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SINGLE & TOUR NEWS: The Goa Express new single ‘Everybody In The UK’, announce UK headline tour dates and festival appearances

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‘Everybody In The UK’ is a melodic call-to-arms for togetherness in a world that increasingly looks to drive us apart. It’s a further statement piece from the Manchester five-piece, close friends since their teens, that they’re making music set to connect on a much wider level than most.

It’s is the band’s first release since both ‘Be My Friend’ and it’s Mark Gardener (Ride) mixed B-side ‘Second Time’ made BBC 6 Music’s A-list. The song has become a live favourite for the band at numerous sold out headline shows, and as they took to the road on tours with The Magic Gang and Shame at the tail end of last year.

Vocalist James Clarke had the following to say about it “A song written for us all, “Everybody In The UK” throws us all together into one big, shared experience, whether we like it or not. Without a real plan in mind, it soothes thoughts about growing up and jokes that it’s okay not to want to. With everyone welcome, those not onboard are to be left behind: the journey must go on…”

LISTEN TO “EVERYBODY IN THE UK” ON STREAMING SERVICES HERE

THE GOA EXPRESS 2022 LIVE DATES

APR

09 Wide Eyed Festival, Leicester

MAY

10 Chameleon, Nottingham*
12 The Great Escape, Brighton
13 Heartbreakers, Southampton*
14 Rough Trade, Bristol*
16 Sidney & Matilda, Sheffield*
17 Arts Club, Liverpool*
18 Hyde Park Book Club, Leeds*
19 The Lexington, London*
21 White Hotel, Manchester*
29 Neck Of The Woods Festival, Norwich

* Headline date

JUNE

04 Sonic Wave Festival, Birmingham
10 Syd For Solen Festival, Copenhagen
23 Truck Festival, Oxford
24 Tramlines Festival, Sheffield
31 Kendal Calling Festival, Cumbria

HE GOA EXPRESS are:

James Douglas Clarke – Guitar / Vocals
Joey Stein – Guitar
Naham Muzaffar – Bass
Joe Clarke – Keyboard
Sam Launder – Percussion

TOUR NEWS: Killing Joke announce Honour The Fire UK tour 2022

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‘The fire is that which brings us all together. And after this dreadful pandemic this tour will be like no other. One great mosh pit!“ -promises Jaz Coleman

“The fire in our hearts that has sustained and protected us for over 40 years, never goes out. It is our privilege to Honour The Fire and celebrate the white heat purification by sound. Join with us in a fearless leap through the sacred flames, into the unknown….let’s create the future we all desire, by sonically destroying the one we don’t” – Youth

Gatherers of the World, Killing Joke are delighted to announce their first UK tour in over three years, 2022’s Honour The Fire tour.

Killing Joke’s 10 date tour will start at the Tramshed in Cardiff on Monday, 28th March, before concluding in London at Eventim Apollo Hammersmith on Saturday 9th April.

Very much music as ritual – raw, uncompromising and precisely-targeted lyrically; Jaz Coleman, Geordie, Youth & Big Paul, the original Killing Joke personnel show no signs of mellowing.

With collective nostrils flared and righteous anger carried torch-high, Killing Joke continue to take their music of resistance to fresh levels…

‘Honour The Fire’ UK 2022 shows

March 2022

28th Mon – Cardiff Tramshed
29th Tue – Nottingham Rock City
31st Thu – Bristol O2 Academy

April 2022

1st Fri – Liverpool O2 Academy
2nd Sat – Birmingham O2 Institute
4th Mon – Manchester Albert Hall
5th Tue – Newcastle Boiler Shop
6th Wed – Glasgow Barrowland
8th Fri – Leeds O2 Academy
9th Sat – Lodon Eventim Apollo Hammersmith

Tickets available from https://myticket.co.uk

SINGLE REVIEW: Mi Mye – ‘It hurt me’/’It hurt (e)m(ily)e’

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There’s something special about this release; it’s a double A side but both songs have the same lyrics with the bands Jamie Lockhart and Emily Ingham each taking lead vocal duties on two drastically different versions of the same song.

‘It hurt me’ was written after Jamie saw the Channel 4 documentary ‘Educating Manchester’ – specifically an episode where a student is supported in understanding his dyslexia by a teacher before going on to address the whole school about his experience. There’s more about this below.

