Home Blog Page 288

REVIEW: Orphan Boy – ‘Coastal Tones’

0

The story of this Cleethorpes’ indie trio seemed to have come to an end back in 2011. After two albums – 2008’s debut ‘Shop Local’ and 2010’s ‘Passion, Pain and Loyalty’ – and several years touring the length and breadth of the UK, the band grew increasingly frustrated with being overlooked by the music industry and decided to call it a day.

After only a year of retirement Orphan Boy found themselves thrust back under the spotlight in 2012, when Tom Clarke of The Enemy tweeted about recently discovering them, and then offered them a support slot for a gig in Manchester. From there the band have returned to the live circuit and have used every spare minute to write and record this, their third, album. The original three members (Rob Cross on guitar/vocals, Paul ‘Smithy’ Smith on bass and Chris Day on drums) have now added a fourth, Sam Carlton on keyboards, to broaden their sound.

The album is an ode to life in the small towns that are scattered across the north, places such as the band’s seaside home of Cleethorpes, and as such is filled with references to and even sounds from those places. The opening track begins with the familiar sound of an ice cream van’s siren call before ‘Beats Like Distant Tides’ kicks in properly with a driving drum beat which is swiftly joined by shimmering guitar and a dancing bass line. Rob Cross’s vocals are strong but with a hint of vulnerability – a mix of Alex Turner’s northern twang and Brett Anderson’s dramatic wail. When Cross sings of rain clouds hanging above him and a lost hunger, the sense of yearning in the song is clear and understood.

The music on this album is epic, rousing indie-rock with an aching melancholy laced throughout. The sort of indie sound once produced by bands like James. Indeed Cross even sounds like a young Tim Booth on tracks like ‘Clover’ and ‘From the Provinces’. On the latter track, Cross calls out to the towns on the outskirts, the places so often overlooked. Over Carlton’s MGMT-like keyboard riff, Scunthorpe, Redcar, Doncaster and Morcambe are name-checked amongst others. The naming of the towns is perhaps a little too on the nose for this reviewer- but the track’s exuberance prevails.

Cross has been quoted as saying: ‘I’ve always liked the idea of seeing the beauty in the mundane’ and that idea is best articulated on the track ‘On a Nelson Skyline’. Apparently inspired by the view from a Grimsby tower block, the song gives a hazy reflection on what a day in the life is like there. Cross’s lyrics take on a poetic quality here and his guitar playing is both restrained and melodic. The smooth backing vocals and reverb-drenched saxophone that appear late on in the song serve to reinforce the song’s woozy feel.

Another standout track ‘Transpennine’, sounds like it’s meant to be heard live at a festival. From a quiet reflective start it breaks out into a stirring mid-section with Cross’s echoing guitar and the pounding rhythm supplied by Smith and Day, before coming back down to a murmur at the end. A perfect musical representation of the train journey it lovingly describes.

Cross’s lyrical skills are showcased again on the final track, ‘Thirtysomething Lovesick Ballad’. The words are laid bare in a spoken verse which brings to mind classic Pulp. Lines like ‘They stretch for miles up this north-east coast, those chemical plants just hang like ghosts over a pale industrial sky’ are delivered with a snarl that betrays the singer’s ongoing battle with his competing feelings of frustration and affection for his home town – and the many others just like it.

One criticism would be that the songs sometimes tread a too-familiar path both lyrically and musically. It can sound overly similar with certain grooves permeating the record and therefore slightly diminishing the impact. However, it’s a small flaw in an otherwise great album filled with potential hits and sure-to-be live favourites. Based on the sheer quality of the songs on ‘Coastal Tones’ it’s very clear that this is a group ready to make the big splash they deserve.

DSCF6725 copy

The band’s website: http://www.orphan-boy.com/
The official Facebook page https://www.facebook.com/orphanboyuk
The album ‘Coastal Tones’ can be found on iTunes here: https://itun.es/gb/oeiF6

REVIEW: Fields Without Fences – ‘Machine’

0

Flurries of descending notes that put me in mind of The Party of Helicopters’ ‘The Good Punk‘, are punctuated with the kind of ‘surprise’ added beats that bands like Soundgarden made their trademark.

The first of several neck-jerk transitions prods you into a brief hail shower of musical ‘stabs’, executed by the band in unison – à la The Mars Volta’s career-opening ‘Son et Lumiere’.

