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LIVE REVIEW: Upbeat in the downpour – listening at Puzzfest

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Harry Bird and the Rubber Wellies
Harry Bird and the Rubber Wellies

The sky was tipping it down when we turned up to Day One of Puzzfest. There’s only so long a body can bear to stand around in the cold with rain seeping through the canopy, but it was one of those afternoons you were glad you’d ventured out. Pity they didn’t do vegetarian burgers (the meat ones smelt so good) but apart from that, we can’t fault the welcoming atmosphere The Puzzle Hall Inn created in its courtyard. And it’s all for free (apart from the beer) so what’s not to like at this fab little festival!

And it really wasn’t their fault about the weather – the first weekend in May has a duty to be sunny. It says it in statute somewhere. Honest.

The Puzzle Hall’s Beautitudes Acoustic stage may be a very large shed with the front taken off, but it’s finished with doll’s house precision that is intrinsically pleasing.

The Fabulous Duffy Gibbons
The Fabulous Duffy Gibbons

When you’re billed as The Fabulous Duffy Gibbons it’s quite a lot to live up to – but this guitar-playing duo were providing great entertainment to an enthusiastic but soggy audience, huddled around the outdoor bar. With lyrics like ‘It’s a long hard road we ride’ and ‘how many more times to ride the carousel?’ the songs provide a mix of stirring, foot stomping stuff and a wistfulness reminiscent of Country music. There’s more than a strong hint of Gypsy blues in this music, and it’s no coincidence that John Duffy also has his own Duffys Gypsy Band.

These guys have the rapport of musicians who are truly comfortable and happy to be performing together. There’s an easy banter between them and the audience, and they joke about having played on this spot at Puzzle Inn Hall ‘since it was an f***ng car park’.

John Duffy and Jon Gibbons have played together for 22 years and met while living in Bradford ‘at a garden party’ (which Jon cheerfully admits isn’t exactly rock ‘n roll). Jon G was making an album at the time and invited John D to do some of the music. As part of the band EgoMania they played across Yorkshire for many years, but more recently moved 300 miles apart and only get to play together on special occasions. ‘But we love coming back to Yorkshire,’ Jon says. ‘You get the best audiences around here.’

And the audience at PuzzFest was certainly pleased to see them. For a cold afternoon it was uplifting, exhilarating and downright enjoyable.

Read about Egomania in Bradford’s Noise of the Valleys: Volume 2: A History of Bradford Rock and Pop 1988 -1998 Paperback – 19 Nov 2013 by Gary Cavanagh and  Matt Webster

It’s a Long Hard Road We Ride is taken from the 1994 Album, Paris or New Orleans, by Egomania, which both Duffy and Gibbons were both part of.

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Paul Straws

Next on in the rain was Paul Straws – who was replacing The Treated. Paul’s website describes him as ‘a multi-instrumentalist singer songwriter from Liverpool. He plays Guitar, Mandolin, Ukulele, and Piano, though not at the same time..’. but on this day he only had a guitar on stage with him – and some pretty sophisticated material for creating FX.

Paul took the time to explain to his audience that he created his sound by recording his voice and playing ‘in real time, and then playing this back … adding extra layers with my voice and harmonies, so the song builds’.

This female reviewer was rather charmed by Mr Straws’ clarity of voice, his thoughtful lyrics (‘She says I don’t think I matter… I say I can’t go to sleep without you in the room’) and his baby-faced, ruffle-haired good looks – but my male companion wasn’t quite so impressed. He found the whole performance little more than a clever technical exercise, and Paul’s use of ‘looping’ certainly left some unresolved questions about how you define ‘live music’.

Website: paulstraw.com

The last band we caught before the cold drove us home was Harry Bird and the Rubber Wellies. And very glad we were too that we stayed for them, because it was their refrain ‘There’s a river, there’s a river..’ (from the song of the same name) which earwormed us both on the return journey.

Harry of Harry Bird and the Rubber Wellies
Harry of Harry Bird and the Rubber Wellies

We fell in love with Harry’s infectious grin when we first spotted him carrying a piece of equipment in his mouth (because his arms were full) and stopped him for a photo and a quick chat. Harry’s sunny disposition transferred seamlessly to the stage and together with band member Christopher Capewell, they created a good old-fashioned bit of ‘Summer of Love’ feel in the Spring greyness of Sowerby Bridge. Describing themselves as a ‘travelling folk band’ these guys (who have a base in Sheffield) sing about grubs emerging into butterflies, being evicted from your squat and a lot of ‘love, love love’, with an open-hearted honesty and joy that was truly infectious. You could almost say they were giving it real welly (but we aren’t that trite).