‘It hurt me’ – with Jamie on lead vocal – is a frankly wonderful alt-folkish song with a tune that is criminally earwormy. Emily takes a dual style backing vocal which adds that extra sparkle to the track.

The song here is all about the words and the feel. The words explore the hurt experienced by somebody who is called out but actually needs some help. The feel is world weary, as you’d expect from a song about somebody who is used to being put down. The effect of these combined is actually biting which you may not get from a superficial listen.

It is only towards the end where musically the song expresses anger by becoming rawer and more intense. And, to be honest, it brought a lump to my throat. You see the song may be written about a person with dyslexia but I can relate to the words as it reflects my own personal experience of having a mental health issue. The song is both specific and universal, if you get what I’m saying here.

’It hurt (e)m(ily)e’ – with Emily on lead vocals – is as advertised ‘radically different’. It’s folk, yes, but it’s closer to the off-kilter folk based music of say The Incredible String Band than traditional folk based alt-folk. Musically it has, as far as I can say, it’s more like a traditional Scottish folk ballad. There are organ drones, string sounds that sometimes jar and sometimes sooth. Odd vocals dart in and surprise. Over this Emily sings in a way that varies from not very folk to very folk and everything between.

Weirdly, or perhaps not, what this reminds me of more than anything is a non-trip hop, non-electric and non-electronica Portishead song.

What this does to the song is to turn it into a plea for help, a plea for the making fun of to stop. It cuts, it cuts deep. It’s emotionally raw.

While these two songs may share lyrics, that’s where the similarities end. The two versions are not really versions at all; they are completely different songs. They not only sound different but what they make you feel is completely different.

I really really like both songs; over the time I’ve had access to them I find which one I reach for, or affects me the most, changes as my mood changes. Both are equally capable of bringing a tear to my eyes; both are incredibly emotional, but in different ways. They both communicate a difficult truth straight from the heart. And there’s a beauty in that that you can’t help but feel.

The info

Mi Mye have always openly played with songwriter Jamie’s dyslexia. Before the days of social media the band spelt their name differently for every gig, and then settled on ‘mi mye’, spelling both of the ‘my’s differently and wrong. Dyslexia allows Jamie to sometimes push the meaning of the lyrics into non-english, to get a lyric they like into a song.

However these two new singles (both with exactly the same lyrics) are the first tracks where Mi Mye delve into the fact that being dyslexic isn’t only a positive situation.

‘When I was growing up dyslexic it didn’t seem to affect me too badly, I was good at playing the fiddle which in Scotland got you away with a lot, I was quick in an argument and could usually talk my way in or out of any situation’, he explains. ‘I thought that after education dyslexia would have nothing to do with anything, it’s only reading and no one needs that anyway. But I was wrong, this world is becoming more and more about reading (you’re reading this). People are all part of so many group chats which I just can’t keep up with, I find myself lost or so far behind the conversation there’s no point in my being involved.

‘So there has been this song in the background of my mind. I have had the fist line for such a long time now, from when I was working with a producer who was shitty about my spelling. I said ‘I don’t know how to spell chorus but I do know there’s no ‘I’ in ‘fuck you’.

One day Jamie watched a documentary on Channel 4 made by his friend Kate. ‘I had no idea but this one was about a kid in high school having a bad time. He was cool and funny and people liked him but he was doing badly at school, and it turned out he was dyslexic. Some of his teachers were being impatient with him, but the head teacher helped the kid to realise that it was ok to be dyslexic by telling him that he was dyslexic too. The kid’s eyes lit up. It was amazing, at the end the kid did a speech about how it hurts to be different and not understood but if people can help you and understand what you’re going through,you can make that difference great. I cried and cried, and wrote this song.’

‘We all know social media is crappy but straight after this program came out all my extended family, without me mentioning it, were all sharing it, and saying how amazing it was. Who knew all my extended family were all going through that same thing: all dyslexic, all self employed and all trying really hard. I mean I know we are all trying really hard and I thought I have to try too, I need to ask for help, but not help to correct my spelling but help to make things great for everyone. So there’s a bit at the end of the song where we all sing ‘…and I need your help as well!’ over and over and that is all I’m trying to say’.

SINGLE REVIEW: FUDGE. – ‘9/10’

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Thank your chosen deity, FUDGE. have released a new single. ‘9/10’ is the third instalment from The Town Hall Session, the forthcoming EP from FUDGE..