Machine’s five-minute plus duration allows for several such acute developments – not surprising for a song in the prog tradition. Perhaps, if some of FWF’s forebears had possessed their unbridled sense of invention, ‘prog’ would not be the dirty word it now is for some…

The single, and its equally captivating B-side – the splendidly titled ‘Let the Commencement Beginulate’ – show a band reveling in the pursuit of instrumental and songwriting exploration and, in these days of brain rot pop, it’s a joy to hear.

947330_664893263537559_1198664282_n

Fields is a band that embraces its guitar, bass and drums lineup, with bassist Bru Cousins and guitarist Adam Cooper sharing vocal duties. Personally, I preferred the more restrained passages of singing, and felt that the more forceful moments might have benefited from a soupçon more reverb to sit them more comfortably in the mix. That said, the lo-fi production bestows Machine with the kind of ‘warts and all’ charm, flaunted by The White Stripes at their bluesy best.

While I’ve referenced numerous American touchpoints here, Fields Without Fences’ sound is peculiarly British, with an admirable sense of drama that – in a really good way – conjured up thoughts of Jeff Wayne’s ‘The War of The Worlds’, albeit without the BBC Radio Theatre-esque politeness. (There’s little danger of Gary Barlow covering ‘Machine’ any time soon!)

A sense of ironic wit pervades the song too – as in the resigned acceptance of the final couplet: ‘Welcome to the machine; it’s crushing you’

I, for one, hope Fields Without Fences resolve their current drummer-less-ness before long, as I’d love to hear ‘Machine’ live. I’ve no doubt the rest of their set would be equally satisfying for anyone with a liking for rock, prog, or just well-played, exciting and thought-provoking music. In the meantime, visit Fields’ Facebook page to buy ‘Machine’ or direct from the Bandcamp embed below.

LIVE REVIEW: Patti Smith – Manchester O2 Apollo

0

In 1975 Patti Smith released her debut album ‘Horses’ which went on to be a major influence on the New York punk scene and is still widely regarded as one of the greatest albums ever recorded. To celebrate the 40th anniversary of this classic album, the ‘Godmother of Punk’ is on tour.

Alongside her is a band featuring two of the original musicians from that first recording, Lenny Kaye on guitar and Jay Dee Daugherty on drums with Tony Shanahan on bass and Jack Petruzzelli on guitar/bass/keyboards. They are performing the entire album in sequence at each show.

The lights go down in the Apollo and Patti Smith strolls onto the stage to rapturous applause. She’s instantly recognisable in her black suit, white shirt and big black boots. No time is wasted as Petruzzelli plays the opening notes of Gloria (In Excelsis Deo) and Smith drawls ‘Jesus died for somebody’s sins but not mine.’

Her voice, deepened with age, is still a formidable force well capable of hitting those high yelps and furious snarls. Despite having, no doubt, performed these songs thousands of times over the past four decades, Smith delivers them tonight with the same power and intensity that was captured on the original record. The band follow her with an escalating rhythm, before exploding into the chorus.

‘Redondo Beach’ follows with the gentle reggae rhythm giving everyone a breather from the furious opening. The changes in pace and mood throughout ‘Horses’ are part of what makes it such a great album and it translates to a varied and interesting live set. The epic tale of death and loss that is ‘Birdland’ is next. A mesmerising performance, Smith switches from softly spoken verses to anguished howling as she throws her lyric sheet to the floor. The band backs her words with screaming guitar and the piano line which anchors the song throughout.

Smith takes time between the songs to talk to the crowd and her relaxed manner and disarming honesty make the gig more intimate. She tells a story about being in Manchester in 1978 and buying a Rickenbacker from a guitar shop that reminded her of a scene from the Dylan documentary ‘Don’t Look Back’. (We’re even treated to a pretty spot-on impression of His Bobness.) ‘Husbands come and go,’ says Smith, ‘but I still have the Rickenbacker!’

At the end of a frenetic ‘Free Money’ Smith politely informs us that we’ve reached the end of side one and it’s now time for side two, before the band starts with the upbeat ‘Kimberley’. And before the dramatic ‘Break It Up’ begins, we’re told it was written about the Lizard King himself, Jim Morrison. At times it feels like a listening party for the album – hosted by the artist herself.