IMG_3734
Christopher Capewell

The guys play a plethora of instrument: Harry wields a much-loved guitar pasted with CND stickers, a gazoo and mouth organ, and Christopher proves himself versatile on violin, and a natty little mini-keyboard thing that he blows into with a pipe.

The people behind us were sneering about the band’s similarity to ‘Blues and Bob Dylan’ but the rest of the audience seemed happy enough to be carried along on this catchy, life-affirming stream of late 60s/early 70s pyschedelia meets blues and folk combination.

Harry Bird and the Rubber Wellies: https://www.facebook.com/harrybirdandtherubberwellies  & www.hotdroprecords.com

More Puzzfest to come on 22nd to 24th May

Headlander Festival: Scruff of the Neck Stage

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Scruff of the Neck will host their own stage in their own tent with their own selection of the best emerging talent predominantly from the northern regions. SOTN have pedigree for running sell out shows across Manchester with infamous atmospheres and they plan to bring this to Headlander.

Further information: www.scruffoftheneckrecords.com

Lineup Saturday 21st June

The Slow Readers Club
Feed The Kid
King Kartel
Shakedown Stockholm
Ruby Tuesday
Dave Fidler
The Hyena Kill
Purple Merlin

Lineup Sunday 21st June

Bluebird Kid Clark
Federal Charm
Clockwork Radio
TREMORS
The Hotspur Press
Luna Marada
My Igloo
No One Sun

Tickets

TICKETLINE: http://www.ticketline.co.uk/headlander#tour
SKIDDLE: http://scruffoftheneckrecords.skiddletickets.com/event.php?id=12308571

See website for further information on prices and policies: http://www.headlanderfestival.co.uk/

Venue

Stockport RUFC
The Memorial Ground,
Headlands Road.
Bramhall,
Stockport.
Cheshire,
SK7 3AN

Retro at Rendezvouz (Rios)

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Paul Taylor (4 hr special)
Dean Green

It is with great pleasure that the uk’s largest and most successful club classics brand returns to Whalley.

Featuring Mr Retro himself Paul Taylor & Dean Green.

Be prepared for the biggest tunes and the largest hands in the air

Paul will be doing a 4hr special which will be recorded. People who register on the night will receive a free signed CD. Film crew and photographer recording the nights antics.

CO2 & Confetti Cannons at the ready

PreParty at SoBar Clitheroe from 8pm including a free taxi to the club

Tickets on the door will be £5 before 1am

Tickets available from Rendezvouz
Open 11.30pm – 4.00am
Tel: 07540986612

16 Accrington Rd
Whalley
Clitheroe
Lancashire BB7 9TD

LIVE REVIEW: Rogier Smal and Cathy Heyden

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Rogier Smal and Cathy Heyden knocked our socks off with their exhilarating but otherwordly mixture of sax and drums. This former experimental jazz denier confesses to being hooked.

We’re all volunteers here at LSF which means we have our meetings after the ‘dayjobs’. We also have wine as well but we don’t talk about that. It was during our recent Friday evening meeting that we discovered that nobody had plans for covering Tor Booking’s evening of experimental music at the Unitarian Church, Todmorden. We like Tor because of their extremely supportive attitude towards musicians, so we agreed someone needed to attend. Despite my professed indifference to Jazz, I volunteered to go along with our photographer, Frank, to give it a go.

We arrived just in time for the last act of the night – Rogier Smal (from Amsterdam) and Cathy Heyden (from Paris). The duo were wrapped up in layers of dark fleeces as they warmed up before their set. Positioned between the pulpit and the altar and overlooked by haughty stone angels, they seemed dwarfed by the scale of the old church. The tiny audience were drinking beer and talking quietly in the pews. But when the lights went off a startling transformation occurred. As the drums and sax crashed into a gloriously discordant cacophony of sound we were pinned to our seats by the sight of Cathy, blowing her guts out, golden hair, orange shirt and saxophone gleaming out of the blackness.