‘9/10’ is not your usual FUDGE. track; if you get what I mean. Musically it’s different – although very much still a song from the band – it encompasses hip hop, punky sounding heaviness and has these moments of glorious groove. And it also sounds jerky and weirdly off-kilter in places. I guess the band could explain this better and they do:

Otto (guitar) explains “In contrast to the previous song, this is what happens when I get complete free rein and have no parameters when I write. This song has groove, hip hop influences, heavy yet melodic bits and an awkward feel at times. The ending is essentially Angus and I sat in a room going, ‘Let’s make this song really hard to play and really hard for people to try and learn’. So, I dare you to try and learn it and send us a video. I bet you’ll get it wrong!”

And Angus (drums) expands on this “This one is stupid. It’s mostly in 4/4 but we think we’re being clever by making it sound anything but. In fact, it’s all by accident and we just wanted to write a nonsensical show- off song. This is the result. Cam impressively managed to put vocals to it but there is more space for instrumental limelight here. In my opinion, it has the potential to be something more, or something totally different to what we played in this version. There is so much space instrumentally that anyone could take it, put their own spin on it and make something totally new without destroying it. To put it simply, I have great fun playing this one, it makes me clench my teeth.”

And if the band are making this sound as though it’s kinda mad musically – which it is – it’s also a showcase of what they’re capable of musically. It’s a bloody cohesive thing but it changes all the time. As Otto says this is a mash-up of loads of different styles, all of which are distinct but somehow one complete whole. Clever that. What this results in is a song that’s going to a belter live; those moments of slower groove giving an opportunity to catch your breath and those let it hang out bits are the ideal time to go completely wild. It’s going to be messy, people.

So it may be out-there musically but, hey, this is FUDGE. It’s going to be about something, right? And it is. Cam (vocals) gives us the lowdown “9/10 is the only song on the EP I feel like I wrote specifically about myself. It represents the relationship I once had with ‘the sesh’ (as cringy as that sounds) and day to day life. Listen to it, some of you will relate, some of you won’t, that’s sound, take what you will; it’s all fun and games until someone poos themselves.”

The band have out-done themselves yet again. The song shows that the band – warning music reviewer cliche upcoming – are progressing and developing their sound. But, and this crucial, they’re keeping that energy, that rawness, that we all love about them. I have one more thing to say about this song – a new song from FUDGE. – fuck yeah, let’s all get messy.

FESTIVAL NEWS: Tramlines announces 2nd wave of artists including full comedy line-up for 2022

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Bad Boy Chiller Crew, Kelis, Lady Leshurr, Scouting For Girls, Baby Queen, The Clockworks, Alfie Templeman, Crawlers, Bleach Lab, Elvana

Comedy

Jason Manford, Russell Kane, Seann Walsh

Ivan Brackenberry, Scott Bennett, Michelle Shaughnessy, Tom Ward, Lily Phillips, Mark Simmons, Alisdair Beckett-King, Harry Stachini, Jack Gleadow, Vince Atta & Karen Bayley

Hosts: Emmanuel Sonubi, Matt Reed & Danny McLoughlin

** VERY LIMITED NUMBER OF DAY TICKETS + VIP UPGRADES REMAIN **

Tramlines has announced its latest round of music acts and the full comedy lineup for the 2022 event at Hillsborough Park in Sheffield from Friday 22nd to Sunday 24th July. Joining the party is Bad Boy Chiller Crew (Friday), Lady Leshurr (Friday), Alfie Templeman (Saturday) and Kelis (Sunday), alongside more exciting additions including Crawlers, Bleach Lab, Baby Queen, The Clockworks and Elvana. Comedy returns to Hillsborough with a huge Line-Up including headliners Jason Manford, Russell Kane and Seann Walsh.

This latest wave of new acts will join headliners Sam Fender, Kasabian and Madness with over five stages of music, a family friendly area and a genre-spanning Line-Up of performers including everyone from internationally acclaimed acts to grass roots talent. 2022 will mark the 13th edition of Sheffield’s Biggest Party.

Alongside this latest Line-Up announcement, Tramlines also reveals that Weekend tickets have sold out with 95% of the festival’s tickets now sold, with only an extremely limited number of Day tickets available. Day tickets for Tramlines are priced from £50 plus booking fees and can be purchased alongside VIP ticket options from www.tramlines.org.uk. Sign up for ticket alerts here: https://bit.ly/TL22SignUp.