One of the highlights of the set is a blistering version of the emotional rollercoaster that is ‘Land’- a swirling, intense, psychedelic three-part punk-rock opera based on a character from a William Burroughs novel. It mixes Smith’s poetic lyrics with a quasi-cover of the song ‘Land of a Thousand Dances’ made famous by soul legend Wilson Pickett. It segues from the tale of ‘Johnny’ and his spiritual journey, to a hollered chorus of dance moves, and this live version ends by bleeding back into ‘Gloria’ for a thunderous finish.

The ‘Horses’ set finishes with the fragile lament, ‘Elegie’. The song was originally written about the death of Jimi Hendrix but tonight Smith tells us that everyone has experienced loss of a loved one and so this song is for each of them. As the song comes to a close Smith starts to call out the names of the dead and the crowd applauds each name. Johnny, Joey and Dee Dee from The Ramones, Lou Reed and Joe Strummer, Robert Mapplethorpe and her late husband Fred ‘Sonic’ Smith. Lenny Kaye chimes in here with Tony Wilson which gets a loud cheer from this Manchester audience. As the audience starts to shout other names she smiles warmly and finishes the song saying ‘Yes, all of them’.

The second half of the set is comprised of other Smith standards such as ‘Privilege (Set Me Free)’, ‘Dancing Barefoot’ and a blazing version of arguably her most well-known song ‘Because the Night’, which was co-written with Bruce Springsteen. As a tribute to ‘New York’s greatest punk’ Lou Reed, the band play a medley of three Velvet Underground songs (Rock N Roll, I’m Waiting for the Man, and White Light/White Heat) as Smith walks down by the front of the stage, shaking hands with her fans. In a moment of spontaneity, she gives us a small excerpt from her early B-Side ‘Piss Factory’ which ends with delighted audience members helping her out with the words when she stumbles.

Patti Smith is by turns sweet and irritable, spitting punk and swaying hippy, equally at home dancing across the stage singing the positive chorus of ‘People Have The Power’ or furiously tearing the strings from her guitar with her bare hands during the chaotic closing cover of The Who’s ‘My Generation. It’s her fearless nature that makes her such a must-see performer and tonight’s breath-taking gig was proof indeed that the punk poet laureate is as fearless as ever.

055

Set List

Gloria (In Excelsis Deo)
Redondo Beach
Birdland
Free Money
Kimberley
Break It Up
Land
Elegie

Privilege (Set Me Free)
Velvet Underground Medley (Rock n Roll/I’m Waiting for the Man/White Light White Heat)
Dancing Barefoot
Piss Factory (Excerpt)
Because The Night

Encore:
People Have the Power
My Generation

B. Dolan: Kill The Wolf Tour 2015

0
B. DOLAN // KILL THE WOLF TOUR 2015

B. Dolan’s latest record is the self-produced ‘Kill The Wolf’, a sweeping, powerful opus five years in the making. The album reinforces Dolan’s status as a complex lyricist and introduces him as a ambitious, versatile producer, dedicated as ever to concept and vision over fleeting hip-hop trends.

This sophomore studio effort features a supporting cast of talent from a wide range of musical backgrounds, including Aesop Rock, Buck 65, Alias, Cecil Otter (Doomtee), Kathleen Stublelek (Circle Takes the Square), DS3K, Buddy Peace, and the late David Lamb (Brown Bird) among others.

It would be easy for an album to go astray amidst such varying styles and contributors, but Dolan stays in firm command as an expert conductor, driving the album’s layered and visionary sound. ‘Kill The Wolf’ sets out with a goal of demolishing the boundaries of what was previously thought possible in a B. Dolan record; bringing the best techniques from his catalogue into a new era of production value by fusing live guitars, analog synths, violins and upright bass with formidable vocals and intricate lyrics.

Five years after shaking the foundations of underground rap with his ‘Fallen House, Sunken CIty’ LP, B. Dolan emerges from the earth, battle-tested, clear-eyed, and sharper than ever.

It’s time to Kill the Wolf.

B. Dolan website: http://bdolan.net/

The Deaf Institute
135 Grosvenor Street
Manchester, M1 7HE

Tickets ON SALE NOW: http://www.seetickets.com/event/b-dolan/the-deaf-institute/883580
£10 advance

 

 

Long Division: Q&A with Dean Freeman, Festival Organiser

0

How did Long Division emerge from the Rhubarb Bomb fanzine?

