bringing to the village.

They have curated a headline programme of ten unmissable gigs in the magnificent surroundings and acoustics of St Bartholomew’s Church, the “Cathedral of the Colne Valley”, including a very special pre-festival Thursday event with Marsden legend Simon Armitage.

Alongside some world-class acts like Gary Crosby, Emma Rawicz, Arun Ghosh, Ruby Wood and Robert Mitchell (amongst many more!), there’ll also be the delectable Street Food Alley and Market in the Park to tempt audiences in between the stellar music.

Barney Stevenson, artistic director says: “Whilst we will miss organising events throughout Marsden in 2022, we are confident that you will enjoy our top-notch programme in St Bartholomew’s Church. Our tickets represent incredible value — under 30s can go for half-price and if you’re under 17 you can go for £1 a day! You can make a big difference in the future of Marsden Jazz Festival in 2023 and beyond by investing in tickets this year!”

Have a browse of their digital programme and buy your ticket to the music at www.marsdenjazzfestival.com/whats-on

SHOW NEWS: The Wild Murphys bring One Night in Dublin to the Victoria Theatre Halifax 2nd September 2022

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Armed with more singalong Irish songs than you can shake a pint of Guinness at, The Wild Murphys are bringing their hugely popular touring production ‘One night in Dublin’ to the Victoria Theatre Halifax on Friday 2 September 2022.

Featuring, among others, BBC award winning fiddle player Sophy Ball, former Jimmy Nail drummer Trevor Brewis, Ex-Prelude pianist Tony Davis and Banjo player Tim Howard of the legendary Muldoon Brothers. Fronted by Middi Murphy who has been performing Irish music for over 25 years, the band have played all over the world.

So why not come kick back in ‘Murphys Irish pub’ and join them for an unforgettable night of great Irish music including songs that include ‘Galway Girl’, ‘Whiskey in the Jar’, ‘The Wild Rover’, ‘I’ll Tell me Ma’, ‘Molly Malone’, ‘Seven Drunken Nights’, from the likes of ‘The Dubliners’, ‘The Pogues’, ‘The Saw Doctors’, ‘The Fureys’ and many many more.

Tickets for this show are available from £25.25. Purchase tickets online, www.victoriatheatre.co.uk, or by calling the Box Office on 01422 351158

SINGLE REVIEW: Lewis Jack Inman – ‘Mystery Girl’

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Next up in the ‘sometimes all I need is a great song played really well’ vibe is Lewis Jack Inman’s ‘Mystery Girl’.

Soundwise it lies somewhere in between a somewhat 60s sounding pop ballad and that broad – and admittedly vague – genre of singer/songwriter. Over a perfectly pitched arrangement of guitar and keys that manages to be both rich and full of space, Lewis sings what sounds like a very personal story of the mystery girl.

There is something extra in the arrangement as it goes from chopping and halting to dreamily lush. This is initially odd – not awkward, just odd – until it clicks in your head that in some way it helps tell the story. I can’t exactly explain why, it just does. It’s the magic of great songwriting; it’s that combination of lots of small things that make a song so much more than the sum of its parts.

The playing on this track is wonderful. The keys add a subtle touch of class. And there is the most beautifully understated guitar break that is so emotional that it left tears in my eyes. Add to this the lush backing vocals. And we have a song that musically is so damn close to perfect it hurts.

There is something about this song that tugs at your heart strings. It’s undoubtedly beautifully written, arranged, played and sung; but, as I said before it’s more than the sum of its wonderful parts, it has that special something. It creeps up on you, and suddenly it’s sitting on your really special songlist; the one you go to when you need to know that every song is special.

This is special and beautiful. I’ll leave it at that.

TOUR NEWS: Leo Sayer 50 year anniversary tour September-November 2022

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With the world gradually emerging from a two-year hiatus, Leo Sayer will be celebrating the milestone of 50 years as a recording artist the only way he knows how – via a huge UK tour set to run between September – November 2022

Leo Sayer is one of the most successful British artists of all time, racking up millions of album sales, transatlantic No.1 singles (as well as numerous GRAMMY and BASCA awards) and is currently racing to the top of the dance charts with a new Armand van Helden re-working of his 2006 UK No.1 single with Meck, Thunder In My Heart Again.

His army of hit singles include Thunder In My Heart, The Show Must Go On, One Man Band, Moonlighting, You Make Me Feel Like Dancing, How Much Love, I Can’t Stop Loving You, More Than I Can Say and the timeless When I Need You.

During the lockdown period while Leo was at home in Australia he was extremely active, spending a lot of time recording and releasing new singles – My City In Lockdown and How Did We Get Here? – as well as collaborating on the tribute single to his friend and late-guitarist, Al Hodge, by recording Al’s classic track Tradewinds. He also found time to self-produce a new album – Northern Songs, his own take on songs written & composed by John Lennon, Paul McCartney & George is out now on CD and vinyl.