Kelis is back in 2022 for the first time since joining us on the Ponderosa back in 2017. The multi-award winning artist is bound to be dropping classics such as ‘Trick Me’ and ‘Millionaire’. British rapper Lady Leshurr also makes a return to the festival, bringing her expert lyricism and freestyles, best known for her ‘Queen’s Speech’ series.

Alfie Templeman finally gets his opportunity to grace Hillsborough park after having to cancel his appearance last year due to isolating. The ‘Happiness in Liquid Form’ singer, who said he was “gutted” in missing out on his slot last year, will appear on Saturday alongside newly announced Liverpool rock-group Crawlers and London alt-rockers Bleach Lab.

Joining Friday’s line-up is Baby Queen, who brings her hazy alt-pop hits to Sheffield’s biggest party. While Galway four-piece The Clockworks join the bill to add a post-punk twist to what will be the start of another memorable weekend. Also joining the Line-Up for 2022 is Bradford bassline collective Bad Boy Chiller Crew, bringing with them even more genre-spanning sounds to Tramlines Line-Up. Sunday will see a performance from Elvana, an Elvis fronted Nirvana tribute band.

Unfortunately due to scheduling issues, The Snuts (Friday) can no longer join us at Tramlines 2022.

Comedy has become a mainstay of the festival and in 2022 Tramlines has secured some huge names kicking off with Seann Walsh who headlines on Friday. Seann is a multi-award winning performer with a growing list of TV credits including QI, Strictly Come Dancing, Celebrity Juice and 8 out of 10 cats. Sean is joined on Friday by Scott Bennett, Michelle Shaughnessy, Alisdair Beckett-King, Vince Atta and host Danny McLoughlin.

Saturday headliner Russell Kane is a UK household name due to numerous TV appearances as a guest and as a presenter of his own shows including 2016 travel doc Stupid Man – Smart Phone. Joining Russell on Saturday are Tom Ward, Karen Bayley, Harry Stachini, Jack Gleadow and host Matt Read.

The Sunday showcase is headlined by Jason Manford, well known due his tenure as team leader on 8 out of 10 cats, his numerous presenting roles and his appearances in West End musicals such as Chitty Chitty Bang Bang, The Producers and Sweeney Todd. Also appearing on Sunday are Ivan Brackenberry, Lily Philips and host Emmanuel Sonubi who has been hotly tipped by both Jason Manford and Russell Kane.

Keep up to date with all the latest news and announcements at www.facebook.com/tramlines­.

TRAMLINES FESTIVAL 2022 LINEUP – NEW ADDITIONS IN BOLD

Friday

Sam Fender

James

Declan McKenna

Shed Seven (Special Guests)

Bad Boy Chiller Crew

Jade Bird

Lady Leshurr

Orla Gartland

Working Men’s Club

Baby Queen

Brooke Combe

The Clockworks

Coach Party

Kynsy

Lime Garden

August Charles

Harri Larkin

Friday Comedy

Seann Walsh

Scott Bennett

Michelle Shaughnessy

Alisdair Beckett-King

Vince Atta

Danny McLoughline

Saturday

Kasabian

The Vaccines

Sigrid

Little Man Tate

Self Esteem

Inhaler

Sam Ryder

Alfie Templeman

The Lottery Winners

Kawala

Just Mustard

Crawlers

Bleach Lab

Swim School

Sheafs

Pixey

Everly Pregnant Brothers

Saturday Comedy

Russell Kane

Tom Ward

Karen Bayley

Harry Stachini

Jack Gleadow

Matt Read

Sunday

Madness

The Wombats

Becky Hill

Reverend and The Makers

Kelis

The Coral (Special Guests)

Sports Team

Scouting for Girls

Elvana

Yard Act

Do Nothing

The Goa Express

April

Bedroom High Club

Luxury Goods

Sunday Comedy

Jason Manford

Ivan Brackenberry

Lily Phillips

Mark Simmons

Emmanuel Sonubi

Event Info

Tramlines Festival 2022
Friday 22nd – Sunday 24th July
Hillsborough Park, Sheffield, S6 2AB

Weekend tickets – SOLD OUT
Day tickets: £50+ bf
Available from www.tramlines.org.uk

SINGLE REVIEW: Cliché Cult – ‘Say It Like You Mean It’

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Cliché Cult go from strength to strength. ‘Say It Like You Mean It’ is their strongest release to date, and boy, is it huge.