There’s an unmistakable passion and energy in this performance that’s hard to resist. The pair respond to each other’s playing with a skill and fluidity even a jazz novice has to admire. Rogier in his woolly hat holds his drumsticks light as sacred objects, but is giving it all that he’s got. Cathy skilfully holds a note as she swings and sways on the spot – but then begins a slow confident march along the darkened nave of the church, leaving the audience far behind her. There’s a thrill of expectation as she vanishes, playing, into the darkness at the far end but then reappears in one of the aisles, lit only by the glow of her saxophone.

Jazz13

Between first and second tracks the couple mumble something we can’t hear, but there’s no mistaking the start of the second track. It’s the kind of drumroll you’d expect at the start of a Cecil B. DeMille, movie – the one with the parting of the red sea and people charging around in chariots – and what follows musically is certainly fast and furious. But after a while the mood changes and the track fades out into a eerie assortment of sounds created by the sax through FX.

The following track is almost militaristic at the start and Cathy has her saxophone raised above her head. There’s plenty of high hat sounds from the drumkit and as Cathy adjusts the FX we are riveted by noises that are weird, spooky and thrilling. Rogier is bent low over the drumkit and now Cathy has vanished from view. The mood shifts again and we have glorious liquescent sounds that transforms the darkened church into the bottom of an ocean. Then there’s a wash of eerie reverb and a plock-plock noise we cannot identify. Nobody moves a muscle as the sounds gradually fade back into silence.

We had to leave after that, but we tiptoe away entranced and energised. This isn’t mellow jazz but shock-you-from-your-socks-upwards, hammer-inside-your-ribcage stuff played by talented and dedicated artists. This definitely wasn’t my normal kind of music but this performance was vibrant, unsettling and mesmerising. Some people might find it a touch on the pretentious side, but with half a bottle of wine inside her, this reviewer was utterly captivated.

Super Furry Animals: Latest headliners announced by Bingley Music Live

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Super Furry Animals will join the legends of the British music scene, James, and the multi-talented Labrinth as the festival with the reputation of the ‘North’s Last Great Party of Summer’ on 4-6 September.

The festival, with surely the best value for money around (Just £49 for a three day weekend!), will announce another ‘co-headline’ act shortly.

Libertines front man and lead guitarist, Carl Barat and his band The Jackals also joins the bill that already includes Embrace, Ella Eyre, Ash, Cast, Scott Matthews, Peter Hook and the Light who will be playing the hits of his former bands New Order and Joy Division.

2-tone Ska band The Beat join this year’s lineup wielding their hits including Can’t Get Used To Losing You and Mirror In The Bathroom.

True to form, the festival will host some of the very best of both new and undiscovered talent on its Discovery Stage with a range of acts that already promises a collection Radio One favourites and exciting new acts. Rae Morris and Scott Matthews. Fickle Friends, Pixel Fix, Meadow Lark, Adam French, The Black Delta Movement, Weirds.

Deaf School won’t be a name known to everyone up at the Discovery Stage but that won’t stop BML urging music fans to check them out. The band has been together for decades and there may never have been acts like Blur without the influence of Deaf School. The band also includes the wife of Madness star Suggs and Clive Langer – the man behind the production desk of all the hits of Madness and Dexy’s Midnight Runners as well as clocking up international hits with artists like Elvis Costello, David Bowie and Mick Jagger to name just a few.

As ever, the Main Stage also gives opportunity to ‘tomorrow’s headliners today’ alongside internationally successful artists, as it introduces future giant acts to the Bingley crowd such as Nothing But Thieves, Kiko Bun and Vant.

Tickets are just £49 for adult weekend tickets and £34 for child weekend tickets plus booking fee with an opportunity to still pay in installments.

For tickets, regular updates and the full 2015 line up, visit http://www.bingleymusiclive.com

Holmfirth Arts Festival 2015

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Coming Soon

Music highlights of the festival include:

  • Escher String Quartet – 17th June
  • Andy Sheppard’s Hotel Bristol – 18th June
  • Eminence Brass – 19th June
  • Rubber Duck Orchestra – 21st June

Tickets and further information about the festival can be found on the Holmfirth Festival Website

FRANK’S COLUMN: The Ravishing Beauties and Virginia Astley

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In the first of his occasional columns in which he will dig through his ‘heap of music’ to bring you highlights or possibly just ramble on about something, Frank introduces you to The Ravishing Beauties and Virginia Astley.