Always a hugely popular live attraction, Leo Sayer will embark on a celebratory tour of his 50-years in music, performing a staggering 32 concerts right across the UK in autumn 2022 – full list of dates are;

September

20 Truro – Hall For Cornwall
22 Chatham – Central Theatre
23 Worthing – Assembly Hall
24 London – Cadogan Hall SOLD OUT
26 Milton Keynes – Stables
27 Milton Keynes – Stables SOLD OUT
29 Guildford – G Live
30 Cardiff – St David’s Hall

October

01 Scunthorpe – Baths Hall
06 Whitley Bay – Playhouse
07 York – Barbican
08 Holmfirth – Picturedrome
09 Buxton – Opera House
11 Bradford – St Geroge’s Hall
13 Perth – Concert Hall
15 Edinburgh – Queen’s Hall
16 Aberdeen – Music Hall
18 Newark – Palace Theatre
20 Southampton – Concorde Club
21 Basingstoke – Anvil
22 Isle Of Wight – Shanklin Theatre
25 Southend – Cliffs Pavilion
26 Bury St Edmunds – The Apex
28 Wimborne – Tivoli Theatre
29 Yeovil – Octagon
30 Weston Super Mare – The Playhouse
31 Manchester – Bridgewater Hall

November

03 Shrewsbury – Theatre Severn
04 Birmingham – Town Hall
05 Swindon – Wyvern Theatre
11 Glasgow – Royal Concert Hall
12 Liverpool – Philharmonic Hall

Tickets available now via

https://www.seetickets.com/tour/leo-sayer
https://www.eventim.co.uk/artist/leo-sayer/

FESTIVAL NEWS: Early Bird Tickets go on sale for Tramlines Festival 2023

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Early bird tickets have gone on sale for the 2023 festival.

35,000 revellers a day attended this year’s sold-out event which saw North Shield’s boy wonder, Sam Fender make his first ever headline appearance to crowds in their masses at Sarah Nulty’s Main Stage on Friday night.

The 13th edition of Tramlines also staged hometown performances from the recently reunited Little Man Tate. Lead singer Jon Windle closed the set by giving his guitar to a beaming fan in the front row. Sheffield’s Reverend and The Makers fronted by the larger-than-life Jon McClure debuted two new tracks ‘Heatwave’ and ‘Problems’ from the band’s highly anticipated seventh studio album as McClure’s family and children joined them on stage. Self Esteem aka Rebecca Taylor was an absolute highlight with both herself and her band kitted out in Sheffield Wednesday shirts on T’Other Stage.

Other standout performances across the arena included Scouting For Girls whose 30-minute set drew the largest crowd ever to T’Other Stage, second only to Eurovision hero Sam Ryder whose army of fans spilled out from the tent. Delightfully, four human-sized wombats appeared on stage for The Wombats’ set. New Kasabian frontman Serge hugged a surprised security person on stage while James leadman Tim Booth jumped into the crowd to perform four songs, up close and personal. The world’s first Elvis fronted Nirvana, Elvana were also a highlight of the weekend with Elvis himself launching himself into crowds for more rock ‘n’ roll crowd surfing. And to top it all off, a stunning sunset broke as Madness closed proceedings on Sunday evening.

The entire festival weekend was packed with quality performances from the likes of Pixey, Baby Queen, Do Nothing and Yard Act. It also saw official festival bookings for two special artists, both who’d come through Tramlines’ Appy To Play scheme in 2021; neo-soul singer August Charles and the soulful R’n’B artist, Rumbi Tauro.

The Library Stage was the place to discover the best in breaking and unsigned talent. On Friday the stage saw a takeover from DINA, Sheffield’s innovative arts organisation which presented sets from the all-female punk band Black Joanie and female/non-binary 8-piece afro-jazz/fusion outfit, The Goddess Collective.

Sheffield’s Pattern + Push talent competition for rappers and singers certainly fulfilled its brief on Saturday, showcasing to audiences 2022 winner Sarinity Jones alongside Sheffield MC and producer, Coco.

In conjunction with BBC Introducing Sheffield, the Sunday takeover was a showcase of winners from the 2022 Apply To Pay scheme. Audiences caught a diverse selection of grass roots music talent many who had never stepped on a festival stage before from Otis Mensah with his alternative take on hip hop and abstract poetry to and the dark-pop stylings of Gia Ford.

With so much joyous feedback from punters this year, people are advised to be quick to snap up a best value early bird ticket which historically sell out, fast. Tramlines 2023 will take place from 21st – 23rd July at Hillsborough Park, Sheffield.

Event Info

Tramlines Festival 2023
Friday 21st– Sunday 23rd July
Hillsborough Park, Sheffield, S6 2AB
Weekend tickets £79.50 + bf
Available from www.tramlines.org.uk

SINGLE REVIEW: The Marigolds – ‘My Undoing’

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While The Marigolds might describe themselves as a punk band, their music isn’t one dimensionally punk, you’ll hear a mix of heavy punk, psychedelic, industrial and funk.

‘My Undoing’ is, according to the band, the darkest track they’ve released and it is dark. It would sound like a speeded up Bauhaus or The Damned if there weren’t vocal harmony sections or mad crazy synth sounds.

The sound is frenetic, chaotic and utterly fucking compelling. But let’s take a moment to listen closer; the song is intricate, there’s layers of incredibly played sounds and ever changing feels. Listen too closely for too long – say the length of time it takes to review it – and you find yourself asking ‘how do they do that?’, ‘how can a heavy punk riff sound so good next to a vocal harmony?’. So the best thing is not to think too much, just sit back and drink in the glorious craziness of it all.

The release comes with a B-Side which, if your expectations had been set by ‘My Undoing’, is going to have you double checking this is the same band. ‘Bloom’ is a lush psychedelic ballad that drifts lazily through your head. Frankly beautiful keyboards combine to produce something ethereal and magical.

The question is what The Marigolds do punk? Well, strictly speaking no. But it overflows with punk attitude; the lack of respect for musical sacred cows, the ‘fuck it, we’ll do what we want’ approach. And for that I have to applaud them.

‘My Undoing’ is way up on my ‘most exciting singles reviewed this year’ list. It’s pure sonic joy; frenetic, chaotic and utterly fucking compelling. The unexpected gorgeous beauty of ‘Bloom’ is the cherry on the cake. This is a must listen.

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