In a way ‘Say It Like You Mean It’ is a game of two wonderfully seamless halves. The first is post-punk influenced, heavy on the hints of the 80s version of alt-pop. The second is a huge indie anthem. There’s just the right amount of the second in the first, and just the right amount of the first in the second to make this into a big cohesive whole. Honestly you’ll not notice the change, so seamlessly does it happen. In fact it’s kinda like ‘oh wow, what just happened there? That’s genius’.

So that’s the breakdown; just needed to get that down. It’s the whole thing we need to concentrate on here.

It is, and you’d expect this from the band, faultless musically; it’s why it works so well. The mix by The Crib’s and New Model Army producer Jamie Lockhart has just the right punch of classic post-punk along with that big indie anthem feel.

It is that big song that holds a spell over the audience at a big gig – a mass sway along, a gradually speeding up bounce, and then the big release. It’s euphoric and atmospheric.

‘Say It Like You Mean is putting us on notice that Cliché Cult is going to be big, and soon. This is is just so bloody good it hurts.

TOUR NEWS: Fairport Convention celebrate 55th anniversary with Winter Tour

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Having entertained music lovers for over half a century, 2022 sees Fairport Convention celebrate the 55th anniversary of the band’s original formation back in 1967. During that time, the group that launched British folk-rock has seen many changes, but one thing has remained the same – Fairport’s passion for performance.

The band’s original members met in 1966, rehearsing on the floor above Simon Nicol’s father’s medical practice in a house named ‘Fairport’ in Muswell Hill, London. The building’s name would lend itself to the band’s moniker upon their 1967 formation.

This year’s Winter Tour has just kicked off and presents a mix of long-established Fairport favourites and some surprises from releases old and new, including their latest album, Shuffle & Go, which was released just before ‘lockdown’ in 2020.

Fresh off of the back of their hugely successful Autumn live dates, the upcoming tour will see the band play iconic venues such as London’s Union Chapel, Manchester’s Royal Northern College of Music and the City Varieties Music Hall in Leeds.

The band features founding member Simon Nicol on guitar and vocals, Dave Pegg on bass guitar, Ric Sanders on violin, Chris Leslie on fiddle, mandolin and vocals, and Gerry Conway on percussion.

Joining the band on the tour will be special guest singer/songwriter Luke Jackson – a wonderful performer gaining much recognition for his recorded work, as well as his live performances touring the UK, Europe, and America.

Fairport Convention Winter tour 2022

Thur, 03rd Feb 2022
Exeter
The Corn Exchange

Fri, 04th Feb 2022
Swansea
Taliesin Theatre

Sat, 05th Feb 2022
Bath
The Forum

Sun, 06th Feb 2022
Winchester
Theatre Royal

Tue, 08th Feb 2022
Solihull
The Core

Wed, 09th Feb 2022
Lincoln
New Theatre Royal

Thur, 10th Feb 2022
Stockton-on-Tees
ARC

Fri, 11th Feb 2022
Leeds
City Varieties Music Hall

Sat, 12th Feb 2022
Bridlington
Spa Centre Theatre

Sun, 13th Feb 2022
Manchester
RNCM Theatre

Tue, 15th Feb 2022
Canterbury
Colyer-Fergusson Hall

Wed, 16th Feb 2022
Bexhill
De La Warr Pavilion

Thur, 17th Feb 2022
Worthing
The Connaught Theatre

Fri, 18th Feb 2022
London
Union Chapel

Sat, 19th Feb 2022
East Grinstead
Chequer Mead Theatre

Sun, 20th Feb 2022
Loughborough
Town Hall

Tue, 22nd Feb 2022
Milton Keynes
The Stables

Wed, 23rd Feb 2022
Peterborough
Key Theatre

Thur, 24th Feb 2022
St Albans
St Albans Arena

Fri, 25th Feb 2022
Wimborne
The Tivoli Theatre

Sat, 26th Feb 2022
Farnham
The Maltings

Sun, 27th Feb 2022
Bury St Edmunds
The Apex

Tue, 01st March 2022
Walsall
Walsall Arena

Wed, 02nd March 2022
Whitley Bay
Playhouse

Thur, 03rd March 2022
Morecambe
The Platform

Fri, 04th March 2022
Southport
The Atkinson Theatre

Sat, 05th March 2022
Buxton
Arts Centre

SHOW NEWS: It’s Time to Party With Buddy Holly and the Cricketers at the Victoria Theatre Halifax, 20th February

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Join Buddy Holly and the Cricketers on their highly anticipated Spring tour as they once again hit the stage to delight audiences with their dynamic show, featuring authentic arrangements, driving rhythms, energetic performances and skilled musicianship that always have audiences dancing in the aisles!