More than 30 years ago (to be exact this was 29th April 1982) I was listening to the John Peel Show and I was stopped in my tracks by a set of songs that were beautiful – pastoral, ethereal, moving. John announced that this was a session by The Ravishing Beauties. I don’t recall but as sessions were sometimes repeated I probably did listen to the following days’ shows in the hope it was repeated.

To be honest I became obsessed, I rushed round all the record shops in the area asking for records by The Ravishing Beauties. I made record shop assistants trawl through catalogues and ring distribution companies, but there was nothing.

In the end, and this was over a year later, someone – it may have been the helpful assistant in the Tricorn Virgin Megastore – said ‘Ah there’s this LP by Virginia Astley, she’s part of the Ravishing Beauties’. And handed me From Gardens Where We Feel Secure. He may have known something I didn’t at the time which was that the Ravishing Beauties really only existed to play Virginia’s music live and by that time had broken up – of which more later – but crucially he didn’t tell me and I didn’t ask (you just didn’t push your luck with record shop assistants).

NOTE: There was only one helpful assistant in the Tricorn Virgin Megastore – known to my group of friends as ‘the helpful assistant’.

From Gardens Where We Feel Secure

My obsession with this music was, to be honest. strange. I had moved on – thanks to a friend who introduced me to new music – from the largely heavy rock and acid rock stuff I liked in my early teenage years, but this was still some way removed from the punk, post-punk and ‘New Pop’ part of my collection. It may have chimed with some aspects of Bowie’s music (which I loved then and continue to love), and possibly church music and film soundtracks. It may have been the first sign of my emerging obsession with finding music that is new and different.

You’ll have seen that it took over a year before I found From Gardens Where We Feel Secure. As you can tell this wasn’t mere infatuation.

Over the years I have from time to time searched for the Ravishing Beauties session with no result but recently I decided once and for all to do a proper internet search to see if I could find anything. I can report success.

Ravishing Beauties: Peel Session

Tracks:

  • Arctic Death
  • Futility
  • No Need To Cry
  • We Will Meet Them Again

Band members:

  • Virginia Astley (Lead Vocals)
  • Kate St. John (Backing Vocals, Cor Anglais, Oboe, Flute)
  • Nicky Holland (Backing Vocals, Keyboards)
  • Ben Hoffnung (Percussion)

Recorded: 14th April 1982
Transmission: 29th April 1982

What does this music sound like?

As you’ve probably worked out, at the time it sounded like nothing I had heard before. It was beautiful, ethereal, pastoral, grand and somehow ‘English’. By this I mean English in the way Elgar sounds English, Life In A Northern Town by The Dream Academy (of which more later) or Grantchester Meadows by Pink Floyd (on Ummagumma) is quintessentially English. I recognised it had some nice elements of folk. It bought to mind afternoon tea in a vicarage garden or a Sunday morning church service. It used woodwind instruments (Cor Anglais, oboe and flute I now know) and electronic keyboards. It has an epic quality to some of the tracks.

Listening back to it now I still get all of the above, but I can also hear the influence of Nick Drake, The Incredible String Band, The Cocteau Twins and Eno. I get the drone thing that’s going on in some of the tracks. But, and most importantly, it still sounds incredibly fresh. It certainly hasn’t dated.

There’s actually quite a range in the tracks – some are quite synthy and some are more like band arrangements of music from the album From Gardens Where We Feel Secure. There are no writing credits available for the four tracks in the session but you can hear elements of future Dream Academy and Tears for Fears music in two of the tracks, so it’s probable that these may have been written by Kate and Nicky.

If I was pushed I’d admit that the vocals are a bit ragged but for me that just adds to the charm.

I’m going to emphasise here that you may not get that pastoral or ‘English’ thing at all; that’s fine it’s the feeling I get from it. You may indeed feel that this is just another ‘Cocteau Twins’ type band; that’s fine too. I’d just like you to recognise that there’s something here that is good.