The zine had been going for about three years and its general purpose was to promote Wakefield Music in a roundabout kind of way. It emerged because no magazines or blogs were covering Wakefield – ever. So we thought, if the stuff that’s going on really is that good, why isn’t there a music festival that shows it off? So we started it ourselves.

What’s the aim of LD?

The aim of the festival is to draw people to Wakefield, so they take notice of its great bands, culture, venues and atmosphere. It’s also to try and instil a wider scope for our bands and artists and businesses. To make them aware there is a world outside Wakefield – and if they get themselves together they can do more than make great music in their own city that no-one ever hears. We’re trying to import the music industry into the city.

What have been highlights of previous festivals?

The highlights for me are always the smaller stuff. Seeing people walk around the city with their wristband and t-shirts on. And seeing taxi driver and nightclubs bouncers looking confused that it’s so busy, and people are being nice to one another.

But then there are some of the acts – like Aidan Moffat & Bill Wells, The Cribs, The Fall and British Sea Power. Having them play here and absolutely love the city is priceless!

At what point during the year do you start work on assembling the line-up?

We start thinking in October, so about nine months beforehand. The bookings begin around December. Because we try to punch above our weight, we often have to wait to see if the bands are playing the big festivals that take place around us – like Field Day. So our control is limited, but we’ve never had to compromise, so far.

What are the biggest challenges you face each year?

The biggest challenge over the years has been a complete disregard from the city as a whole – by which I mean local business and potential partners. You’d think that if I approached a restaurant and mentioned that my festival would be bringing 3,500 to the city and they’d all need somewhere to eat that they’d want to work with us. The economic depression has meant this businesses have struggled, so I don’t ask for money. It’s as simple as – ‘feed one of my bands and I’ll promote you in the program’. They refuse to do it. I offered one business a free page in the programme this year but they reckoned they didn’t have time to design it. This was two months before the festival.

So I despair that though Wakefield has become a really great cultural destination over the last five years, the rest of the city isn’t catching up. There’s still a huge battle ahead.

How easy / difficult has the whole process of setting up the festival been? Is it getting easier now you’re in the 5th year?

Because of the above, I can’t say it’s got easier. The actual organisational element has. We know what we’re doing. Marketing and funding are still very difficult. None of us get paid. We are a team of three doing it in our spare time. It’s frustrating that such a weak infrastructure is responsible for such a great thing. It could so easily break and I think the local authority should be helping a lot more.

What’s the overall criteria by which you chose artists to perform at LD?

We’re looking for A DIY attitude basically. Bands that are true artists. Not in it for money or fame. Bands that tell a story, that are honest and hardworking.

The festival attracts big names, such as Ash and British Sea Power this year, as well as a plethora of local bands from Wakefield and surrounding areas. How do you ultimately decide who to book?

When we started, me and my co-programmer were both programming venues in the city. Now we work together in the largest one, Unity Works. So we’re pretty connected locally. We like to give the bands that have been pushing themselves forward in the last 12 months the big opportunities.
In terms of headliners, we just draw up a stupidly ambitious wish list and see how it goes! We’ve got our brand down as true Indie / DIY artists and we lead from that, rather than a genre.

Would you say you have a target demographic or is there stuff at the festival that everyone will be able to enjoy?

As I say above, there is this hardcore music element to it. People who buy Vinyl, who listen to BBC6 Music. But on another level, there is loads to enjoy because we use such great venues. It’s fun to drink good ale in the sunshine and wander around a city centre discovering things. So that urge to see and hear new things is the only requirement for a good time.

The live recording of an album on the Sunday of the festival is an intriguing concept. How did this come about?

I had the idea when I was in the old Drury Lane Library, which was abandoned at the time. I just thought, what a great venue this could be. So we signed it up as a venue in 2013 and I then thought up this live album concept too. A live performance in the round, whilst the audience listen to the mix live on a wireless headset. There is an amazing studio in Leeds called Greenmount Studios who are our friends. They use reel to reel tape machines and I just thought, how cool would that look in an abandoned library?

This year is our third recording. It’s a great way for a local band to record an album they can then sell, and it’s always my highlight of a Long Division, probably because it’s at the end and it means I can finally have a pint or two!