To celebrate the joy Buddy has brought millions of people worldwide, the band will play a brilliant and vibrant show appearing at the Victoria Theatre Halifax on Sunday 20th February at 19:30.

If you like Rock and Roll you’ll definitely love this. Songs include all-time favourites That’ll Be The Day, Peggy Sue, Heartbeat, It Doesn’t Matter Anymore, Raining In My Heart, Oh Boy! – and much, much more.

This show has been delighting audiences for nearly three decades and has performed in many locations around the world including Europe and a tour of the US. It stars some of the finest actor-musicians in the UK including Jason Shaw as Buddy and was endorsed as Britain’s most popular Buddy Holly act when the show appeared on BBC One’s The One and Only, with Graham Norton notably commenting that they were “Buddy Brilliant”.

The show has always presented Buddy in the style of show we feel he would perform today. Authentic arrangements, driving rhythms, energetic performances and wonderful musicianship, all delivered with charm and humour. Whatever the season, whatever the excuse to party, make your Heartbeat a little faster with the show that has thousands of fans the world over saying: “I can’t believe it’s not Buddy!”

Tickets for Buddy Holly & The Cricketers are available from £19.75 from www.victoriatheatre.co.uk, or by calling the Box Office on 01422 351158

GIG REVIEW: Rifffest No.3 – Belgrave Music Hall, Leeds – 29th January 2022

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Kid Kapichi

After a forced break Riffest was back. The thing about Rifffest is that there’s always a mix of bands that you’ve seen or heard and some you’ve never seen or heard; and I love being introduced to new music, so it was with a spring in my step that I made my way to Belgrave Music Hall dodging the shopping crowds of Leeds.

Dim Imagery

Opening the fest was Leeds post-punk band Dim Imagery. This is the second time I’ve seen them and this set just confirmed for me that they’re fantastic.

The reason I like them so much is that they play music that it wonderfully brings back the music I loved way back when. And when I say music I mean all the music I loved, sometimes in just one song. And live they are visually compelling, they play a show. You just can’t tear your eyes from their singer as he stalks the stage in a way that brings to mind Jim Morrison. And that isn’t a facile comparison for sometimes the band’s songs feature spoken passages.

Dim Imagery

So just to retrace my steps a little bit. Dim Imagery play post-punk. This is the full range of post-punk – the jerky funk of Gang of Four, what can only be described as Goth, hints of that scything guitar, heavy rock and a whole slab of West Coast rock. They mix that into something of their own, something is both retro and of now.

Dim Imagery

This was an absolute stormer of a set, and this is a band you need to see soon. In the meantime grab a listen to their debut single ‘Three Degrees’ as a teaser.

NEWMEDS

Next up a band I’d never heard or seen before – NEWMEDS. This Hull band are hard to pin down into one particular genre. There is Punk, Garage, Black Metal for sure somewhere in the sound. What it all adds up to is a riffing wall of sound; powerful, immersive, overwhelming.

NEWMEDS

Apart from a sound that was in danger of knocking me over, the other thing that held my attention was their singer. Stalking the stage with menace while words of angst and anger were screamed out. I like a band with a singer who exudes danger and he certainly did.

NEWMEDS
NEWMEDS

Yet the band don’t just do wall of sound; there are songs that come with a tune, they’re loud yes, but there’s a tune there. And that added that extra something that had me riveted.

This is a band I certainly want to see again, and soon.

Faux Pas

Next up, the joy that is Faux Pas. I adore Faux Pas, what they do is make music that is dense, sometimes psychy, beautiful. They have a presence and, I don’t know whether this is going to make sense, grace that is utterly and completely mesmerising.

Faux Pas

Part of that is undoubtedly Ru, who has to be one of the most compelling front persons around – both visually and sonically. But it isn’t just that, the band sure can play. Their sound is crafted layer upon layer – with dense heaviness and, surprising, moments of sparseness of space. Musically their songs have texture. But at the heart of their songs there is a tune. The songs are emotional and, at times, raw; which adds yet another layer of beauty. And that emotion is conveyed through the music.