Hearing this music

The Ravishing Beauties never recorded anything other than the Peel Session which has never been released. The tracks are available on SoundCloud to stream and download from: https://soundcloud.com/treetopclub

Virginia Astley: From Gardens Where We Feel Secure

Catalogue number: HA001/RT58
Label: ROUGH TRADE/HAPPY VALLEY
Release date: 29th July 1983

Tracks:

  • Morning: With My Eyes Wide Open I’m Dreaming
  • Morning: A Summer Long Since Passed
  • Morning: From Gardens Where We Feel Secure
  • Morning: Hiding In The Ha-Ha
  • Afternoon: Out On The Lawn I Lie In Bed
  • Afternoon: Too Hot For Peacocks
  • Afternoon: Summer Of Their Dreams
  • Afternoon: When The Fields Were On Fire
  • Afternoon: It’s Too Hot To Sleep

Produced by: Russell Webb (of the Skids) & Virginia Astley

What does this music sound like?

This is an instrumental LP that uses a blend of live recordings of countryside sounds and piano music, written and played by Virginia and designed to evoke the atmosphere of a summer’s day. The album began life as a series of demos produced by John Foxx at the Crépuscule studios, where he was working at the time. For completeness, I can add that the sound effects used on the album were recorded at various times between April and June 1982 at locations in and around Moulsford, Oxfordshire.

Yes you read that right – it’s a piano and found-sound instrumental concept album.

At the time I got this I loved it immediately. Even my Mum loved it, she described it ‘as a nice change from that screechy guitar stuff you usually listen to’. Quite why I loved this so much I don’t know, OK so there was that connection with The Ravishing Beauties but this was way out of my comfort zone musically. It even sounded a bit like classical music.

This is very definitely pastoral – it’s got birdsong and a donkey on it (honest). It’s beautiful and charming but not lightweight. It makes me smile. It evokes the English countryside on one of those childhood days that you just didn’t want to end. I’d suggest lying in a garden and listening to it on headphones.

Me, I just want to make a film and use it as the soundtrack, as long as I can make the film I see in my mind’s eye when I hear it.

Hearing and getting Virginia’s music

All of Virginia’s albums have been deleted as far as I can see. Various CDs and LPs are sometimes available secondhand on eBay, Amazon and other websites. You might ask your friendly record shop if they could try and get you copies, if you get hooked.

None of Virginia’s music is available on iTunes – although a search will bring up tracks that she has guested on.

The SoundCloud site TopTreeClub has some of Virginia’s music on it and tracks from From Gardens Where We Feel Secure can be found on YouTube. Other tracks available on YouTube include this collaboration with David Sylvian.

Some background

Virginia Astley
Virginia Astley
Virginia Astley in 1982

Virginia Astley is the daughter of composer Edwin Astley, noted for TV themes such as The Saint.

Virginia began learning piano at the age of six and flute at 14. After leaving school, she studied at the Guildhall School Of Music.

In 1980 she joined the Victims of Pleasure. Virginia, playing keyboards, worked with them for a short while, playing in clubs and pubs around London.

After that Virginia wrote, arranged and performed music with Skids’ frontman, Richard Jobson, for the album The Ballad Of Etiquette. Their collaboration continued when Jobson moved to Belgian label, Les Disques Du Crépuscule, and Astley contributed to the Crépuscule compilation, The Fruit Of The Original Sin.

In 1981 she signed to the small UK label Why-Fi and recorded a series of songs. A school friend, Jo Wells (Kissing the Pink) and a university friend, Nicky Holland, both contributed as did Tony Butler, Mark Brzezicki and Peter Hope-Evans.

She was offered a support band slot with The Teardrop Explodes and this led to the formation of The Ravishing Beauties.

After the break-up of the Ravishing Beauties Virginia continued to record – notably in Japan.

More recently Virginia has published poetry.

The Ravishing Beauties
Ravishing Beauties
Ravishing Beauties on tour

Virginia recruited Nicky Holland and another university friend, Kate St. John, to form the band The Ravishing Beauties. The trio joined The Teardrops in Liverpool during the winter of 1981 for a series of dates at a small clubs and a UK tour in early 1982. They also recorded with Echo & the Bunnymen, Skids, and Siouxsie and the Banshees.

The Ravishing Beauties did not record as a band, but appeared on radio shows, including the John Peel Session – where I first heard them.

The band was shortlived, with Kate first becoming a model and then eventually a member of The Dream Academy, while Nicky did session work and joined Tears for Fears.