Long Division website: http://www.longdivisionfestival.co.uk
Long Division on Facebook: https://www.facebook.com/pages/Long-Division
Long Division on Twitter: @Long_Division_

Festival PR by I Like Press: @ilikepress

BEACONS METRO: Mac Demarco

0

In the first of two Now Wave shows as part of Beacons Metro series (which sees the much-loved festival put on unique shows across the country), Mac DeMarco returns to Manchester for a special show at the Albert Hall.

Having found early cult success with his project Makeout Videotape in 2009, two years later Mac DeMarco was struggling to get by. Giving his body to medical science experiments in exchange for money and working as part of a road paving crew, he started putting out music under his own name. A dreamy yet lucid take on the best bits of a whole host on genres – psyche, grunge and even surf are all layered in there somewhere – DeMarco’s new project soon found a fitting home with seminal indie label Captured Tracks, which has remained his home ever since.

A singular talent, critics have consistently lauded DeMarco’s work, while still struggling to unwrap his enigmatic and unique talent. Pitchfork noted, in their review of his sophomore LP 2, ‘[Mac DeMarco] writes about life–both the heavy moments and the mundane ones–with economy and… grace’, while NME have previously commented ‘[DeMarco’s songs are] lyrically witty, full of neat turns of phrase, [they] recall the quirks and kinks of Jonathan Richman, the tale-telling and wit of Alex Turner (specifically the Arctics man’s gentle, romantic work on the Submarine soundtrack), and the playful verbosity of Pavement’s Stephen Malkmus’.

https://youtu.be/OVLoHBFbTg8

On record, Mac has earned a reputation as being both extremely accomplished and wildly experimental. These are both qualities that feature heavily in his live shows, with the addition of his unusual stage presence. In one review of a recent London show, The Guardian wrote, ‘Mac treats his gigs more like a spring break keg party… cracking beers with his teeth, enacting bi-curious dares with his joke-reciting bassist… things get loose and lascivious’.

Tickets: http://www.alberthallmanchester.com/event.php?id=499&d=2015-09-12

Long Division: Warm Up Sessions

0

Kirsty White

Loz Campbell

NARCS

Brawlers

Forever Cult

Long Division website: http://www.longdivisionfestival.co.uk
Long Division on Facebook: https://www.facebook.com/pages/Long-Division
Long Division on Twitter: @Long_Division_

Festival PR by I Like Press: @ilikepress

Long Division: Five Years Film

0

Long Division website: http://www.longdivisionfestival.co.uk
Long Division on Facebook: https://www.facebook.com/pages/Long-Division
Long Division on Twitter: @Long_Division_

Festival PR by I Like Press: @ilikepress

Long Division: Preview – Bands & Artists N-Z

0

See The first part of our preview of Long Division with a local focus

NARCS

NARCS are an alternative rock band from Leeds.

NARCS website: http://narcsband.com

Piskie Sits

Wakefield band, Piskie Sits have been spinning their own brand of pseudo-american alt. rock for some time now and have shared the bill with some fantastic bands along the way (The Fall, Nine Black Alps, Times New Viking, The Research, Frightened Rabbit, Envelopes and Wild Beasts to name a few), as well as various festival appearances across the country. They’ve released a few EPs (including a split with fellow local scene stalwarts The Spills), a single or 2 and album “The Secret Sickliness” to great acclaim within the press and fans alike. Currently rehearsing with a slightly revised line-up the band are amassing more new material for future releases and to take out on the road.

https://www.youtube.com/watch?v=77dtTpuQlvQ

Piskie Sits’ Facebook page: https://www.facebook.com/PiskieSits/timeline

Pulled Apart by Horses

Pulled Apart by Horses are an alternative rock band from Leeds. They formed in early 2008. In September 2014 the band’s 3rd album ‘Blood’ became their first top 40, entering the charts at 38.

Pulled Apart by Horses website: http://www.pulledapartbyhorses.com

Ryan Spendlove

Ryan Spendlove was born and raised in a small, ex-mining village in West Yorkshire. He started playing guitar at 18, later going on to start his first band, The Blueskins. Their most popular song, ‘Change My Mind’, was used in TV commercials, as well as in the remake of the cult classic series, The Dukes of Hazzard. Ryan now plays solo and has been gaining popularity in the blues/acoustic scene. He continues to play regular gigs for his fans across the United Kingdom. In January 2011, Ryan flew to Chicago to sign a record deal with Candyrat Records, where he recorded his first solo acoustic album, ‘Fable’. After a successful U.S tour, he recorded a second record on Candyrat entitled ‘In Another World’.