I never fail to feel uplifted, calm and somehow sorted mentally after seeing them play; and that is a truly beautiful thing.

Avalanche Party

I’m ashamed to say that I’ve never actually seen or heard Avalanche Party until this edition of Rifffest. And, spoiler alert, I was converted in moments; bloody hell they’ve good..

Psychy Garage, Psychy Surf, even a hint of a kind of Psychy Post-punk if such a thing exists all seem to feature in their music. It’s sound over sound over sound over… you get the picture. It swirls, it comes in waves that immerse you in sound. This is a sound that seems at once both familiar – at one point it struck me that it sounded a bit Damned of the ‘Eloise’ period, then suddenly of The Jesus and Mary Chain – and unfamiliar.

Avalanche Party
Avalanche Party

And just when you think it can’t get any more out there, what do they do, they only go and produce a saxophone. It’s crazy maaannnn.

It’s wild, out of control and wonderful. It’s spellbinding and it is, to be frank, sexy as fuck. I’m a fan.

Wooze

Next up were Wooze. Sadly their alt-pop somewhat 80s influenced groove didn’t click with me. However there was mass dancing going on, so with the audience it obviously did. Objectively the band can play that isn’t in question at all. I was hoping to grab somebody who did get it to ask them why but sadly failed in that mission.

Kid Kapichi

And now to our headliners – Kid Kapichi. Sadly due to the so called ‘temporary rail timetable’ I had to leave before their set was over. But this was with extreme reluctance because they were ace.

Their sound, to me at least, is punk with an indie edge. And as loud as it is, this is music you can dance to. All that and lyrics about things make for a brilliant thing. Great bands can make a large-ish venue feel small and intimate. and the band did that.

I really loved what they do but kinda feel limited in what I can say about them because of the short amount of time I actually saw them play. Kid Kapichi are a band who are on my ‘must see again and soon’ list.

Kid Kapichi
Kid Kapichi
Kid Kapichi

All photos © Frank Roper Photography. See more photos of Rifffest No.3 on the Frank Roper Photography Facebook Page

GIG NEWS: Paloma Faith Live After Racing at Doncaster Racecourse 25th June 2022

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PALOMA FAITH will be coming to Doncaster Racecourse this Summer. Taking place on Saturday 25th June 2022, this special ‘Live After Racing’ show will see the highly esteemed singer, songwriter and actress perform a magnificent headline set, with the added bonus of a full day at the races beforehand.

Stopping-by in Doncaster as part of her second major arena tour in less than a year, Paloma will be performing songs from her acclaimed new album: ‘Infinite Things’ and much more.

Speaking about her return to the live stage, Paloma says: “I’ve been touring my recent album Infinite Things and it’s been so invigorating seeing everyone out on the road around the UK. I’ve loved playing live again and I am beyond excited… I love nothing more than singing for you all and hearing you sing back to me. There’s nothing like it.”

Performing an array of hits from her extensive and much loved repertoire. These homecoming shows will have fans singing along to classics such as “Only Love Can Hurt Like This” and “Lullaby” as well as new songs from her fifth studio album “Infinite Things”.

It’s been a busy year for the singer with Paloma releasing her BBC documentary ‘Paloma Faith: As I Am’ earlier this year which received praise from critics and fans for its insight into the pop star’s life and frank discussions around motherhood. She also entered the world of interior design with the launch of her Paloma Home collection as well as filming season 3 of Pennyworth and the prequel series to Stephen Fears’ movie Dangerous Liaisons.

TICKETS ON SALE NOW
https://www.doncaster-racecourse.co.uk/whats-on/paloma-faith-live-after-racing

A wide array of luxury hospitality packages will also be available, for further details please head to: https://www.doncaster-racecourse.co.uk

Paloma Faith – Live After Racing

Doncaster Racecourse
Saturday 25th June 2022

Race Times

Gates: 15:15
First race: 17:15
Artist on stage: TBC

Tickets

£40.00 Advance STBF – Grandstand
£50.00 Advance STBF – County Enclosure
£25.00 Advance STBF – Child Ticket (Under 18’s, Above 5’s) – Any area at this price for children

£10+BF car parking per vehicle

Under 18’s to be accompanied by an adult
Ticket entitles holder for the full days racing and Paloma Faith live performance.

 

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