Further information

virginiaastley.com – described as the official website this has a full discography including work she did with other artists

An extract from Richard King’s second book ‘Original Rockers’ (Faber & Faber) about ‘From Gardens Where We Feel Secure’ can be found on the Caught by the River website

Photographs from http://eccentricsleevenotes.com

Thy Art Is Murder plus guests Make Them Suffer

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THY ART IS MURDER

Thy Art Is Murder

Rising from the unhallowed wastes of Western Sydney, extreme metal outfit Thy Art Is Murder have carved a trail of bloody mayhem since their inception in 2006. With an acclaimed EP and debut album in Infinite Death and The Adversary to their name, the band have traversed the highways and autobahns of Australia, the UK and Europe on a relentless crusade to destroy every venue and audience they can with like minded peers in a who’s who of heavy metal.

2012 brought a new ritual offering of darkness from the five piece. Simply titled Hate, the band’s second full length is the pointed result of Thy Art Is Murder’s growing dissatisfaction with all aspects of modern life – political, religious, social and environmental – everyone is to blame. Fusing the blasting technicality of metal luminaries The Black Dahlia Murder with thunderous breakdowns and the intensity born of their nascent hometown scene; the blackened grandeur of Behemoth and the pit churning groove of Tampa originators Morbid Angel and Cannibal Corpse, the furious musical arrangements provide a bloody canvas for vocalist CJ McMahon’s outpourings of bile.

Make Them Suffer

Hailing from the most remote capital city on the planet, Perth sextet Make Them Suffer have been honing their razor sharp blend of frostbitten black metal, fiery hardcore and gothic misery since 2008. Partnering with global heavy metal powerhouse Roadrunner Records for 2012’s critically acclaimed debut, Neverbloom, the band hit the road with the likes of Northlane, Bleeding Through, Job For A Cowboy and Thy Art Is Murder to spread the nightmare throughout Australia, Europe and the UK.

Now in 2015, it is time to draw back the curtains on Make Them Suffer’s brand new album Old Souls, slated for release on May 29. Created in the shadows over the last year and tended to by a who’s who of heavy music producers, with Jason Suecoff (The Black Dahlia Murder, Trivium), Joey Sturgis (Emmure, Asking Alexandria), Forrester Savell (Karnivool, Dead Letter Circus) and Roland Lim (Make Them Suffer – Neverbloom, I Am Zero) all getting involved, Old Souls sees Make Them Suffer expanding their sonic universe and exploring new territory without sacrificing the vicious metallic attack that first drew fans across the world to them. Whether it’s the furious blasting of Threads, the mournful cinematic dirge of Timeless or manic piano signature piercing the thunderous breakdowns of Scraping The Barrel, Old Souls is the evolution heavy music has been waiting for.

Music events at The Manchester International Festival

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Coming Soon

Manchester International Festival takes place biennially in Manchester. The Festival launched in 2007 as an artist-led, commissioning Festival presenting new works from across the spectrum of performing arts, visual arts and popular culture.

Tickets for the following music highlights are available from the Festival website.

10×10: Four Tet – Live in Concert

Support from

  • Tyondai Braxton
  • Koreless
  • Eat Your Own Ears
  • Now Wave DJs

17 July
Doors open from 7pm
First act 7pm

Mayfield Depot
Fairfield Street
Manchester M1 2QF

Tickets
£19.50* / £25
Concs £5 off
£12 for Greater Manchester residents on a lower wage

On sale:
MIF Members, Thu 7 July, 10am
General sale, Fri 8 July, 10am

*Limited release, early-bird tickets

10×10: Day & Night
12 Hours Non Stop

Carl Craig & Mike Banks
DJ Koze
Joy Orbison
Octave One – Live
Kyle Hall
Midland
Paranoid London – Live
Dark Sky – Live
Maurice Fulton
Space Dimension Controller
Jacques Green
Mr. Ties
Illum Sphere
The Unabombers
Krysko & Greg Lord
Zutekh DJs

18 July
2pm – 2am
Mayfield Depot
Fairfield Street
Manchester M1 2QF

Tickets
£25
Concs £5 off
£12 for Greater Manchester residents on a lower wage

On sale:
MIF Members, Thu 7 July, 10am
General sale, Fri 8 July, 10am

wonder.land a new musical
Music by Damon Albarn
Book and lyrics by Moira Buffini
Directed by Rufus Norris

wonder.land is a new musical inspired by Lewis Carroll’s iconic Alice in Wonderland, with music by Damon Albarn and book and lyrics by Moira Buffini (Tamara Drewe, Handbagged). Directed by the National Theatre’s incoming Director, Rufus Norris.