Ryan Spendlove’s Facebook page: https://www.facebook.com/ryanspendlovemusic

Sam Airey

An Alternative/Indie/Folk singer/songwriter Sam Airey originates from the Isle of Anglesey, but now resides in the city of Leeds, West Yorkshire. Raised in rural North Wales on various types of folk and country music, Sam blends these influences with the sounds and experiences he has encountered along the way.

Sam Airey’s Facebook page: https://www.facebook.com/samaireymusic

Serious Sam Barrett

Serious Sam Barrett is a roots/folk/country musician from Leeds. He plays a mixture of traditional and original material but his recorded output has mainly focused on his own compositions especially in his later works. His style builds on folk music from the British Isles, Ireland, traditional American music as well as more contemporary styles of Rock n Roll and 50s pop music. Sam mainly plays a 12 string guitar although he also has made many recording playing banjo and occasionally electric guitar.

Serious Sam Barrett’s Facebook page: https://www.facebook.com/pages/Serious-Sam-BarrettYaDig-Records/185802254796469

Sons of Great Men

3-piece from Wakefield.

Sons of Great Men’s website: http://www.sonsofgreatmen.co.uk/

Stop Drop Robot

Stop Drop Robot are a pioneering Electronic/Rock band consisting of producers, promoters and musicians. Dedicated to preforming live, the group effortlessly bring a unique blend of synthesizers, blues and electronic rock together and are well known faces amongst musicians working in the Yorkshire area.

Stop Drop Robot’s website: http://www.stopdroprobot.com

Here’s our review of their single ‘Cradle’.

The Ainsley Band

They class themselves as a ‘Fraggle-rock’ band from Wakefield.

The Ainsley Band’s Facebook page: https://www.facebook.com/TheAinsleyBand

As well as playing on Saturday, The Ainsley Band will be closing up the festival on Sunday, in what is now traditional fashion, by recording an album to a live audience. The audience will be given a wireless headset to hear the actual mix as it happens, the recording undertaken by Greenmount Studios (The Cribs, Pulled Apart By Horses, Middleman). They will also receive a download of the album as part of the £5 entry fee, and the album will be later released physically by Philophobia Music.

Tickets available for the live recording available at the link: http://www.unityworks.co.uk/event/live-album-recording-ainsley-band/

The Do’s

Grunge duo from Wakefield. Their EP was released in March 2015.

https://soundcloud.com/blue-heart-promotion/sets/the-dos-this-n-that

The Do’s Facebook page: https://www.facebook.com/thedosband/

The Grand

Transatlantic alternative pop from Wakefield.

The Grand’s Facebook page: https://www.facebook.com/thegrandwakefield

The Horn The Hunt

Emerging from a winter spent in Greenland, THTH formed out of a burning desire to make challenging pop music. Currently based in Leeds, UK, the duo of Clare Carter and Joseph Osborne are performing live featuring heavy synths, desert guitars and powerful vocals.

The Horn The Hunt’s website: http://www.thehornthehunt.com

The Hurriers

In little under two years since their formation, Barnsley band, The Hurriers have blazed a trail across the UK’s festivals and fundraisers. The Hurriers have released their debut long player ‘From Acorn Mighty Oaks’ working with Sheffield producer Alan Smyth (Arctic Monkeys, Pulp, Richard Hawley). The South Yorkshire five-piece call themselves ‘A proper socialist punk band’ and since their formation in 2013 they’ve were invited to play Glastonbury by Billy Bragg, they’ve played festivals with New Model Army and secured support slots with The Sleaford Mods, including at Sheffield’s O2 Academy.

The Hurriers’ website: http://thehurriers.co.uk/

The Spills

It’s all kicking off for this Wakefield indie-rock 4-piece. They are due to release an exclusive 7″ on the 29th June, with their album coming later in the year. Amidst writing and recording the album, the band have spent the last year or so sharing bills with The Cribs, Cloud Nothings, Menace Beach, Joanna Gruesome, WOAHNOWS and PAWS, as well as being featured on both Big Scary Monsters’ compilation of favourite new bands, and Alcopop! Records’ infamous Road To The Velodrome (released as a fixie road bike!)
Since releasing their debut LP, Occam’s Razor, on prolific Wakefield label, Philophobia Music (Runaround Kids, imp, Mi Mye), the band has been championed by the likes of BBC 6Music, Amazing Radio and XFM.

The Spills’ Facebook page: https://www.facebook.com/thespills

These Men

These men are an acappella group, channeling gruff choir type sounds, doo-wop, Bach, indie-schmindie, stuff like that.

These Men’s facebook page: https://www.facebook.com/pages/These-Men/131846323079

Thomas Wilby Gang

Swampy gospel-infused raw blues rock band from Wakefield.

Thomas Wilby Gang’s Facebook page: https://www.facebook.com/ThomasWilbyGang

Two Man Cuppy

Two Man Cuppy are back together, recreating the unique Wakefield flange sound of ’93 .

Two Man Cuppy’s Facebook page: https://www.facebook.com/pages/Two-Man-Cuppy/828396130589597

We Got Rocket

3 piece Alt. Rock from Featherstone, West Yorkshire.

We Got Rocket’s Facebook page: https://www.facebook.com/WeGotRocket

See The first part of our preview of Long Division with a local focus

Long Division website: http://www.longdivisionfestival.co.uk
Long Division on Facebook: https://www.facebook.com/pages/Long-Division
Long Division on Twitter: @Long_Division_

Festival PR by I Like Press: @ilikepress

Long Division: Preview – Bands & Artists A-M

0

See The second part of our preview of Long Division with a local focus.

Allusondrugs

Allusondrugs is a 5-piece alt. rock band from Castleford, West Yorkshire, who formed in late 2012. They are already making an impact on the local music scene through their heavy gigging and captivating live rock performances. It’s this ability to package their intense electric guitar rock sound into live shows which has helped them generate a regular following already, with their gigs being described as ‘electrifying’! Allusondrugs are billed to play on the esteemed Download Festival line-up following LD.

Allusondrugs’ Facebook page: https://www.facebook.com/Allusondrugs

BARRON

Manchester-based 4 piece band…piano-led anthems, delayed guitar riffs, and soaring vocals. The band played the Dot-To-Dot Festival in Manchester last month to critical acclaim, and have a number of gig and festival appearances (including Tramlines) lined up for the summer.

BARRON’s website: http://www.barronofficial.com/

Brawlers

Brawlers are a four band from Leeds.

Bawlers Facebook page: https://www.facebook.com/wearebrawlers

Charlie Padfield

Singer-songwriter from Wakefield.

Charlie Padfield’s Facebook page: https://www.facebook.com/padfieldmusic?fref=ts

CryBabyCry

3 piece rock ‘n’ roll band from Wakefield. They describe their sound as “The Black Keys meets Nancy Sinatra…”.

CryBabyCry’s Facebook page: https://www.facebook.com/CryBabyCryBand

David Hick

Dave Hick is a Delta Blues Singer/Song writer and Guitarist from Leeds.

Dead Party Scene

Doom, punk, thrash, stoner – noise rock band from Wakefield.

Dead Party Scene’s Facebook page: https://www.facebook.com/Deadpartyscene

Follow The Lion

An Alternative Rock/ Psychedelia band from Leeds With influences ranging from Pixies, Massive Attack and Nirvana to The Beatles, Tricky, UNKLE and King Crimson.

Forever Cult

Grunge-Pop Leeds trio

Forever Cult’s facebook page: https://www.facebook.com/FOREVERCULT

Fur Blend

Fur Blend are an indie, shoegaze, alt-pop, garage rock band from Bradford

Fur Blend’s Facebook page: https://www.facebook.com/furblend

Gentlemans Pistols

From Leeds Gentlemans Pistols were formed in 2003 as a three-piece by singer/guitarist James Atkinson (formerly of UK hardcore group Voorhees). Their long awaited second album ‘At Her Majesty’s Pleasure’ was issued through Rise Above records in June 2011.

Facebook page: https://www.facebook.com/pages/Gentlemans-Pistols/340601796105

Hands Off Gretel

This is a brand-new band playing Long Division festival and also Tramlines this year. Hands Off Gretel are a female-fronted alt-rock/grunge band. Launched by vocalist Lauren Tate who has an international fanbase of over 30,000 followers online, the band launched in February this year and recently played Camden Rocks Festival after being shortlisted from 3,000 band applications to play.