Welcome to wonder.land, where you can be exactly who you want to be.

Aly, 12, loves this extraordinary virtual world. Bullied at school and unhappy at home, wonder.land lets her escape from her parents, from teachers, from herself.

Online, Aly becomes Alice: brave, beautiful and in control. But some of the people she meets — the weird Dum and Dee, the creepy Cheshire Cat, the terrifying Red Queen — seem strangely familiar.

As hard as Aly tries to keep them apart, real life and wonder.land begin to collide in ever more curious and dangerous ways.

29 June to 12 July

Palace Theatre
Oxford St
Manchester M1 6FT

Tickets
£21.25 (Preview)
£19.25 – £46.25
(Includes ATG restoration levy)
Concs £5 off (limited)
£12 tickets for Greater Manchester residents on a lower wage can be booked here.

A group rate of £5 off person on bookings of 10 people or more is available on £40.25 and £34.25 price seats for performances on Tue 7 July at 7.30pm and Wed 8 July at 2.30pm and 7.30pm, making the price per person £35.25 or £29.25. To book, call the Group Sales Team on 0844 871 3038

Arvo Pärt, Manchester Camerata, Gábor Takács-Nagy

Arvo Pärt’s music, at once ancient and modern, seeks to communicate what the composer has described as ‘love for every note’. His music is utterly unique and of huge appeal with audiences internationally; today, Pärt is the most performed living composer in the world. Arvo Pärt, Manchester Camerata’s Music Director Gábor Takács-Nagy and MIF have curated a special evening of orchestral and choral works that perfectly demonstrates the overwhelmingly spiritual quality of his music.

Sun 12 July 7:30pm

The Bridgewater Hall
Lower Mosley Street
Manchester M2 3WS

Tickets
Book tickets via The Bridgewater Hall box office on 0161 907 9000.
Side Choir seats available only

£16-£36
Concs £5 off (limited)
£12 tickets for Greater Manchester residents on a lower wage

The Immortal: An Oratorio
A new work by Mark Simpson
Mozart’s Requiem
BBC Philharmonic

Manchester International Festival presents the world première of The Immortal, a new work for orchestra and chorus by one of Britain’s brightest young composers, Mark Simpson.

Sat 4 July 7:30pm

The Bridgewater Hall
Lower Mosley Street
Manchester M2 3WS

Tickets
£16-£36
Concs £5 off (limited)
£12 tickets for Greater Manchester residents on a lower wage can be booked here.

Festival Square: The home of MIF
For the 18 days of the Festival, Albert Square becomes Festival Square, the home of MIF.

Free music : The acoustic stage returns to Festival Square each day. Line-ups and times will be announced via social media and mif.co.uk nearer the time.

Free DJs: Everyday, 9pm til late. Our hand-picked selection of DJs will be spinning tunes in our Pavilion bar, including Mary Anne Hobbs, Dave Haslam, Will Tramp, Gregling, Disco Mums, Chris Massey, John Loveless, Justine Alderman and Hattie Pearson.

Sold out events

The following events are currently sold out but check back for tickets that become available

  • Yellow: The traditional MIF finale. Guest DJ Erik Rug (Silencio, Paris) joins Dave Haslam for a soul-stirring night of classic funk and house
  • FKA twigs, one of the most exciting artists of the last ten years, in residence at Old Granada Studios
  • Björk

INTERVIEW: Why Gig Nilavongse provides free gigs

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Golden Lion opening - Gig behind the bar

Gig’s venues and events support a melting pot of talent of all genres and all ages. We asked her to tell us about her passionate interest in helping artists and musicians and providing free access to music for the local community.

How did you end up where you are now?

Initially I came to the UK to be a helper for my disabled friend who was taking part in the Chelsea Flower Show. I ended up staying in London, working in catering for restaurants and festivals all over the country. I came from a catering background – my Mum had a restaurant in Bangkok – so it was familiar territory.

I studied a Masters in Visual Arts at Leeds University, based in Bradford. I graduated four years ago. I opened the 3 Monkeys restaurant and bar five years ago to try and clear the debt accrued by studying as an international student. It was hard work to finish my Masters and juggle the bar and restaurant, as well as being a mum.