Check them out for yourself here:

Hands Off Gretel’s website: www.handsoffgretel.co.uk

Her Name is Calla

Celebrating a decade together this year, Her Name is Calla could hardly be considered an overnight success. Always difficult to pigeon hole, the band sit somewhere between light and shade. Post-rock and folk. Heart break and apocalypse. This difficulty to label has been a blessing and burden for the band. On one hand struggling to be accepted into genres, but on the other affording them a unique voice in the field. Formed in 2004 by song-writer Tom Morris, Her Name Is Calla play intense, emotional guitar-rock, categorised by Morris’s haunting and distinctive vocals and the bands remarkable use of dynamics and atmosphere which often finds audiences silenced both its delicacy and brutality.

Her Name is Calla’s website: http://hernameiscalla.com

Incredible Magpie Band

The Incredible Magpie Band are a majestically rocking and rolling 5-piece from Wakefield. With boastings of 60s Rn’B, and a splattering of The La’s, these guys have been making waves since their recent inception. Their debut double A-side single ‘This Chose Me’ / ‘Money’, released 15th September, has had a sprinkling of the magic dust from Zak Starkey (The Who/Oasis) who remixed and produced the record.

Incredible Magpie Band’s Facebook page: https://www.facebook.com/TheIncredibleMagpieBand

JJ Swimsuit

JJ Swimsuit is Tim Metcalfe from Leeds, one half of St Gregory Orange (who released their second full length through Philophobia last year). Whereas St Greg splits the difference between sound experimentation, and a pronounced pop song-writing sensibility; here the focus is firmly on sound manipulation, utilizing guitar loops, synth-beds, and field recordings.

JJ Swimsuit’s Facebook page: https://www.facebook.com/pages/JJ-Swimsuit/141196222714760

Kirsty White

Kirsty White is a singer songwriter and guitarist from Garforth Leeds

Kirsty White’s website: http://kirstylouisewhite.wix.com/kirstylouise

Kleine Schweine

Noisy political punk band from Leeds/London.

Kleine Schweine’s website: http://www.kleineschweine.com

Lewis Armitage

A musician from Wakefield playing guitar, bass, drums, banjo, piano and vocals. A mix of genre featuring new and old and the odd cover done in his own unique style.

Lewis Armitage’s Facebook page: https://www.facebook.com/LewisArmitageMusic

Loz Campbell

Loz campbell is an acoustic solo artist from Wakefield

Loz Campbell’s Facebook page: https://www.facebook.com/pages/Loz-Campbell-Music/1545689152331304

Maggie8

Maggie8 are an indie folk band from Leeds. Their sound juxtaposes Eastern harmonies with Western sensibilities. A ‘Hindi Housemartins’ if you will. From Mumbai to Wetherby via lullabies and play fights Maggie8 create massive tunes to live your life by.

Maggie8’s website: http://www.maggie8band.com

Man Made

Man Made are a rising Manchester based three piece guitar band, fronted by ex-Smith’s guitarist Johnny Marr’s son. The band has received support from BBC Introducing in Manchester. Their songs feature a blend of calm, spacious vocals, layered over solid drums and jangling guitars.

https://soundcloud.com/manmadeproject

Man Made Facebook page: https://www.facebook.com/manmadeprojectofficial

Matt Abbott

Writer, poet and former Skint & Demoralised frontman from Wakefield. He will be performing a full poetry set at this year’s LD. His poetry career to date has seen him share a stage with John Cooper Clarke, Carol Ann Duffy, Kate Tempest, Luke Wright, Helen Mort, Mike Garry, Rommi Smith, and Elvis McGonagall. He’s also gigged with protest singer Grace Petrie on several occasions, performed at a Jail Guitar Doors event for Billy Bragg and Mick Jones, spoken at the Unite Against Fascism National Conference in London and recorded a special on Seamus Heaney as part of the BBC’s 2009 Poetry Season.

Matt Abbott’s website: http://www.mattabbottpoet.com/

Menace Beach

Menace Beach are a five-piece indie rock group from Leeds

Menace Beach website: http://menacebeach.co.uk

MOLARS

MOLARS are a noisy pop band from Leeds.

https://youtu.be/Q8-aglill9k

MOLARS Facebook page: https://www.facebook.com/MOLARSBAND

See The second part of our preview of Long Division with a local focus.

Long Division website: http://www.longdivisionfestival.co.uk
Long Division on Facebook: https://www.facebook.com/pages/Long-Division
Long Division on Twitter: @Long_Division_

Festival PR by I Like Press: @ilikepress

X
X