I’m now an artist-In-residence in Bradford and other places too. I do print-making and photography workshops as part of my residency. I give talks and arrange demo workshops. My work is focused on supporting Thai women in British society, particularly those who have been mistreated or abused. My artwork is a ‘journey journal’ where I compare my adventures in England to Alice’s journeys down the rabbit hole.

Gig’s adventures can be explored on her blog.

3 Wise Monkeys
The 3 Wise Monkeys in Todmorden

The 3 Wise Monkeys – did you always plan for it to be a music venue?

All my friends and lots of people in this valley are musicians and songwriters. They have the talent but struggle to get into the music market because they have chosen to live in a little valley, away from the cities, which makes it harder for them to get noticed. They need to be supported in their own town. I have venues, and if someone wants to do something I will support them – to keep them here, to keep them doing it.

How do you help?

We have an open mic evening every week where new artists can showcase their material, and we book people for nights from there. We try and give everyone a chance. Someone might be 17 years old and needs to start from somewhere. They need to play and we give them that opportunity.

We also put on live music events every Friday and Saturday evening.

We’ve really been supporting White Rabbit and Chapter4.

Each month we offer an artist the opportunity to stage an exhibition. On the opening night there are free drinks and nibbles, and we provide the space to exhibit without taking commission. It’s difficult to be successful in these industries in this country so we do what we can to help.

Why have you recently opened at the Golden Lion?

We needed a bigger venue and one where the noise wouldn’t bother residents, as we’d had some problems with the 3 Monkeys. Here, we’re not close to any houses, so we can have live music going on.

We have the open mic every Thursday night here too.

Last year we had 100 acts booked over 52 weeks of the year at the 3 Monkeys. We expect a lot of those acts will follow over to the Golden Lion, as well as attracting new acts.

Golden Lion opening Outside
Golden Lion Opening Celebration

What future music events do you have planned?

We’re involved with Tod Folk Fest and other local music festivals, from where we source local bands. We are hosting the Owter Zeds as part of Alternatiba at the Golden Lion on Sunday 3rd May.

We’re also planning an ale/cider and all-day music festival this summer and, also, a canal-side music festival.
We have JStar performing on Friday 15 May.

White Rabbit presents Eternal Tapestry (Portland, Oregon) on Thursday 11 June, with support from Woven Skull and Sophie Cooper.

Why do you run most of your events for free?

Music has no funding and little support and many musicians don’t have money, so I try to help the community by not charging for gigs. People are already paying for our beer! My support is a way of giving something back to the public.

The gigs we put on are always free, unless the organisers want to put on a charity event, when we let them charge on the door. We have a charity comedy gig booked on the 30th August 2015 for Cancer Research, for example.

We organised a street party in Todmorden last year which was a great success. It was a great opportunity for whole families to come and hang out and everyone was so happy.

What about big names?

As well as supporting emerging bands and artists, we aim to get big names too. For example, we’ve had DJ, Andy Kershaw, Richard Norris from London, and Stephen Steinbrink from the USA, Camera from Germany, and Throw Down Bones from Italy. It’s good that people from the local area get the chance to experience these big artists too, so then they don’t have to pay for expensive tickets or travel to see them. They’re on their doorstep.

What are your personal tastes in music?

I have to like everything! I like psychedelic music and reggae music, but garage comes top.

My favourite band has to be Nirvana. But I could be inspired by any band – they don’t have to be famous.

We understand you’re providing community space at the Golden Lion – who’s it for?

We provide our upstairs room for private parties, and organisations can charge on the door. This room is also a designated community space. For example, you can use it to do a reading or writing group, jam session or even use it as a practice room – all for free. I am always asking bands to come and practice here, then I can check them out.

We have a booking from Brian Acton’s band – they want to film a music video here in the Lion. I am so excited because young people might see the scenes and become inspired themselves.

It’s also a case of keeping the Golden Lion going, as it is an important part of our history. It is the oldest pub in Todmorden. We try to link the businesses on Water Street with the Lion and other local venues for festivals – to make it a whole town affair.

Bands can contact Gig through Facebook and send her links to their music.
The Golden Lion is available for hire, and food, a band or DJ can also be provided.

Golden Lion – Fielden Square, Todmorden, Lancashire OL14 6LZ Tel: 01706816333
3 Wise Monkeys – 15 Water Street, Todmorden OL14 5AB Tel: 01706 817010

With thanks to Dave Croft Photography for the photos of the opening celebrations of the Golden Lion.

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